Susie Searches

Sophie Kargman has written/directed a little masterpiece. The editing, music, sound effects, and the occasional very long take, keep you riveted to the movie. Kiersey Clemons plays the true crime podcaster with tremendous care, she's doing some very odd things very matter-of-fact-ly, very calmly. The twists and turns make it impossible to say much about the plot - indeed, you'll have the most fun watching if you know nothing about it. I found myself wondering a few times, now that I know that, where are we going? Oh...there! The arcs and the lively editing, music, and sound effects kept me glued to the screen, saying what? At times, and laughing a few times.

Clemons delivers a stunning performance here, and the supporting cast is also very strong. I really enjoyed the way the movie plays with genre tropes from both amateur detective stories and slasher flicks. It's almost painfully awkward to watch at times, but that's the point. And while we may struggle to like certain characters at certain times, most are treated with empathy. It's the kind of movie where you realize a moment before the twist what's going to happen, which for me was satisfying rather than predictable. It feels fresh and yet the story holds together and has a consistent tone. Deserves a better rating!

This must be one of the most painful movies I've watched in a long time.

First, the actual kidnapper is revealed much too early in the movie, but then the writer of the script, despite this, continues to throw in twists and turns as though the viewer is a complete and utter moron with no short-term memory at all.

It became obvious exceedingly early in the movie the director was trying to make an arthouse film and failed magnificently!

The only reason I watched it to the end was the hope against hope it would get better, but alas, I was denied any sense of enjoyment at all.

The characters, every single one, speaks slowly and methodically with each word. The dramatic pauses are overused and the abstract colors in the background, with the cliche and requisite low lighting everywhere, are CLEARLY there to set the same cliche mood every avant garde mystery movie has present.

I don't know where the positive reviews came from, unless they're friends of the writer, director, or one of the people in the movie.

Seriously, folks, don't waste your time. You'll regret watching this movie with every fiber of your being. This is a review coming from an avid mystery lover. Murder She Wrote has better acting and writing than this movie.

Since childhood, Susie (Kiersey Clemons) loves reading mysteries with her mother. As a part-time college student, she takes care of her sick mother, interns at the police station, and does her mystery podcast but no one actually listens to it. When popular student Jesse (Alex Wolff) goes missing, she sets out to solve the mystery.

The reveal needs to be shown much later in the movie. The audience needs to suspect Jesse of kidnapping himself for the attention. They need to start a list of possible suspects before the movie does the reveal. Some other minor changes include killing off the uncle to delete him from the suspect list and Jim Gaffigan needs to be smarter to ramp up the tension of possible discovery. He's only smart for the last scene which made me wonder where that character has been throughout the movie.

I enjoyed this movie. It wasn't amazing but it definitely wasn't bad. I'm a little confused by some of the other reviews both here and on another platform who say the reveal was too soon. The trailer literally tells us Susie was the kidnapper so it wasn't a surprise. It wasn't meant to be a "Who Dunnit". It was more like a "How To Get Away With It"...the very end was super predictable. The moment I saw them doing another interview I said now she's going to tell on herself. I already knew it.

Keirsy Clemons gives a good performance. I believe she was in her mid 20's but she's believable as a young, teenagish college student. Her character reminds me just a little of YouTube sleuth Tisa Tells.

It's worth second watch a couple years down the line on a bored day with nothing else. It's definitely not a background filler, so that says a lot.