Irma Vep

This Tv show is about people making a TV show, so if you dislike anything Hollywood (spoiled movie stars, eccentric filmmakers, etc), annoying french artists and classic cinema/theatre, then look somewhere else. But if love this kind of thing, you're in for a treat. The show's writing and acting feels natural and fluid, and Alicia Vikander has an undeniable screen presence. . We've only seen the first two episodes, so don't expect me to give you my take on the first 30 minutes of a movie-You gotta watch the whole thing before you can talk crap about the story or characters.

As Episode 1 of "Irma Vep" (2022 release from France; 8 episodes of about 55 min each) opens, the Alicia Vikander character (we later learn it is an American actress called Mira) arrives in Paris and is whisked away to a photoshoot for her news movie "Doomsday". Mira is actually in Paris to star in an adaptation of the 1916 French silent classic "Les Vampires", and was hired by the French director who envisions her playing "Irma, pure evil in a sexy kinda way"... At this point we are 10 min into Episode 1.

Couple of comments: in 1996 French writer-director Olivier Assayas had a great idea to make a movie-within-a-movie about the movie adaptation of a 1916 French silent movie, and along the way casting Hong Kong movie super star Maggie Cheung who plays herself in the film. Now more than a quarter century later, Assayas decided to reimagine his 1996 movie into an 8 part mini-series, and my immediate reaction was: why? But I must admit I was rather curious about it, and now having seen the initial two episodes of this, I must say that the mini-series is a very different experience compared to the movie. It's not that the acting is inadequate. Alicia Vikander and Vincent Mcaigne (as the director) are tops. And the mini-series is very stylish and even sleek (plus it plays the 1979 classic tune "Moscow Discow" by Belgian electronics band Telex in the photoshoot scene, extra bonus point for that!). But it also lacks the originality, adrenaline and urgency of the 1996 movie. Yes, the 1996 movie was a bit rough around the edges, but frankly that is part of its charm. So based on the initial two episodes, the choice so far between the 1996 movie and the 2022 mini-series is an easy one: the 1996 movie wins.

"Irma Vep" (the mini-series) premiered on HBO Max a week ago, and new episodes are available on Sundays. If you are watching the mini-series without having seen the 1996 movie, I encourage you to conclude the mini-series and then check out the 1996 movie, and draw your own conclusion.

If you have not seen the original Assayas movie from 1996, try watching it first. You will understand more about the idea behind this series. In short, it's just more of the same 1996 movie, but with enough details shuffled around to make it interesting to watch even if you have seen it before.

This is a remake of a movie that was telling about shooting remake of an old movie from the beginning of the 20th century, that was actually a 7h long series!

It's not for everyone, but you don't need to be neither patient nor intellectual to appreciate it. If you love cinema and love French cinema, you will appreciate this modern take on how chaotic tournage is.

A popular actress joins a strange director and some other weird characters in a remake of an old silent film about Vampires who aren't really Vampires. I'm all in! Sure, much of it makes no sense but the fun is in the characters and what they do and say. Guess I was in the mood for something different because I like it more than most.

...are not interesting if there is no resolution or continuity. We see things happen and end scene. Then we see something else happen and end scene. Then we see another thing happen and all of these things feel like cliffhangers and then none of the things we have seen have any consequences in anything that follows what we've seen so what is the point of even watching?