El robo a Mussolini

This film tries to be a free run quoting old films like Mario Monicelli's "Soliti ignoti" and other films that were successful comedies of the glorious past of Italian cinema. It also feels free to use music of more recent times, willing to be walk back and forth of time. All this could be good, but at the end it doesn't work. Why? Because the characters are not well designed and the actors are lost in their grotesque representation. An expensive film with a lot of noise and action that does not excite and leads nowhere. You could take just as fun action, but it fails to do so and the narrative gets lost in the attempt to amaze the viewer. I wish Netflix could focus on more meaningful films!

As soon as you hear one of the female protagonists singing Paint it Black, you know or should know your leg is being pulled. Gag piles on gag as the story moves from silly to ridiculous. The acting is almost as bad as the dubbing. There have been countless films, maybe not countless, that poke fun at the tropes of war from courage to heroic. I think of Kelly's Heroes for example. Not so much as witty as it is laughable. Need to toss away ninety minutes with little to recall or clog up your grey matter, you have found it here. I didn't recognize any of the actors, and should I see them again, I doubt I would be able to recall any of them.

This is, in many ways, Renato De Maria's Italian version of Quentin Tarantino's Inglourious Basterds. It is a historically based piece of film fiction where the premise involves the use of Mussolini and the Italian Fascists as the basis for the story. A group of men discover a plan by Mussolini to flee Italy with his his country's riches as the war is coming to a close. The plot is to steal the gold and escape pic h and free men. The movie is well scripted, shot, and directed. The cinematography and costumes are very good. The acting is good. Matilda de Angelis, the star of HBO's The Undoing, is very good in this. The film is good and I love that so many war films focus on Germany and Hitler, but this one uses Mussolini and the Italians as a focal point. While it is good, it is not as compelling, well filmed, or well scripted as a Tarantino film. That is okay. Many films do not.

The main issue of this movie is that it tries way too hard to be cool, and never feels spontaneous.

I mean, what's the point of the female lead singing covers of songs released decades after the events in the movie? Super distracting and doesn't fit at all. Cringe all over.

General lack of self awareness plagues the whole film, and in its search for coolness often takes itself too seriously.

I struggle at figuring out who the intended audience was. Older generations would find it too "modern", the younger ones would only be reminiscing the movies which clearly inspired this one, doing similar things but better. I can only recommend it if you are die hard fans of the genre.

There's nothing so wrong with this movie that it ever becomes unwatchable, but there isn't really a good reason to watch it, either. It starts off fine, but as it went on, I became increasingly restless. The number of derivative and predictable plot elements really started to pile up, and the pacing felt off.

The worst part, I thought, was that they didn't really do much with the premise. This is an Italian movie set during the end of World War II, and they barely even used that setup. It could have been set in the United States during the Civil War or Prohibition, and there probably wouldn't need to be many changes.

The characters were likeable, though, and it hits all the notes that you expect a heist comedy to hit.