En movimiento

This story is strongly rooted in dance, if you don't find dancing fun, intriguing or dramatic enough there's barely anything else happening here that has not been done before better in a different movie.

The life of the protagonist is shown in different common facets that usually appear in drama films. The way she found ways to thrive through dance is probably the only more specific plot point to this film and since dancing is really not something that interests me i just couldn't connect with the main character.

Secondary characters are barely fleshed out at all besides her relationship with her father maybe, and just a little. That was about it. The rest is just related to her dancing career and setbacks related to it and a little bit about how some parts of society are also preconcevied to be setbacks but how life finds ways and stuff like that.

I guess acting and directing and production and everything else is alright but nothing really ever pulls you in.

Maybe if you can stream if somewhere i could say go for it, i wouldn't be satisfied with this film if i had to pay a full admission ticket to watch it.

This film actually started promising with the ballet scene, but very early it was clear what is going to happen next. And After 20 minutes I knew exactly how it's going to end , and indeed no surprises. Everything I predicted happened.

I liked the photogenic like cations, and young people do look well on camera, but that's it. The reminder of this film was mostly looking like self promotion or documentary for the Israeli choreograph, and a lot of fillers in between the almost no existing plot.

So while the dancing parts are ok or entertaining at best, there isn't much else' to draw anyone in.

This film is Recommended ,I guess, for french people, who like to indulge on their high culture, or people who like modern dance. There is no much of actual film beside it.

We are treated to some fine ballet at the start of this film before prospective star "Elise" (Marion Barbeau) goes over on her ankle. It's not the first time this has happened, and the prognosis from the doctors is not good. A broken bone and loads of swelling might necessitate surgery and, well, no more dancing. That news takes a bit of getting use to, but "Elise" is not one for sitting moping. She discusses things with her parents and decides that a bit of physiotherapy helping out a modern dance troupe in Brittany might be the answer. At least it will give her a break from her dizzy dad (Denis Podalydès). Her arrival is welcomed and she soon settles in, being asked to help out one of the dancers with his routine and reminding her that this more to life than dance. Extending from that scenario, there's quite a fun scene with her ponytailed physiotherapist "Yann" (François Civil) who tells her, hopefully, that she should meet someone. His crestfallen face when she says that perhaps she has is almost sad, and it worsens when she declares it might be "Mehdi" (Mehdi Baki)! Essentially, this is a film about her and her compulsions. To dance and to herself mainly, and Barbeau is on good form delivering a character that has had her future snatched from her, but who is undeterred in making a new one. It has elements of "Fame" (1980) to it - a group of otherwise unlikely friends who are drawn together by their love of dance, music - and peeling potatoes. Pio Marmaï adds value, too, as the rather whacky cook "Loïc" and all in all I think this is quite enjoyable to watch.

I think that everybody should watch "En corps", because the plot is very interesting and touching and everyone can understand the emotions. Even if you don't care about dance, you can watch this film ! That is why I think that this plot is brilliant. "En corps" is a film full of feelings. I mean that you will laugh, you will cry, you will see talented people too, who will sing, dance or play an instrument ! This art brings you another thing. Marion Barbeau (Elise in the film) is the main character. She tries to make us feel the rebirth that she finds in contemporary dance, and I think that you understand very well that. Muriel Robin, is also a very good actress, because she makes you laugh, when it's difficult and she brings lightness, when we will cry ! She also makes us consider that you should never give up ! That's my own opinion.

.... i profoundly loathe Classical Ballet for a series of reasons .... it looks like it belongs to a past we do not want to be reminded of ..... but and I do not particularly like Modern Ballet either yes a difficult customer but i love dance when it really comes from inside and then all the prejudices melt away

I did not know who the main dancer Marion Barbeau here was how revered she is; but when I saw her move in any genre there is no mistaking The Shakti the liifeforce the energy of life itself ; when she walks in normal civilian stance there is nothing to see; and then a switch goes off and magic happens ....

The story is fair to good; the other players (Denis Podalydès as the useless/hapless father and the mention of D'ormesson is a gem) and dancers and also very good the street dance with the Music of Can and Jaki Liebezeit from 69 or 70 which the youngsters term hiphop here (yep) and which really sounds so unbelievably fresh 50 years later and not out-of-date moves them in ways which are astounding; gymnastics and dance-wise

This film is a paean to The God of Dance and an absolute must-see/ Apparently was filmed during covid time; so it was not a wasted year for all :)

Thank u Mr Klapisch for this feast.