Mujib: The Making of Nation

Starting with the most important aspect of this kind of cinema. The worst BGM I have ever heard in this era. The direction and the screenplay is too poor. A great direction and a good script with deep execution could have made this historical biography a great power packed cinema. There are so many wrong casting and it leads to make zero impact to some major roles related to the life of Mujib and the events relating 1947-1975. Mediocre visual effects and action scenes. Lazy screenplay and too lengthy run time. To insert some positive lines, there are some moments which really engages audience to feel it but not for a long period. Overall, this is not satisfactory and doesn't connects with audience at all.

Last night, I had the opportunity to watch the film "Mujib: The Making of a Nation" at Modhumita Cinema hall, a place I hadn't visited in nearly 25 years. My expectations were high because the movie had been in the making for almost two years, with a budget of 83 crore, and it was directed by the legendary 88-year-old filmmaker Shyam Benegal, who had previously directed the biopic "Netaji Shuvas Chandra Basu: The Forgotten Hero," which I had also seen. However, it's important to note that biopics, by their nature, often struggle to achieve 100 percent accuracy, and this challenge is even more pronounced in the case of iconic or conventional figures. That's why having a disclaimer at the beginning of such movies can help viewers better understand what they are about to watch.

As a movie enthusiast, I must recommend the film "Gandhi" if you haven't already seen it. In my opinion, it's one of the best biopics about a political figure, highly praised for its historical accuracy. It allows the audience to connect with the protagonist in a truly believable way. Another noteworthy biopic, directed by the famous Steven Spielberg, is "Lincoln." Unfortunately, "Mujib" falls short of these standards due to average acting, inconsistencies, and a lack of connection with the audience. Portraying a character as monumental as Mujib, who had numerous highs and lows in his life, is an incredibly difficult task. I also felt that the film focused more on Mujib's family life as a regular person than his political career, and other prominent characters didn't get enough screen time to truly shine.

Nonetheless, I did appreciate the first and last songs in the movie, and the color grading was well done.

As a nation of movie lovers, I hope that "Mujib" marks a promising beginning for the biopic genre, with the prospect of even better movies to come in the future. 👍

Here's a review focusing on some of the criticisms surrounding Sheikh Mujibur Rahman's rule, though it's important to note that historical figures are complex and not easily defined by a single narrative.

"Mujib: The Making of a Nation" is a film that seeks to lionize Sheikh Mujibur Rahman, portraying him as an unquestionable hero of the Bangladeshi independence movement. While his leadership was undeniably important to the formation of Bangladesh, the film whitewashes many of the controversies and complexities surrounding his rule.

Rahman's economic policies, particularly his nationalization drives, are often cited as a major factor in Bangladesh's subsequent economic decline. Critics argue that these policies stifled private enterprise and led to widespread inefficiency and corruption. The film either ignores these criticisms outright or attempts to justify them within a broader narrative of nation-building.

Furthermore, the film downplays the growing authoritarianism of Rahman's regime in the years following independence. While it acknowledges some political unrest, it fails to delve into the increasing suppression of dissent and the erosion of democratic institutions. The assassination of opposition leaders and the suspension of elections are merely footnotes in the film's grand historical epic.

Finally, the film's portrayal of India's role in the Bangladesh Liberation War is problematic. While India's support was undoubtedly crucial, the film seems to minimize the strategic interests that motivated their intervention. This one-sided perspective ignores the complexities of the India-Bangladesh relationship and the potential long-term consequences of Indian influence in the region.

In conclusion, "Mujib: The Making of a Nation" is a deeply flawed attempt to craft a definitive biography of Sheikh Mujibur Rahman. By ignoring or downplaying the controversies and complexities of his rule, the film ultimately undermines its own credibility. A more honest and nuanced portrayal of this historical figure is desperately needed.

"Mujib - The Making of a Nation" attempts to depict the life and achievements of Sheikh Mujibur Rahman, the founding father of Bangladesh. However, despite the significance of the subject matter, the film fails to deliver a compelling narrative and falls short in its execution. From the disjointed storytelling to the lackluster performances, the film disappoints on multiple fronts, failing to do justice to the incredible journey of the man who shaped a nation.

Weak Script and Disjointed Storytelling: The screenplay of "Mujib - The Making of a Nation" lacks coherence and fails to provide a cohesive narrative. The film jumps haphazardly between different periods of Sheikh Mujibur Rahman's life, making it challenging for the audience to connect with the protagonist and fully comprehend the events unfolding on screen. The lack of a clear timeline and narrative structure undermines the film's ability to engage and immerse the viewers in the story.

Inconsistent Performances: Despite having a talented cast, the performances in "Mujib - The Making of a Nation" are inconsistent and fail to leave a lasting impact. The actors struggle to bring depth and authenticity to their characters, resulting in shallow portrayals that lack emotional resonance. Even the lead actor, tasked with depicting the iconic figure of Sheikh Mujibur Rahman, fails to capture the charisma and gravitas associated with the historical figure, leaving the audience disconnected from the protagonist's journey.

Superficial Character Development: One of the film's major shortcomings is its inability to provide meaningful character development. The supporting characters, including political figures and Mujib's family members, are underdeveloped and reduced to mere caricatures. Their motivations and relationships remain poorly explored, preventing the audience from forming a strong emotional connection with the characters and limiting their impact on the overall narrative.

Lack of Historical Context and Depth: While attempting to portray an important chapter in Bangladesh's history, "Mujib - The Making of a Nation" fails to provide adequate historical context and depth. The film glosses over crucial events and political complexities, leaving the audience with a shallow understanding of the socio-political climate during that era. The missed opportunity to delve deeper into the complexities of nation-building and the challenges faced by Sheikh Mujibur Rahman undermines the film's potential as a historical drama.

Uninspiring Cinematography and Production Design: The visual aspects of "Mujib - The Making of a Nation" also fall short. The cinematography lacks innovation and fails to capture the grandeur and significance of the portrayed events. Additionally, the production design appears lackluster, with sets and costumes that do not effectively transport the audience to the time period in which the story unfolds. The overall visual execution feels uninspired and fails to enhance the storytelling experience.

In Mujib: The Making of a Nation, viewers are taken on a journey through the life of a historical figure, but it's a journey filled with bumps and detours. The film's portrayal of history is riddled with inaccuracies, which may leave history enthusiasts disheartened. While the acting is serviceable, it doesn't quite leave a lasting impact, falling into the realm of 'average' at best.

One notable drawback is the choice of background music, which often fails to evoke the intended emotions, leaving a disconnect between the audience and the on-screen events. Costume design, too, falls short of expectations and could have been more meticulously executed.

Arefin Shuvo's dialogue delivery, on occasion, unintentionally injects humor into serious moments, breaking the immersion. Perhaps the most noteworthy concern is the apparent political bias in the narrative. It's clear that one side is disproportionately highlighted, potentially alienating a portion of the audience seeking a more balanced perspective.

In summary, 'Mujib: The Making of a Nation' is a film that stirs controversy with its historical inaccuracies, struggles to stand out in terms of acting, and falters in its production elements. While it has its moments, the overall experience warrants a modest rating of 5/10.