Agrega una trama en tu idiomaA funny and zany tribute to the 1977 cult classic, Smokey and the Bandit.A funny and zany tribute to the 1977 cult classic, Smokey and the Bandit.A funny and zany tribute to the 1977 cult classic, Smokey and the Bandit.
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Michael P. Sullivan
- Tiny Needham
- (as Michael Sullivan)
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I recently came across "Stand on It!" on YouTube, and although I didn't sit through the entire movie, I saw enough while skipping through scenes to get a solid impression-and unfortunately, it wasn't a good one.
Right away, the film's production quality is distracting. The camera work is subpar and often feels shaky and amateurish, like it was shot on a low-end device. It doesn't resemble something ready for release-more like a rough first cut or a student project. Even more jarring were the clear signs of green screen usage in certain scenes. These moments completely pulled me out of the viewing experience and made the film feel even more cheaply made. There may have been some low-budget CGI involved too, which only adds to the artificial, unpolished atmosphere.
The storytelling is hard to follow-not just because I skipped around, but because the narrative feels disjointed even in the scenes I did watch. It lacks flow and cohesion, making it tough to care about what's going on. There's no real charm or wit, which makes this especially disappointing for a movie that's meant to pay tribute to the 1977 classic Smokey and the Bandit.
Speaking of tribute, the characters here fall completely flat when compared to their iconic counterparts. Tim Phillips, who plays the Bandit-like role, does give a somewhat decent performance. He has a bit of screen presence and occasionally channels the charisma you'd expect from a Bandit figure, so I'll give him that. However he doesn't resemble the Bandit as his and Burt Reynolds eyes and facial structures don't match. Also, the Sheriff Bufford T. Justice character-originally made legendary by Jackie Gleason-is a major letdown. Matthew Cutter's portrayal lacks Gleason's over-the-top energy, and his accent doesn't come close. It's a failed imitation of a larger-than-life character, and it stands out in all the wrong ways.
As someone who loves the original Smokey and the Bandit, this film felt more like a parody gone wrong than a genuine homage. It doesn't capture the excitement, humor, or heart that made the 1977 film so memorable. If anything, it undermines the legacy with a lazy, thrown-together effort.
It's honestly kind of funny that Universal Pictures hasn't taken any legal action-maybe they saw Stand on It! For what it is: a harmless, low-budget imitation that poses no threat to the original's legacy. In that sense, ignoring it might be the wisest move they could make.
If you're a diehard fan of the original and are hoping to relive the fun, I'd recommend steering clear of this one. Unless you're morbidly curious or in the mood to see how not to do a tribute, there's really no reason to spend your time on Stand on It!
Right away, the film's production quality is distracting. The camera work is subpar and often feels shaky and amateurish, like it was shot on a low-end device. It doesn't resemble something ready for release-more like a rough first cut or a student project. Even more jarring were the clear signs of green screen usage in certain scenes. These moments completely pulled me out of the viewing experience and made the film feel even more cheaply made. There may have been some low-budget CGI involved too, which only adds to the artificial, unpolished atmosphere.
The storytelling is hard to follow-not just because I skipped around, but because the narrative feels disjointed even in the scenes I did watch. It lacks flow and cohesion, making it tough to care about what's going on. There's no real charm or wit, which makes this especially disappointing for a movie that's meant to pay tribute to the 1977 classic Smokey and the Bandit.
Speaking of tribute, the characters here fall completely flat when compared to their iconic counterparts. Tim Phillips, who plays the Bandit-like role, does give a somewhat decent performance. He has a bit of screen presence and occasionally channels the charisma you'd expect from a Bandit figure, so I'll give him that. However he doesn't resemble the Bandit as his and Burt Reynolds eyes and facial structures don't match. Also, the Sheriff Bufford T. Justice character-originally made legendary by Jackie Gleason-is a major letdown. Matthew Cutter's portrayal lacks Gleason's over-the-top energy, and his accent doesn't come close. It's a failed imitation of a larger-than-life character, and it stands out in all the wrong ways.
As someone who loves the original Smokey and the Bandit, this film felt more like a parody gone wrong than a genuine homage. It doesn't capture the excitement, humor, or heart that made the 1977 film so memorable. If anything, it undermines the legacy with a lazy, thrown-together effort.
It's honestly kind of funny that Universal Pictures hasn't taken any legal action-maybe they saw Stand on It! For what it is: a harmless, low-budget imitation that poses no threat to the original's legacy. In that sense, ignoring it might be the wisest move they could make.
If you're a diehard fan of the original and are hoping to relive the fun, I'd recommend steering clear of this one. Unless you're morbidly curious or in the mood to see how not to do a tribute, there's really no reason to spend your time on Stand on It!
I was 16 years old when Smokey and the Bandit came out, so my best friend Brian and I know every line for every character. With that said, when I first found this movie while streaming, I thought it was a rip-off remake, which I would not watch. Then I researched it and saw it was a tribute movie and that John Schneider was actually an extra in the original. That got my attention and piqued my interest, so I watched it. I watched in the spirit in which it was made, not as a bad remake, but as a quirky tribute. I really wanted to like it, but I didn't. I only laughed twice.
Characters and Dialog: I found it amusing how they switched up the names and what they referenced, but the acting was horrible. The actors sounded like they were actors reading or just saying their lines from a script, not actual characters talking to each other. The way they portrayed the different personalities was wooden, and that was for everyone. I actually cringed when some of the lines were said, which really surprised me. The character of Sheriff Cletus T Necessary was the worst. If he was trying to emulate Jackie Gleason, it was an epic fail. I cringed at most of Sheriff Necessary's lines, sometimes yelling at the TV, "No," (as in 'Don't say that'). There were so many missed opportunities for greatness; great lines missed, omitted, or just flubbed. Burt Reynolds, Jerry Reed, and Jackie Gleason actually lived the words they said, we believed them and believed in them. The actors in this film just read their lines off of a dialog page and then repeated them in front of the camera.
Car Chases: The car chases and crashes didn't make any sense. There was the set-up shot, some mumble jumble in the middle, and then the end shot. Where the police car ended up (lake or pond, playing field, flatbed trailer, rolling down an embankment, etc) made no sense based upon where it had been in the previous shot. I am not going into specifics because those were covered by other reviewers, and I pretty much agree with everything they said. I can only add that I asked myself many times, "How did that happen?"
I think I would have walked out had I seen this in a movie theater, but since I watched it streaming at home, I powered through it, hoping it would get better, which it didn't. I gave it a 2 because it already had so many 1's and I gave it an extra point for effort. I applauded their effort, but not their execution.
Characters and Dialog: I found it amusing how they switched up the names and what they referenced, but the acting was horrible. The actors sounded like they were actors reading or just saying their lines from a script, not actual characters talking to each other. The way they portrayed the different personalities was wooden, and that was for everyone. I actually cringed when some of the lines were said, which really surprised me. The character of Sheriff Cletus T Necessary was the worst. If he was trying to emulate Jackie Gleason, it was an epic fail. I cringed at most of Sheriff Necessary's lines, sometimes yelling at the TV, "No," (as in 'Don't say that'). There were so many missed opportunities for greatness; great lines missed, omitted, or just flubbed. Burt Reynolds, Jerry Reed, and Jackie Gleason actually lived the words they said, we believed them and believed in them. The actors in this film just read their lines off of a dialog page and then repeated them in front of the camera.
Car Chases: The car chases and crashes didn't make any sense. There was the set-up shot, some mumble jumble in the middle, and then the end shot. Where the police car ended up (lake or pond, playing field, flatbed trailer, rolling down an embankment, etc) made no sense based upon where it had been in the previous shot. I am not going into specifics because those were covered by other reviewers, and I pretty much agree with everything they said. I can only add that I asked myself many times, "How did that happen?"
I think I would have walked out had I seen this in a movie theater, but since I watched it streaming at home, I powered through it, hoping it would get better, which it didn't. I gave it a 2 because it already had so many 1's and I gave it an extra point for effort. I applauded their effort, but not their execution.
Yeah it's a low budget. But it's fun. And it is like the Smokey and the Bandit version of Not Another Teen Movie.
It has something from almost every classic car / truck movie that has been made in it. Every scene has either something in the background or in the script that is directly related to another show. The fun part is seeing what you find. From My Cousin Vinny to Beverly Hillsbillies it's all in it. You need to pay attention, and make sure you got your ears on or you're going to miss them.
Test your movie and show knowledge by seeing how much you can find.
Most of the movie was filmed on the stars ranch, so yeah don't sweater the movie because of its budget, it wasn't made in Hollywood.
It has something from almost every classic car / truck movie that has been made in it. Every scene has either something in the background or in the script that is directly related to another show. The fun part is seeing what you find. From My Cousin Vinny to Beverly Hillsbillies it's all in it. You need to pay attention, and make sure you got your ears on or you're going to miss them.
Test your movie and show knowledge by seeing how much you can find.
Most of the movie was filmed on the stars ranch, so yeah don't sweater the movie because of its budget, it wasn't made in Hollywood.
My dad was super excited for this run off, there were some good parts and some funny moments/ characters but it's like it was on a 5$ budget. Everything just was subpar, and I guess that's just how it is. I'm glad some people enjoyed it however I really do wish they did a better job when it is supposed to be a modern runoff of a fav classic. It felt like Disney doing a poor live action of an old fan fav.
I thought that Smoky and the Bandit 2 and 3 were bad. They are masterpieces compared to this. This film is an insult to the cast, crew, fans of Smoky and the Bandit. A crowd funding campaign turned into a paid dream for John Schneider. I've worked with him on other films and he takes most of the money from low budget projects. Super nice guy but greedy and arrogant. This movie looks like it was shot on a 1997 consumer camcorder. The actors are most likely aspiring actors that paid for their roles. It attempts to be funny but it's not. I paid to support this project and am embarrassed as I really had high hopes but it is truly an embarrassment and an insult to fans of Smoky and the Bandit and Dukes of Hazzard.
¿Sabías que…?
- TriviaMost of the movie was filmed on John Schneider's own ranch
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