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PARANOIA is one of those corporate suspense thrillers about rival businesses, spying, and the like. All of these films seem to owe a debt to WALL STREET in the depiction of fresh-faced newcomers going under the wings of seasoned and cynical professionals.

Sadly, there isn't much to get excited about in PARANOIA, a distinctly average type film. The writing is of bog-standard quality and the most interesting thing about it is the sheer number of familiar faces playing in support: Embeth Davidtz, Julian McMahon, Josh Holloway, even Richard Dreyfuss in a minor put pivotal role. Sadly they have little to do in a storyline that feels devoid of suspense and is really very ordinary.

One of the the film's biggest flaws is in the central casting of the inexperienced Liam Hemsworth. Hemsworth fails to bring any charisma to his part and in fact feels wooden throughout, and certainly out of his depth compared to the seasoned pros surrounding him. On the other hand, there's a nice turn from Gary Oldman who successfully manages to capture some of that fire he had in the 1990s. Harrison Ford looks incredibly old but is pretty good in a cast-against-type role.

What a misleading title for a movie? Nobody's even paranoid in this movie at all so calling it Paranoia doesn't really make sense to me. Instead, they could've titled it Generic Conveniences. Know why? Because everything in this movie is written in so conveniently for the characters to succeed in the most generic way. So, I guess you can tell it's not a very likable movie. Before seeing this movie, the premise sounded pretty cool. One guy is spying on a company for a rival company but not everything goes according to plan and then stuff happens. Plus, the CEOs of the companies are played by none other than two of the best actors in the business! We got Gary Oldman, one of the most diverse actors of modern cinema, and Harrison Ford (Indiana Jones & Han Solo: 'nough said). On top of that, it stars Thor's brother, Liam Hemsworth, who's good in The Expendables 2 and The Hunger Games, but this could have been his breakout role as a leading actor! Sadly, it's not.

Hemsworth's character in this movie is so unlikable; the only reason an individual would enjoy him in this movie is because he's an attractive guy. However, his acting in this movie is pretty bad. I found myself comparing him to Taylor Lautner's performance in Abduction but at least with that movie we knew it was gonna be bad. Just as bad as his acting are the choices made by his character. The whole plot is put into motion because he got fired from a company and then he decides to go out clubbing with the credit card that's issued by the company he got fired from that he still luckily has! How stupid is that! And then, through a sequence of events, they choose him of all people to be a spy; this irresponsible guy who just goes out clubbing after he's fired? Wow. The writing in this movie clearly is off-putting, but we'll get to that later. The chicks, too, that Hemsworth gets with in this movie are really weird as well. One tries playing hard to get even though he already got with her, while the other chick tries to seduce him while he's already trying to seduce her. The only semi-redeeming qualities of this movie are that Gary Oldman and Harrison Ford actually try in this movie. It's undeniable that they're phenomenal actors, and they are, for the most part, good in this movie for what they're given. Nonetheless, they're given crap dialogue and stupid plot points. I cannot bag on the writing of this movie enough; it is so bad. The dialogue is unrealistic and not enjoyable, while the plot is so convoluted and uninteresting that I kept wanting to stop watching the movie.

Additionally, the directing of this movie is a huge weakpoint. It looked like a made-for-TV movie from the '90s. The directing and camera-work were horrible. Sometimes there was a person talking but half their face was off the screen. In another sequence, Hemsworth is running like a little girl, flailing his arms around and whatnot. There's no purpose for him to be running like that; who said that was okay? It's funny seeing how stupid it is, but it's not even supposed to be funny. And with it being a spy thriller with convoluted twists, you'd think that it'd be unpredictable, right? Well it's not. It had those cliché moments like when he has to break into a vault and he's failed two out of three attempts, with the next failed attempt triggering the alarms. And then it tries to build tension in that moment, but you already know he's gonna be alright and his last attempt is gonna get through. The movie has no suspense whatsoever, despite trying to be a suspenseful summer thriller. It's not suspenseful because you always know what's gonna happen and don't really even care for the characters. It's not summer because it's boring and uninteresting rather than being fun. And it's not a thriller because there are absolutely no thrills. The only thing remotely okay about this movie are the performances of Gary Oldman and Harrision Ford, and that sometimes even gets old since Ford never gets the chance to say "Get off my plane!" It's not worth seeing in the theatre or even worth renting. It's one of those movies that will be on cable and you'll have to think about if you actually have nothing better to do than invest your time in it. But you'll probably end up passing anyways

With a title like "Paranoia," I expected suspicion, suspense, maybe even a cool chase scene, but this movie not only lacks the characteristics its title suggests, but is really devoid of any depth. It seems to be a vehicle to see Liam Hemsworth shirtless as much as possible, as well as in some gorgeous suits.

Amid a lot of techie razzle-dazzle, the plot is rather thin and predictable and there is absolutely NO character development, except a small amount for Richard Dreyfuss, who seems to be the most interesting character in the movie. It was nice to see him in this role.

Harrison Ford doesn't look good with a shaved head. Reminded me of Mr. Magoo without the glasses.

Not a bad movie, but certainly not a thriller and definitely forgettable

This movie is not gripping {Inception}. This movie will not keep you guessing {Now You See Me}. This movie is not Oldman/Ford material and why they took the job is beyond me. If you are 25 or younger it's a great date movie (because there's time to make out as the film drags in several spots). It doesn't twist and turn and the revelations are minimal and far from making the audience gasp. Four out of ten stars may be generous. Good-looking stars and block-busting legends does not a good movie make; much less a great movie. Though I would like to get hold of that ring-tone. Character development was sloppy and dialog was quite pedantic.

Thankfully, Gary Oldman can make almost any film bearable and his portrayal here of a ruthless, corrupt CEO is just about the only thing that this derivative movie has going for it. He manages to infuse a one-dimensional character with at least one more dimension.

The script is so full of hackneyed clichés that I felt like I was watching a Dan Brown novel. You have to assume that the writer's entire experience of the corporate world is based on a combination of Occupy Movement manifestos and Oliver Stone movies. Liam Hemsworth has evidently starred in something call the Hunger Games where, I have to assume, he was hired for his looks and not his acting chops.

August is usually the doldrums when it comes to movie releases and this dud simply proves the rule to which Blue Jasmine is the exception.