Revival

As a resident of Wausau, and a fan of the comic its based off of, I was surprised at how this is turing out. Its not spot on to the comic, but its doing it justice. Its definitely a great take on the whole zombie genre. When the show was first annouced, the whole city was talking about it. It was featured in the news online and all over Facebook. Now, its not filmed in Wausau, minus some shots that are in-between actual scenes, but its still pretty awesome to see your home town mentioned over and over again. Still cant believe a comic I read years ago, became an actual show, and not a low budget one at that. Definitely wirth the watch.

Found this boring perhaps because this plot has been done before,with a slight storyline that varies wrapped in mysteries.

The cast and acting was average,you didn't care or like anyone & the cinematography was drab.

Was clichéd & plotholes.. I realize you shouldn't judge a series by one episode,but it should hook you enough to come back.. Was the reveal finding out a sibling was dead,really cliffhanger worthy? No! Even showing what's to come on the season,didn't have me sitting on the edge of my seat.

I mean yawn! A single mom that seems stuck in a small town,with a chip on her shoulder & parent or sibling issues.

Unless the storylines each episode become intriguing,don't feel this will make my weekly watch list.

If you like this type of television genre to watch check it out,otherwise find something else to invest in.. Examples: Glitch or Travelers.

On a final note: People mention 4400 & how this one doesn't compare,that show didn't deal with dead but those who disappeared returning.. So,not exactly accurate.

REVIVAL isn't just a show-it's a mood, a mystery, and a masterclass in tension. Set in the quiet town of Wausau, Wisconsin, what starts as a bizarre miracle (the dead returning to life) quickly spirals into something far more unsettling. This isn't your average zombie tale. These people aren't hungry for brains-they're just... back. And that's what makes it so chilling.

The writing is razor-sharp. Every character feels grounded and deeply human, even as the surreal creeps in. There's a slow-burn Midwestern noir quality here-think Fargo meets The Leftovers with a splash of Stephen King.

Acting is great. Cinematography is gorgeous and eerily intimate. The music is haunting and moving, with a unique mix of instruments and vocal arrangements. And yes, I know I am saying this ABOUT A SYFY SHOW.

But it's the writing and questions that will keep you hooked: Why are the dead coming back? What do they remember? And what, if anything, do they want?

REVIVAL builds its mythology with confidence, daring you to keep up but never leaving you behind. It's gripping, emotional, and somehow feels both huge and deeply personal. This is prestige horror tv on a budget.

Do yourself a favor: Watch it before everyone starts spoiling the twists.

It's frustrating to read viewers who mistakenly believe this TV show swiped its ideas from the fairly engaging Aussie TV show Glitch (debuted in 2015), when in fact, Revival was first published three years prior (Revival was nominated for several Harvey Awards, which are the Academy Awards for comics.) So far, Revival is quite faithful to the comic series, although not quite as dark. I can tell fussy viewers that the comic eventually answered all questions because the writer had worked out the end, and reason for the revival, from the very beginning. The series ran for 47 issues, which really could be adapted in a 10-episode series, so if this gets a second season, the writers will have to create from scratch. Melanie Scrofano is fantastic in everything, including here (and Star Trek: Strange New Worlds, Letterkenny, Ready or Not & Wynonna Earp). Most of the cast is just fine, but I will admit that I can not stand the younger emo sister.

For a premise that could have easily descended into schlock, Revival proves itself a delightfully clever bit of telly. It's a proper genre-bender, you see, a macabre tale of small-town dread and peculiar occurrences that hooks one with a most satisfying grip from the off.

The journey has its moments of contemplative ambling, indeed, as the plot takes a moment to tidy its threads. But this is no failing; rather, it's a confident, well-paced exercise in narrative discipline. It meticulously sets the board, allowing its excellent cast to truly inhabit their roles with a commendable naturalism. A splendid lot, all of them.

And my goodness, does this meticulousness pay off. The final act is a breathless, thrilling crescendo that delivers upon every promise. All those moments of quiet dread and mounting tension coalesce into a resolution that is both intellectually satisfying and emotionally resonant, without ever resorting to cheap theatrics.

This series, in its entirety, is a testament to the fact that a good story, well told, is an absolute triumph. It leaves one wholly content with the tale just concluded, whilst rather impudently setting the stage for a most intriguing next chapter.

Bravo, I say. Bravo.