Pistol

I almost didn't watch this. I was born in 1969 so I was a little kid during these years. But the music and punk movement endured into the 1980s so I was aware of it tho I didn't follow it. I just wasn't an angry teenager (tho I had reason to be) so it just didn't resonate with me, yet even then I knew something groundbreaking and important had happened. I learned so much watching this series. For starters I had no idea of the intersection of so many enduring greats that started out together at this time. Also? I learned a greater appreciation of punk than I've ever had before. The casting is perfect. The acting and directing and writing and production value are about as good and authentic as it gets. I was hooked early on and binge-watched it in one day. Now I'm sad it's over.

John Lydon is angry with Danny Boyle and the show's existence, so it is doing something right! The story is intoxicating, some of it true, some of it Apocryphal and some of it whole cloth fabricated.

It is well cast with a young ensemble blending unknowns with some more established actors. The raw anti-establishment energy shines through and there is some good chemistry albeit some of it brilliantly contrarian and negative.

The soundtrack is superb, naturally a lot is Pistols, but there is a liberal scattering of other classic music from the era. Costume and location are up to scratch and some of the dialogue is exceptional, with many memorable lines.

Stranger than fiction, nonetheless enjoyable, engaging and entertaining, though it is difficult to disentangle nostalgia from the show itself.

Overall I think this tv series is pretty great. While many people have been disappointed with the casting, I feel that the casting was pretty good and particularly think the actor who played Malcolm mclaren and John Lydon did a good job. It's very much a glamorised version of the sex pistols story with some fictional narrative but nonetheless I think it's pretty decent. One thing I would argue that isn't great is the ending. It's just kinda goofy and very much a romanticised ending which definitely didn't happen. I think I a deeper dive into character development would have also been good like with John lydon and Sid, I feel like they didn't get much of a back story. The soundtrack was also excellent.

I don't know why Lyndon is upset. I think he comes out looking better than anyone.

I just want a season 2 called 'Pretender' that continues Chrissie Hyndes' story.

Let's start with the elephant in the room.

John Lydon wasn't involved in this mini series which is a monumental missed opportunity. His exclusion depends on which story you believe - Disney & Boyle are adamant Lydon wanted no part of it. Lydon insists he was never asked and excluded from the outset. Either way, it's a shame.

However, for the most part, Pistol, which is based on Steve Jone's biography, is a triumph and captures the chaos, destruction, humour and self destruction of the destroyers of rock n roll.

Although focusing for the most part on Steve Jones, his damaged upbringing and his relationships, especially with Chrissie Hynde, Pistol brings to life the rebellious, anti-establishment, punk rock movement of 70's Britain.

In particular, Anson Boon as Rotten is superb with his acerbic barbs directed indiscriminately at anyone and everyone. And ironically, despite Lydons non-involvment in the series, the character is portrayed sensitively although I doubt Lydon will ever admit he likes it.

While acted brilliantly, Thomas Brodie-Sangster seems miss cast as McLaren, coming across more as a baby faced assassin rather than the weird and wacky provocateur. However, Sydney Chandler as Hynde is top drawer.

In music history, there have been a few occurrences of the 'perfect storm' where the music world has changed forever, Nirvana being one such example. But none more dramatic or explosive as the Pistols and Boyle's mini series captures much of the mood and madness, perfectly.

There is much deviation from actual events for presumably artistic reasons. And I'm sure Lydon will dispute much of Jones's recollection of events. But as an entertainment set-piece it all works surprisingly well.