Cuando ocurre un evento de guerra mundial en la Tierra, América y Rusia, ambas naciones contactan secretamente a sus astronautas a bordo de la ISS y les dan instrucciones para tomar el contr... Leer todoCuando ocurre un evento de guerra mundial en la Tierra, América y Rusia, ambas naciones contactan secretamente a sus astronautas a bordo de la ISS y les dan instrucciones para tomar el control de la estación por cualquier medio necesario.Cuando ocurre un evento de guerra mundial en la Tierra, América y Rusia, ambas naciones contactan secretamente a sus astronautas a bordo de la ISS y les dan instrucciones para tomar el control de la estación por cualquier medio necesario.
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- Premios
- 1 premio ganado y 1 nominación en total
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Opiniones destacadas
Great concept for a story. I found it to be original and exciting. The acting (outside of the zero G) was quite good and I was really drawn in by each of the performances. However, the zero G effects were so bad and it kept pulling me out of the story. It doesn't take an expert to realize just how lazy this production got with ensuring even a hint of accuracy. If this story took place in a near future where artificial gravity was established, I would have enjoyed it a lot more. Or I would have enjoyed this movie more as an audio book or audio drama so I could use my imagination of what it looked like. But the visuals were so distracting and disappointing. The story was good and an interesting and original concept that I would have enjoyed if I could have focused.
I love sci-fi. I love original non-franchise movies. The combination of the two are becoming increasingly scarce. I want these movies to succeed so Hollywood will continue to invest in them. But like with The Creator and 65, we have another failed attempt.
This movie is all over the place. So much of it feels off. The characters are extremely stupid. They make so many questionable decisions. It's just poor writing, which is also likely the reason I could barely get invested in the story.
There are also some questionable sci-fi elements. I caught a couple mistakes with the zero-G. And it was frequently noticeable that they were hanging, not floating. It was ambitious to attempt zero-G scenes for the entire runtime, but like much of this movie, it feels off.
There is also something major that only happens because an astronaut doesn't follow one of the most basic safety procedures, something even a regular movie fan like me would know. They mention it but never explain why that basic procedure wasn't followed.
Another reason I think this movie fails is the performance by lead actress Ariana DeBose. I found it flat and bland. She does not seem like leading role material. I assumed she was a newbie, but she has a decent filmography. It's mostly musicals (which I don't watch), but apparently she won an Oscar, which is shocking to me.
I was looking forward to watching a new movie in theaters opening night. But with this one, it was so unsatisfying that I decided to see another movie right after, unplanned. And it worked out because Godzilla Minus One is drastically better in every way. Watch that instead.
(1 viewing, opening Thursday 1/18/2024)
This movie is all over the place. So much of it feels off. The characters are extremely stupid. They make so many questionable decisions. It's just poor writing, which is also likely the reason I could barely get invested in the story.
There are also some questionable sci-fi elements. I caught a couple mistakes with the zero-G. And it was frequently noticeable that they were hanging, not floating. It was ambitious to attempt zero-G scenes for the entire runtime, but like much of this movie, it feels off.
There is also something major that only happens because an astronaut doesn't follow one of the most basic safety procedures, something even a regular movie fan like me would know. They mention it but never explain why that basic procedure wasn't followed.
Another reason I think this movie fails is the performance by lead actress Ariana DeBose. I found it flat and bland. She does not seem like leading role material. I assumed she was a newbie, but she has a decent filmography. It's mostly musicals (which I don't watch), but apparently she won an Oscar, which is shocking to me.
I was looking forward to watching a new movie in theaters opening night. But with this one, it was so unsatisfying that I decided to see another movie right after, unplanned. And it worked out because Godzilla Minus One is drastically better in every way. Watch that instead.
(1 viewing, opening Thursday 1/18/2024)
The premise is fairly strong, but would need a great script that takes the story into a direction that subverts expectations. I. S. S. Doesn't do this. In fact, it goes the route of turning characters stupid and having situations happen to fit the narrative rather than coming off at all realistic.
Nothing is worse than a movie that has plot holes that glaringly stick out while you're watching it. You foresee where the shaky plot will falter, then the film proceeds to flounder itself into becoming more and more stupid because the original plot points are too weak to be paid off in a smart way. It is written into a corner where there's too many instances of plot convenience, with many going off the deep end of all plausibility. Characters inexplicably become different persons on a flip of a dime. At one point a character "dies" off screen only to come back for no reason. A character does evil things early on only to become a good guy by the end. Another character can't speak Russian well at all only to become fluent later. Someone else chooses to make a distraction in an unbelievably dangerous way. If the conflict is between the U. S. and Russia, why is the Yucatan Peninsula being bombed? These, and many other dumb decisions, lead to an end that is perhaps the dumbest moment of all.
Ultimately, when a writer can't figure out a smart way to resolve a conflict, then you should rethink the conflict. I. S. S. Becomes more stupid as it goes because its conflicts are too weak to begin with and it digs itself into a never-ending hole by the end. There's not much positive to say about this, because any positivity that I had was only in the first 30 minutes of the movie. Do yourself a favor and skip this one.
Nothing is worse than a movie that has plot holes that glaringly stick out while you're watching it. You foresee where the shaky plot will falter, then the film proceeds to flounder itself into becoming more and more stupid because the original plot points are too weak to be paid off in a smart way. It is written into a corner where there's too many instances of plot convenience, with many going off the deep end of all plausibility. Characters inexplicably become different persons on a flip of a dime. At one point a character "dies" off screen only to come back for no reason. A character does evil things early on only to become a good guy by the end. Another character can't speak Russian well at all only to become fluent later. Someone else chooses to make a distraction in an unbelievably dangerous way. If the conflict is between the U. S. and Russia, why is the Yucatan Peninsula being bombed? These, and many other dumb decisions, lead to an end that is perhaps the dumbest moment of all.
Ultimately, when a writer can't figure out a smart way to resolve a conflict, then you should rethink the conflict. I. S. S. Becomes more stupid as it goes because its conflicts are too weak to begin with and it digs itself into a never-ending hole by the end. There's not much positive to say about this, because any positivity that I had was only in the first 30 minutes of the movie. Do yourself a favor and skip this one.
Although the plot description gives you a good idea of what's ahead - war between Russia and the U. S. - the special effects shows you the actual consequences of the conflict from the International Space Station. It is unnerving. Then, what we see transpire between the Russian and American crew keeps you on the edge of your seat. A woman next to me sounded like she was in agony, closing her eyes and turning her head, moaning oh no! It's a story about allegiances, and how long do you keep them to both your crew mate and to your country, all the while fending for yourself. There is a love story within all the chaos that pulls you in emotionally. You leave with the question of could this happen? And if so, what happens to all that we know?
I'm not sure how this is an April release in cinemas, I watched it back in February at home so it's available on one of the platforms.
It's pretty bad, shockingly bad. It's a poor storyline, poorly acted and pretty nonsensical. Based around different nationalities receiving the same order to take over the I. S. S when war breaks out, not enough spaces on the Souyez so there's a bit of an argument about that and then those that are left duke it out for control.
It's not very memorable, effects are mediocre and it's a bit slow. All the action is in the trailer and not much else happens. I'm glad I didn't pay to see it in the cinema but did make it to the end. Just about.
It's pretty bad, shockingly bad. It's a poor storyline, poorly acted and pretty nonsensical. Based around different nationalities receiving the same order to take over the I. S. S when war breaks out, not enough spaces on the Souyez so there's a bit of an argument about that and then those that are left duke it out for control.
It's not very memorable, effects are mediocre and it's a bit slow. All the action is in the trailer and not much else happens. I'm glad I didn't pay to see it in the cinema but did make it to the end. Just about.
¿Sabías que…?
- TriviaIn December 2020, Nick Shafir's screenplay I.S.S. was included on that year's "Black List" of most-liked unproduced screenplays.
- ErroresAround 41min, Gordon is outside the ISS and is at the end of his tether. The tether is hooked to one of the handlebars on the side of the outer wall. Gordon chooses to unhook himself rather that move the tether's anchor over to a second handlebar, closer to his position, which is clearly visible. There is no reason for him to unhook himself from the tether.
- Bandas sonorasWind of Change
Written by Klaus Meine
Performed by Scorpions
Published by BMG Platinum Songs US (BMI)
All Rights Administered by BMG Rights Management (US) LLC
Licensed by Sony Music Entertainment UK Limited
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- How long is I.S.S.?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 20,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 6,573,799
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,064,583
- 21 ene 2024
- Total a nivel mundial
- USD 6,605,079
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the Canadian French language plot outline for I.S.S. (2023)?
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