El robo a Mussolini

This film tries to be a free run quoting old films like Mario Monicelli's "Soliti ignoti" and other films that were successful comedies of the glorious past of Italian cinema. It also feels free to use music of more recent times, willing to be walk back and forth of time. All this could be good, but at the end it doesn't work. Why? Because the characters are not well designed and the actors are lost in their grotesque representation. An expensive film with a lot of noise and action that does not excite and leads nowhere. You could take just as fun action, but it fails to do so and the narrative gets lost in the attempt to amaze the viewer. I wish Netflix could focus on more meaningful films!

The main issue of this movie is that it tries way too hard to be cool, and never feels spontaneous.

I mean, what's the point of the female lead singing covers of songs released decades after the events in the movie? Super distracting and doesn't fit at all. Cringe all over.

General lack of self awareness plagues the whole film, and in its search for coolness often takes itself too seriously.

I struggle at figuring out who the intended audience was. Older generations would find it too "modern", the younger ones would only be reminiscing the movies which clearly inspired this one, doing similar things but better. I can only recommend it if you are die hard fans of the genre.

The quality of the cinematics is good and the historical details too. The faces all match the characters and the acting is good - all but for Castellitto Jr who is kind of unwatchable so bad he is this spoiled brat!

The best character who made the movie interesting is Maccio's.

The best acting is that of the fascist general, who is a new face for me in Italian cinema, but very interesting.

The song arrangements were also good and, let's say, 'innovative classics'!

A bit predictable development and ending, but still better than the usual action hollywood movies of the past 15 years.

I feel that there are excess of Nazi based movies in the history of cinema and too few Fascist based movies because of one big reason: with the Nazis, hollywood can show Americans fighting evil, but with Fascist they would have to acknowledge the big role of Socialist freedom fighters! Usual obscurantist hypocrisy.

Stealing from Il Duce at the end of the Second World War is an interesting premise. In this film set in Milan in 1945, a gang of Italians who hate the fascist regime plan to take back (or steal if you wish) the loot that Mussolini has stolen from Italians. How do they get it, they need a plan to get into the warehouse that hides the treasure. So starts a lot of double dealings and treachery.

A decent cast helps in this implausible story and it's also filmed very well, with a great Italian soundtrack too. Although set at a serious time in modern history this film doesn't take itself too seriously and has it's comedic moments. Though not perfect it has a lot going for it, worth a watch if you love Italy.

Sometimes a movie leaves you with some thoughts to think about, the other times it leaves you with nothing, as if you've never watched a movie at all. Rapiniamo il Duce is sadly closer to the latter but not without its buts too.

Ever since I started learning Italian, their movies were mostly misses for me; it's an expressive language and for the most part I just couldn't grab what the characters are saying - and I was just reading the subtitles! - but this one was different. Maybe because it was produced for Netflix but I just didn't feel like it was really made for Italians and that's on the negative side actually. The whole movie seems like an American remake but with an all-Italian cast and that dissonance is palpable starting the first minutes.

On the positive side though Rapiniamo il Duce is a stylish, fast-paced heist drama with fantastic inclusions of animated segments and 1940s appropriate soundtrack but it lacks consistency and the setting (last days of WWII) is only there to bring a feeling of urgency into narrative, not to be a leading vehicle for it. Main characters are no names that we know little to nothing about and therefore are not capable to empathize with anyone - the story plays out so fast it hasn't got time to draw backstories longer than a sentence or a five second clip and that rush is all over the place. The jokes would've been a well-fitting addition and probably the life saver for the movie but they don't exist here as well.

All in all this is a well-crafted movie that looks marvelous on paper, as a comic book adaptation but as a standalone feature it is as lifeless as its main characters.