Golda

Having experienced the Yom Kippur War living 10 minutes from Israel's border with both Syria and Jordan, I was very interested to see Golda. There is a lot in this film that captures aspects of Israeli mentality and culture, presented in such a subtle way that it is not until after viewing the film may become apparent to someone who reflects on what the film portrayed.

More than anything, however, Golda is about Golda. It might surprise some viewers to realize that much of her persona was shaped by having escaped the pogroms of what is now the Ukraine. She was only a child when her family came as immigrants to the US and the film shows a side of her haunted by what might have been had they not made it to a safer country.

Another interesting element of her story is illustrated by her exchanges with Henry Kissinger. To avoid a "spoiler" I will instead urge the viewer to pay close attention to the inter-actions between them, always behind closed doors.

Golda is a history lesson wrapped in a biography. It is solid film making with good writing, directing and an outstanding performance from Helen Mirren. It captures an amazing phenomenon: the experience of war time leadership born on the shoulders (and in the kitchen) of a woman who carried this burden with incredible courage, sensitivity, intelligence, and honesty.

I saw it for Helen Mirren. And, indeed, she offers a splendid performance.

I liked , very much, this precise crafted docudrama , proposing a fair perspective about a politician in middle of a terrible war, fragil and the most powerful from members of her cabinet, impressed by sacrifices of Israeli soldiers and unpitifull in crucial moments, using, in wise manner, the relation with Henry Kissinger , admirable acted by Liev Schreiber.

A beautiful film for many profound special scenes, from the metamorphose of cigare smoke to the dialogue with Kissinger in kitchen and the birds on the hall of hospital.

Not exctly a biopic. But useful, for many reasons, anatomy of a moment defining the history of Israel not only as isolated event but as definition of its survive tools , people, reactions, power.

Greetings again from the darkness. More than forty years have passed since the great Ingrid Bergman portrayed Israel Prime Minister Golda Meir in the TV miniseries, A WOMAN CALLED GOLDA (1982). Fighting through cancer during filming, it was Ms. Bergman's final role, and she won a posthumous Emmy for a performance that left quite a mark on this young (at the time) viewer. Guy Nattiv won an Oscar for his excellent short film, SKIN (2018), and here he takes on a narrow, yet vital window in the term of Golda Meir ... a time when the survival of her country was in jeopardy. The screenplay was written by Nicholas Martin (FLORENCE FOSTER JENKINS, 2016).

Under heavy make-up and facial prosthetics, Oscar winner Helen Mirren expertly captures the essence of Golda Meir at a time she was carrying an unimaginable burden. The opening shoots through a quick slideshow of history before settling into 1973 and the escalating conflict between the Arab states (led by Egypt and Syria) and Israel. Despite the presence of some intelligence warning of such, Israel was caught off-guard by the surprise attack, and found themselves scrambling for the next 3 weeks - the period that makes up the core of the movie. Slump-shouldered and chain-smoking (sometimes defiantly), we see Golda making huge decisions between trips for lymphoma treatments. Her decisions would be the determining factor on how many soldiers would die, and whether Israel would remain independent.

It's the level and question of that intelligence that provides the film's framing structure of Golda Meir appearing before the Agranat Commission - a commission designed to render after-the-fact judgment on her decision-making and war strategy. As we witness, some of that strategy involves gut feelings and instincts, yet what the film makes clear is that Golda understands war kills real people - these aren't just numbers in a report. Included in these meetings are the Minister of Defense, Moshe Dyan (Rami Heuberger), Chief of Staff "Dodo" Elazar (Lior Ashkenazi), and Field General (and future Prime Minister) Ariel Sharon (Ohad Knoller). Camille Cotton plays Golda's longtime personal assistant Lou Kaddar, and some of the best scenes are the private conversations between U. S. Secretary of State Henry Kissinger (Liev Schreiber) and Golda, as she pushes for assistance and support, with Kissinger in a tough spot.

This Yom Kippur War lasted barely three weeks, yet the profound stress of war-induced decisions is obvious in Golda, as is her stance as a tough leader. For her, this did not mean sacrificing human emotions, but rather being decisive, communicative, and surrounding yourself with a capable team ... although disloyalty in her administration is hinted at by some. Golda lived (just) long enough to witness the infamous Treaty signed by Menachim Begin and Answar Sadat, a treaty made possible through her leadership.

The film more closely resembles DARKEST HOUR (2017), with Gary Oldman's Oscar-winning performance as Winston Churchill during WWII, than THE QUEEN (2006), Ms. Mirren's own Oscar-winning turn as Queen Elizabeth. Actual newsclips are mixed in for historical perspective and the score by Dascha Dauenhauer leans heavily on dramatic stringed instruments. A final song by Leonard Cohen caps things off. While it's true that most of the storytelling doesn't reach the level of Ms. Mirren's performance, that performance is enough to convey the high stakes involved.

Opens on August 25, 2023.

I've always had a fascination with war time leaders and those of courage and fighting with bull dog spirit... From Churchill in WWII to never surrender to 1980s Iron Lady Margaret Thatcher and from The Holy Land in the Middle East... New founded Israel's only female Prime Minster 'Golda Meir' in the 3 week long 'Yom Kippur War' with its chain smoking coffee swigging leader keeping her cool and holding her nerve against Egypt & Syria's attack on Israel.

Film plays out day by day in the style and tension of 'The Darkest Hour' Golda being supported by her war cabinet and defending their new founded nation from its establishing in 1948.

Also Henry Kissinger played By Liev Schreiber is just brilliant as America's Secretary of Defence and a key ally of Israel and both have this kindred spirit with both of them being Jewish from European countries, shows an understanding of what's at stake for their race

Helen Mirren is just brilliant, not just in looking incredibly similar to its iconic leader but everything from mannerisms and shear determination to prevail and to defend its Nation...

A nervy, adrenaline induced movie that grips from start to finish, brilliant!

I was around when all this took place, I was a young career man with wife and kids in 1973. I remember her well, from the news, but knew nothing of her.

This is not a bio-pic, it covers only a very focused part of her life, namely the 1973 Yom Kippur war. On October 6, 1973, an Arab coalition of Egyptian and Syrian forces launched a surprise attack on Israel on Yom Kippur-the Jewish holy day of atonement.

Helen Mirren in full prosthetic makeup is almost a dead ringer for Prime Minister Golda Meir. At one point she says she is a politician not a military leader, in her frustration at not getting her head wrapped around the conflict and what they should do. But as the days advance she makes a number of tough decisions after her military leaders present options.

All this was going on while she was battling cancer at the age of 75, and receiving radiation treatments. And the year after a truce was reached, having to answer to an inquiry about the actions she took. She died in 1978.

This is a well-made movie that tells an interesting and important story in the history of Israel. And especially now, in the fall of 2023, when Hamas recently attacked Israel and a full-fledged war is in progress as I write this. Why can't everyone get along?

My wife and I watched it at home on DVD from our public library.