En Los Ángeles de los años 90, un guardaespaldas protege a una superestrella del pop y a su novio deportista de un acosador empedernido.En Los Ángeles de los años 90, un guardaespaldas protege a una superestrella del pop y a su novio deportista de un acosador empedernido.En Los Ángeles de los años 90, un guardaespaldas protege a una superestrella del pop y a su novio deportista de un acosador empedernido.
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Opiniones destacadas
"Borderline" had the ingredients to be something truly special, but instead, it settles for being just fine. The film teases a bold and sharp-edged narrative, yet it never fully embraces its potential, leaving an overall experience that is enjoyable in parts but frustratingly uneven.
The movie struggles with pacing. Several scenes drag on far longer than necessary, turning initially amusing or interesting moments into awkward stretches that overstay their welcome. More than once, I found myself thinking, "Why is this scene still going? It was funny a minute ago, but now it's just uncomfortable." This inconsistent rhythm makes the film feel sluggish at times, dampening its impact.
While the humor worked for me in many places-thanks to my appreciation for dark, offbeat comedy-it might not land for everyone. The film walks a fine line between being cleverly absurd and just feeling directionless. There are glimpses of brilliance in the writing, but they often get buried under scenes that lack focus or feel like they're stalling for time.
On the positive side, I really liked the character of Penny. Her dialogue, delivery, and presence (even if minimal) add energy to the film, making it feel brighter and more engaging whenever she's on screen. Her wit and charisma create some of the film's best moments.
Overall, "Borderline" could have been so much more. It had the potential to be a sharp, biting dark comedy, but instead, it settles for being intermittently amusing and frustratingly uneven. It's a film that I wanted to love but could only like-and just barely.
The movie struggles with pacing. Several scenes drag on far longer than necessary, turning initially amusing or interesting moments into awkward stretches that overstay their welcome. More than once, I found myself thinking, "Why is this scene still going? It was funny a minute ago, but now it's just uncomfortable." This inconsistent rhythm makes the film feel sluggish at times, dampening its impact.
While the humor worked for me in many places-thanks to my appreciation for dark, offbeat comedy-it might not land for everyone. The film walks a fine line between being cleverly absurd and just feeling directionless. There are glimpses of brilliance in the writing, but they often get buried under scenes that lack focus or feel like they're stalling for time.
On the positive side, I really liked the character of Penny. Her dialogue, delivery, and presence (even if minimal) add energy to the film, making it feel brighter and more engaging whenever she's on screen. Her wit and charisma create some of the film's best moments.
Overall, "Borderline" could have been so much more. It had the potential to be a sharp, biting dark comedy, but instead, it settles for being intermittently amusing and frustratingly uneven. It's a film that I wanted to love but could only like-and just barely.
What a disappointment.
Good over-acting by Ryan Nicholson, Samara Weaving was better in 'Ready or Not' or 'Azrael'. Here, she has not that much to do.
The movie has some heavy issues concerning the script and the storytelling: The script starts with a lie and Ryan Nicholson as the first person narrator. The lie tricks the viewer and the first person narrative is never again important for the movie. Emotions are shown through the overuse of playing songs, meaning, the narrative is not confident in its script and storytelling. It has to use this trick in filmmaking showing that the direction is not good. So it's more of style over substance thing for the first time director.
The script takes decissions for a black comedy but the ideas don't really take off.
And: Borderline has nothing to do with hallucinations, so the title of the movie makes no sense.
At the end this movie is like an overlong music video.
Ryan Nicholson is rememberable, the movie unfortunately forgettable after watching.
The trailer was promissing a hilarious, dark comedy about stalking. The movie instead is not funny, not hilarious, has serious issues in storytelling, the characters and the script, but it has some dark, black humour.
Good over-acting by Ryan Nicholson, Samara Weaving was better in 'Ready or Not' or 'Azrael'. Here, she has not that much to do.
The movie has some heavy issues concerning the script and the storytelling: The script starts with a lie and Ryan Nicholson as the first person narrator. The lie tricks the viewer and the first person narrative is never again important for the movie. Emotions are shown through the overuse of playing songs, meaning, the narrative is not confident in its script and storytelling. It has to use this trick in filmmaking showing that the direction is not good. So it's more of style over substance thing for the first time director.
The script takes decissions for a black comedy but the ideas don't really take off.
And: Borderline has nothing to do with hallucinations, so the title of the movie makes no sense.
At the end this movie is like an overlong music video.
Ryan Nicholson is rememberable, the movie unfortunately forgettable after watching.
The trailer was promissing a hilarious, dark comedy about stalking. The movie instead is not funny, not hilarious, has serious issues in storytelling, the characters and the script, but it has some dark, black humour.
Screenwriter Jimmy Warden takes the lead in directing a film he wrote himself, one that possesses a small charm as this ironic play about obsession and fame unfolds. He takes advantage of a cast that elevates the cast and makes the most of it, even if we encounter some less successful moments than others.
A cleverly thought-out thriller that uses dark humor as its mainstay, creating a film that, all things considered, generates good feelings due to its hilarious moments, which are quite accomplished and add that unexpected touch of affection for the film. To this end, we find a cast that works perfectly in coordination with its script, and the one who shines the most is Ray Nicholson, who is shown with the gestural and charismatic brilliance of his father, Jack. Meanwhile, there is a cast of well-chosen supporting actors and a Samara Weaving who isn't the Queen we know, but whose presence alone is enough to embellish the film.
It has many surprises as we delve into its story, and it truly captivates you with truly unexpected moments, as well as certain scenes that its director pulls out of his hat, creating unforgettable moments that are worth discovering upon seeing. While it may not have what it takes to end up being one of those great films of 2025, it has the merit of being a truly entertaining hit that grows endearing and overcomes its weaker moments thanks to a cast that substantially elevates those moments with charisma and talent.
A film unlike any other that brings out the best in its director, who has interesting things to show and deserves to be taken into account. It's not a perfect film, but it's worth giving it its time and seeing. It has truly worthwhile moments that will make you laugh out loud.
A cleverly thought-out thriller that uses dark humor as its mainstay, creating a film that, all things considered, generates good feelings due to its hilarious moments, which are quite accomplished and add that unexpected touch of affection for the film. To this end, we find a cast that works perfectly in coordination with its script, and the one who shines the most is Ray Nicholson, who is shown with the gestural and charismatic brilliance of his father, Jack. Meanwhile, there is a cast of well-chosen supporting actors and a Samara Weaving who isn't the Queen we know, but whose presence alone is enough to embellish the film.
It has many surprises as we delve into its story, and it truly captivates you with truly unexpected moments, as well as certain scenes that its director pulls out of his hat, creating unforgettable moments that are worth discovering upon seeing. While it may not have what it takes to end up being one of those great films of 2025, it has the merit of being a truly entertaining hit that grows endearing and overcomes its weaker moments thanks to a cast that substantially elevates those moments with charisma and talent.
A film unlike any other that brings out the best in its director, who has interesting things to show and deserves to be taken into account. It's not a perfect film, but it's worth giving it its time and seeing. It has truly worthwhile moments that will make you laugh out loud.
I'm starting to think Jimmy Warden films are not for me. I haven't enjoyed anything I've seen of his to date. His films seem to find an awkward middle ground between serious and humour, and instead of being the best of both worlds, it's the worst of both and just becomes painful to get through.
That's how I found 'Borderline'. I just couldn't find any element of it to grip on to. When it's trying to be funny, it is rarely funny. When it's trying to be serious, it comes across very flat and uninteresting. And when it trying to be stylish and crafty, it just doesn't work.
The one thing I will give it credit for is some good song choices along the way. Otherwise this one was a complete miss for me. A very generous 4/10.
That's how I found 'Borderline'. I just couldn't find any element of it to grip on to. When it's trying to be funny, it is rarely funny. When it's trying to be serious, it comes across very flat and uninteresting. And when it trying to be stylish and crafty, it just doesn't work.
The one thing I will give it credit for is some good song choices along the way. Otherwise this one was a complete miss for me. A very generous 4/10.
Whatever you think this movie is going to be like, it's not. I'm gonna tell you right now, every twist you think this film will make... it doesn't. The best thing you could do is just go and blind, that's what I did because I like almost all of Samara Weaving's movies (well, her quirky horrors for sure).
Every time I thought this movie was gonna turn right it turns left. It has a style of its own, and that is definitely seen in the bits of dark comedy. It seems like a lot of other people did not like this movie for the exact reason that I did like it, it isn't a normal movie. This is just an enjoyable ride. You put it on you laugh it's fun, and along the way it has a great soundtrack. In fact the last song that closes out the movie was incredible.
Also, Ray Nicholson is really good in this role, and it wasn't until the movie ended that I read his name, and realized he's Jack Nicholson's son. So just go watch it.
Every time I thought this movie was gonna turn right it turns left. It has a style of its own, and that is definitely seen in the bits of dark comedy. It seems like a lot of other people did not like this movie for the exact reason that I did like it, it isn't a normal movie. This is just an enjoyable ride. You put it on you laugh it's fun, and along the way it has a great soundtrack. In fact the last song that closes out the movie was incredible.
Also, Ray Nicholson is really good in this role, and it wasn't until the movie ended that I read his name, and realized he's Jack Nicholson's son. So just go watch it.
¿Sabías que…?
- TriviaLoosely based on a stalking case involving Madonna in the 1990s. In 1996, a violent man was convicted and sentenced to ten years for stalking and threatening the life of pop legend Madonna, with the man reportedly telling her bodyguard that he intended to slit her throat if she didn't marry him. That man would later escape the mental hospital but was quickly apprehended again before any further harm was caused.
- ErroresAbout 47 minutes in, before Paul puts a bandage a Sofia, her wound is visibly close to the center of her forehead. After she wakes up, her wound has moved about an inch to her left.
- ConexionesReferences El silencio de los inocentes (1991)
- Bandas sonorasNo More 'I Love You's'
Written by David Freeman and Joseph Hughes
Performed by Annie Lennox
Courtesy of Sony Music Entertainment (UK) Ltd.
By arrangement with Sony Music Entertainment
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- На межі
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 5,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 13,847
- Fin de semana de estreno en EE. UU. y Canadá
- USD 8,254
- 16 mar 2025
- Total a nivel mundial
- USD 284,704
- Tiempo de ejecución
- 1h 34min(94 min)
- Color
- Relación de aspecto
- 1.66 : 1
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