CALIFICACIÓN DE IMDb
6.4/10
3.9 k
TU CALIFICACIÓN
Una crónica de la interacción entre el estudiante universitario Jason Moss y el objeto de su obsesión, el asesino en serie John Wayne Gacy.Una crónica de la interacción entre el estudiante universitario Jason Moss y el objeto de su obsesión, el asesino en serie John Wayne Gacy.Una crónica de la interacción entre el estudiante universitario Jason Moss y el objeto de su obsesión, el asesino en serie John Wayne Gacy.
- Dirección
- Guionistas
- Elenco
Opiniones destacadas
For a college term paper, a rather naive young man named Jason Moss (played by actor improbably named Jesse Moss) decides to interview notorious, real-life serial killer John Wayne Gacy (William Forsythe). The story, which is true, is set in the early 1990s.
Gacy was convicted in 1980 of killing over thirty Chicago area boys and young men in the 1970s, and was on death row when Moss sent Gacy the initial written inquiry. Through the plot, the two correspond via letter and talk on the phone. Eventually, Gacy arranges for a personal visit from Moss.
Jason comes across as smart, ambitious, and a bit smug and cocky. At no time does he express any genuine interest in Gacy as a person. Instead, Jason hopes to gain the confidence of Gacy so as to learn details about Gacy's experiences that law enforcement and the FBI were unable to learn. Jason's motives are thus somewhat selfish, and aimed at furthering his own academic career. I really didn't much sympathize with him or his tactics. And of course Gacy, the killer who dressed up as a clown, was truly evil. In short, there's no one to root for in this film.
This is an unusual movie in that close-up camera shots of characters comprise much, if not most, of the scenes. Lighting is conventional. The film offers little in the way of suspense. It comes across as a TV docu-drama. Casting and acting are acceptable.
For viewers interested in true crime stories, "Dear Mr. Gacy" offers a strange after-the-fact twist to a dreadful episode. And at the film's very end, the script makes a startling revelation about one of the real-life characters.
Gacy was convicted in 1980 of killing over thirty Chicago area boys and young men in the 1970s, and was on death row when Moss sent Gacy the initial written inquiry. Through the plot, the two correspond via letter and talk on the phone. Eventually, Gacy arranges for a personal visit from Moss.
Jason comes across as smart, ambitious, and a bit smug and cocky. At no time does he express any genuine interest in Gacy as a person. Instead, Jason hopes to gain the confidence of Gacy so as to learn details about Gacy's experiences that law enforcement and the FBI were unable to learn. Jason's motives are thus somewhat selfish, and aimed at furthering his own academic career. I really didn't much sympathize with him or his tactics. And of course Gacy, the killer who dressed up as a clown, was truly evil. In short, there's no one to root for in this film.
This is an unusual movie in that close-up camera shots of characters comprise much, if not most, of the scenes. Lighting is conventional. The film offers little in the way of suspense. It comes across as a TV docu-drama. Casting and acting are acceptable.
For viewers interested in true crime stories, "Dear Mr. Gacy" offers a strange after-the-fact twist to a dreadful episode. And at the film's very end, the script makes a startling revelation about one of the real-life characters.
The life story of Jason Moss is at least as intriguing – and slightly disturbing - as that of the people he dedicated his life researching
Imagining the depressing and harsh subject matter he dealt with continuously, I can more or less comprehend why he committed suicide at the age of 31, even though there isn't any actual indication that his work directly or indirectly led him to end his own life. Well before reaching the age of 20, Moss corresponded with several notorious serial killers such as Jeffrey Dahmer, Henry Lee Lucas and John Wayne Gacy. It was the latter with whom he corresponded the most intimately and published a book about his experiences, entitled "The Last Victim". "Dear Mr. Gacy" is the – reputedly very faithful – adaptation of this book and atmospherically unfolds how the ambitious 18-year-old Moss seeks contact with Gacy, only a couple of months prior to his execution, in order to deliver an accurate school thesis on the subject of "inside a serial killer's mind". Gacy was a homosexual and pedophile, convicted for the murder of 33 adolescent males, and thus Jason Moss' profile immediately raised his interest. They began to communicate through letters, later telephone calls and the two even met face to face shortly before John Wayne Gacy got executed through lethal injection. The film contains a handful of strong moments and a truly powerful performance by William Forsythe as Gacy, but overall seen, this isn't a hidden gem or even highly memorable thriller. Perhaps this is because you unintentionally compare it to the vastly superior "Silence of the Lambs" and "Seven", due to the element of interaction with a serial killer, but mainly it's because the screenplay is so ordinary and doesn't contain anything surprising or even remotely unusual. The bond between Moss and Gacy develops so damn predictable! Of course you know that the young criminology student gets way more than he bargained for when trying to provoke one of the most diabolical individuals of the planet. Of course you can predict that someone like Gacy, in spite of being behind bars and knowing his execution nears, can still easily manipulate and terrorize his newly found pen pal. And of course you can guess that Gacy's influence over Jason Moss becomes so strong and dangerous that his own private life narrowly gets ruined. Some of the sub plots are rather irrelevant, like Moss seeking contact with a victim that survived his encounter with Gacy several years ago, supposedly to ask for "advise" on how to confront him?!? Is it me or is this just totally inappropriate? Svetozar Ristovski's direction skills can only be referred to as neutral and the only true standout of this film is – naturally – Forsythe's stellar performance as John Wayne Gacy. William Forsythe is one of those rare character actors who has the ability to petrify you simply through his charisma and voice. Also given his resemblance to the real Gacy, especially at later age, I couldn't have imagined anyone else suitable for the role.
I wasn't sure I wanted to watch another moralistic 'movie-of-the-week' about a serial killer since they are usually whitewashed beyond recognition to make them palatable to mainstream America.
When I found out this was based on the true story of a college student contacting John Wayne Gacy in prison before he was executed, however, I thought I would give it a chance.
It all starts like a 'docudrama' by the look of the cast, but with the first glimpse of the gritty characterization of Jason's mother, this film took on a much edgier realism than I was expecting. It seemed to me that I had not seen a woman like this before - not pretty, not likable, not whitewashed.
In fact, none of the characters were Hollywood suburban - they were conflicted, vulnerable, angry, manipulative and contradictory. And, 'Jason Moss' takes us on a journey that seems ordinary at first, but step by step, the tension ramps up and we soon find ourselves betting against higher and higher stakes on a happy ending.
What we end up experiencing is an intense and uncomfortable story that goes far deeper into the psyche of Gacy and anyone who came into contact with him than the usual fare. The acting is superb on everyone's part, especially Jesse Moss and William Forsythe - so much so that I had a hard time connecting to the pix of the real people at the end of the film.
This is one of the best studies of serial murderers that I have ever seen. Watch it but be prepared to go places that aren't 'nice'. People are much scarier than we care to believe - an idea that John Wayne Gacy used skillfully to entrap his victims up until the end.
When I found out this was based on the true story of a college student contacting John Wayne Gacy in prison before he was executed, however, I thought I would give it a chance.
It all starts like a 'docudrama' by the look of the cast, but with the first glimpse of the gritty characterization of Jason's mother, this film took on a much edgier realism than I was expecting. It seemed to me that I had not seen a woman like this before - not pretty, not likable, not whitewashed.
In fact, none of the characters were Hollywood suburban - they were conflicted, vulnerable, angry, manipulative and contradictory. And, 'Jason Moss' takes us on a journey that seems ordinary at first, but step by step, the tension ramps up and we soon find ourselves betting against higher and higher stakes on a happy ending.
What we end up experiencing is an intense and uncomfortable story that goes far deeper into the psyche of Gacy and anyone who came into contact with him than the usual fare. The acting is superb on everyone's part, especially Jesse Moss and William Forsythe - so much so that I had a hard time connecting to the pix of the real people at the end of the film.
This is one of the best studies of serial murderers that I have ever seen. Watch it but be prepared to go places that aren't 'nice'. People are much scarier than we care to believe - an idea that John Wayne Gacy used skillfully to entrap his victims up until the end.
Jason Moss (played by Jesse Moss, no relation), a college student attending UNLV, corresponds with serial killer John Wayne Gacy (William Forsythe),convicted of murdering 33 young men and boys, while on death row. They get closer and closer to each other... and each getting inside the other's head.
This film was very highly anticipated by me. I had actually corresponded with many (31) serial killers from 2001-2003, and was familiar with Moss' book. I had found it to be full of ego-stroking and gross exaggerations. Other reviews I read seemed to agree with me, and I was frankly disappointed that Moss went on to intern with the Secret Service, as I felt he was a hack. I hoped the film would correct some of this.
The film was developed with screenwriter Kellie Madison (her first script) and producer Clark Peterson ("Monster") along with interaction from Moss, at least up until his suicide on 6/6/06. They got permission from his widow, Charlotte, to go ahead, and made the film as we can see it today. Personally, I think they did a brilliant job. Some of the scenes (with the male hooker and the final confrontation, for example) are probably dubious, but they relate to the book. So, as far as adaptations go, it is pretty strong.
I had the pleasure to speak with Barry Boschelli, a lifelong friend of John Wayne Gacy, before seeing this film. You can see some clips of Barry in the special features. He not only told me some great stories about Gacy (which you can read in his book), but praised William Forsythe for his accuracy in the portrayal of Gacy. If Barry says Forsythe was great, who am I to argue? I thought so, too, and it seems to be supported.
I hope this movie brings more light to the life of Jason Moss. I would like to see a biography of him. What did his brother, parents and wife think of his adventures? His girlfriend in the film... was she a real person? Did his professor find this accurate? Menard prison? What more can be learned about his suicide and the date he chose to kill himself?
I would recommend this film, without a doubt, for anyone who read the book, whether you enjoyed it or not. I would also recommend it for any fan or student of John Wayne Gacy. The accuracy is debatable, but I think the film is a valuable piece that deserves to be in your library. And any fan of William Forsythe... he does not get the credit he deserves often enough. This may be his stand-out role.
This film was very highly anticipated by me. I had actually corresponded with many (31) serial killers from 2001-2003, and was familiar with Moss' book. I had found it to be full of ego-stroking and gross exaggerations. Other reviews I read seemed to agree with me, and I was frankly disappointed that Moss went on to intern with the Secret Service, as I felt he was a hack. I hoped the film would correct some of this.
The film was developed with screenwriter Kellie Madison (her first script) and producer Clark Peterson ("Monster") along with interaction from Moss, at least up until his suicide on 6/6/06. They got permission from his widow, Charlotte, to go ahead, and made the film as we can see it today. Personally, I think they did a brilliant job. Some of the scenes (with the male hooker and the final confrontation, for example) are probably dubious, but they relate to the book. So, as far as adaptations go, it is pretty strong.
I had the pleasure to speak with Barry Boschelli, a lifelong friend of John Wayne Gacy, before seeing this film. You can see some clips of Barry in the special features. He not only told me some great stories about Gacy (which you can read in his book), but praised William Forsythe for his accuracy in the portrayal of Gacy. If Barry says Forsythe was great, who am I to argue? I thought so, too, and it seems to be supported.
I hope this movie brings more light to the life of Jason Moss. I would like to see a biography of him. What did his brother, parents and wife think of his adventures? His girlfriend in the film... was she a real person? Did his professor find this accurate? Menard prison? What more can be learned about his suicide and the date he chose to kill himself?
I would recommend this film, without a doubt, for anyone who read the book, whether you enjoyed it or not. I would also recommend it for any fan or student of John Wayne Gacy. The accuracy is debatable, but I think the film is a valuable piece that deserves to be in your library. And any fan of William Forsythe... he does not get the credit he deserves often enough. This may be his stand-out role.
Well paced thriller with a good amount of creepy.
I like it when there's a character who transforms in a movie. Moss becomes involved with Gacy who gets inside his head and stirs up some trouble. We see his character sink lower and lower as a result of his obsession. The fact that this is based on a true story where the student becomes successful but still succumbs to something dark and commits suicide brings layers to this movie; and a yearning to know many more details of what really happened between these two men.
Forsythe and Moss have good chemistry and depth.
I recommend. I will be very surprised if you do not google this story after viewing - I did.
I like it when there's a character who transforms in a movie. Moss becomes involved with Gacy who gets inside his head and stirs up some trouble. We see his character sink lower and lower as a result of his obsession. The fact that this is based on a true story where the student becomes successful but still succumbs to something dark and commits suicide brings layers to this movie; and a yearning to know many more details of what really happened between these two men.
Forsythe and Moss have good chemistry and depth.
I recommend. I will be very surprised if you do not google this story after viewing - I did.
¿Sabías que…?
- TriviaThe movie is based on a true story
- ErroresThe approximate setting of the movie was 1993-1994. After receiving his Cuban cigars from Stan the prison guard, Gacy Slips him money, a (20) twenty dollar bill which was the redesigned note that was not issued until 1998.
- Citas
John Wayne Gacy: I TOLD YOU WE ARE ALIKE! WE ARE EXACTLY ALIKE!
- Créditos curiososThis film is based on the story of Jason Moss, as told by him in the book entitled "The Last Victim". Mr. Moss' recounting of certain events could not be verified.
- ConexionesFeatures Leeza (1994)
- Bandas sonorasAin't We Funky
Performed by Assassinz
Written by Ric Torres and Geoff Siegel
Published by Guitarmageddon Music, Dr. Caligari Publishing and Fundamental AGS Publishing
Courtesy of Fundamental Music
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Dear Mr. Gacy?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The Last Victim
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 43min(103 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta