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Well, if you enjoy movies with a lot of emphasis on raw action, gunfights and martial arts, such as "John Wick" for example, then you're in luck if you opt to sit down and watch the 2023 movie "Boy Kills World". Director Moritz Mohr delivered a movie that was rather action-packed from start to end.

The storyline in the movie was pretty straightforward, though a bit simplistic, as it was a simple revenge movie. But then again, action movies such as this doesn't really need a complex or cerebral narrative. Nay, you just lean back, munch on the snacks and enjoy the over-the-top action. Writers Tyler Burton Smith, Arend Remmers and Moritz Mohr put together a fast paced action flick.

And over-the-top action is exactly what "Boy Kills World" is. There is an abundance of fight scenes, which I have to admit that I definitely enjoyed. It was choreographed quite nicely and executed nicely as well. So it was like watching a ballet of action and violence. And I have to say that Bill Skarsgård definitely carried the movie quite well.

The movie does have a good cast ensemble, with the likes of Bill Skarsgård, Jessica Rothe, Michelle Dockery, Brett Gelman, Yayan Ruhian, Sharlto Copley and Famke Janssen. And the acting performances in the movie were good.

Something I didn't really enjoy in the movie, and it was there from start to end, was the voice over done by H. Jon Benjamin to give the mute and deaf character Boy an internal voice. I grew very tired of listening to that rather quickly. But of course that is a matter of personal preference.

Visually then "Boy Kills World" is good. The action is nicely brought to the screen in a very dynamic and adrenaline-filled manner, and the special effects look good as well. The wardrobe department also worked their magic quite well in the movie.

I will say that I was rather surprised with the outcome of this movie, because I wasn't expecting a Bill Skarsgård movie to be that much in your face. And I have to say that I was genuinely entertained throughout the entire 111 minutes that the movie ran for.

However, "Boy Kills World" hardly seems like a movie that will make it to my screen a second time, as there just isn't enough contents to the script to make it a movie that I will be watching a second time.

My rating of "Boy Kills World" lands on a well-deserved seven out of ten stars.

Here we are in 2024 with another revenge film. I had just seen Monkey Man over a month ago, a revenge film which I also enjoyed.

Boy Kills World was already on my radar, before watching Monkey Man, but I didn't think I would be in a situation where I would be comparing the two. Until now, after watching Boy Kills World.

Without spoilers, both men go through a similar journey of a traumatic event happening in their childhood. With Monkey Man being more of a drama and Boy Kills World being more of a comedy.

However, I will say Boy Kills World has a more creative narrative structure and stronger choreography than Monkey Man. It also has replay value, I will definitely watch Boy Kills World again, much sooner than revisiting Monkey Man.

This movie is narrated by H. Jon Benjamin. If that doesn't tell you exactly what kind of movie this is, let me explain:

This is what Archer would be if it was a little more dramatic and a lot more bloody.

Oldboy if it were half as brilliant with a little bit of slapstick thrown in.

The Hunger Games if it didn't treat death and murder was all that bad - like it was written by a gamer of the FPS variety.

Did I cringe at the squelching bloody noises? Yes. Did I laugh out loud in the theater? Also yes. Was the revenge story worthwhile? I think so. Outside all of the action, the story was not terrible, and the characters had character. Worth a watch, but doubt it'll change anyone's life.

Somehow the movie manages to be as original as it is predictable. The actors are great, the action and stunts are top notch, there's some decent comedy and I could listen to H. J Benjamin's smooth voice read a dictionary so he did a phenomenal job as Boys narrator. BUT the overall story is as predictable as it can get, and you could guess the twists after about 10 minutes. It's so strange, it's like everyone was giving it 100% except for the plot. There's a glimmer of a better movie in here, and maybe this screenwriter will hit their stride a few years. But overall they held the movie back by sticking to basic plot formulas even though the dialogue is snappy and original.

Ever since The Raid I've been a HUGE fan of Yayan Ruhian (who plays "the shaman") so I'll watch any movie he's in or does the fight choreography for. I expected nothing less than wild & unique action and I was definitely satisfied in that regard. There's some slick directing that works well with the fight choreo and Bill Skarsgård does a good job stunt wise.

You do have to accept the good guy will live through impossible circumstances, the bad guys will have stormtrooper level aim, and the plot (and its twists) are predictable but overall I still found watching it pretty enjoyable.

Boy (That's his name) witnesses the murder of his family at the hands of goons who work for the dysfunctional crime family who run a dystopian city at an unspecified location and date. Boy is rescued by the Shaman, who subjects him to a brutal regime of martial arts training, so that he grows up to be a lethal killing machine (Bill Skarsgard), whose sole purpose is revenge.

So far, so seen-it-all-before, so yada-yada-yada. Boy Kills World, however, brings enough originality to the old tropes that the viewer is happy to go along with things as they take increasingly-bizarre turns. To start with, Boy is a deaf-mute. He can read lips, and hears a voice-over in his head. He's also haunted by the ghost of his younger sister, who acts as his guide and moral conscience.

Naturally, he embarks on his elaborate revenge, leaving a trail of bodies killed in inventive and extremely bloody ways. There's a lot of John Wick, and a big slice of The Running Man. There are also a surprising number of laughs, with great comedic performances from Brett Gelman, Isaiah Mustafa, Sharlto Copley and Andrew Koji. Gotta love June27 as well.

As you'd expect, there's also a twist at the end, but it's twisty enough to pack a punch.

This is not high art. This is not a film that rewards analysis. Nothing about it is outstanding, and its plot-holes have plot-holes. If, however, you can switch your brain off and go long for the ride, it's a wild and satisfying one.