La especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en perfo... Leer todoLa especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en performances de vanguardia con su compañera Caprice.La especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en performances de vanguardia con su compañera Caprice.
- Premios
- 10 premios ganados y 33 nominaciones en total
Ephie Kantza
- Adrienne Berceau
- (as Efi Kantza)
Alexandra Anger
- Surgeon
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Some people in the future muck about with their saucy organs and that's about it. Some of the effects and prosthetics are creative, but some of them are bobbins.
The drama is mundane. There's no suspense, tension or stakes. If all the movie had is a premise, then the body horror needed to be bonkers to give the audience a bit of fun. But it's all too serious. The philosophical aspect is brought to the fore, which is the least interesting thing about it. I like that it's trying something different, but it comes at the cost of good storytelling. A simple thriller element would have balanced the movie nicely. Unfortunately, the plot is too thin to hold any weight.
The sets and cinematography are good. The acting is clunky and the dialogue is waffling, when it's audible. Cronenberg has fallen victim to the trend of dialogue being whispered, mumbled, fried or delivered in an accent so outrageous that it's hard to decipher what anybody's banging on about.
A meandering, middle-of-the-road sci-fi.
The drama is mundane. There's no suspense, tension or stakes. If all the movie had is a premise, then the body horror needed to be bonkers to give the audience a bit of fun. But it's all too serious. The philosophical aspect is brought to the fore, which is the least interesting thing about it. I like that it's trying something different, but it comes at the cost of good storytelling. A simple thriller element would have balanced the movie nicely. Unfortunately, the plot is too thin to hold any weight.
The sets and cinematography are good. The acting is clunky and the dialogue is waffling, when it's audible. Cronenberg has fallen victim to the trend of dialogue being whispered, mumbled, fried or delivered in an accent so outrageous that it's hard to decipher what anybody's banging on about.
A meandering, middle-of-the-road sci-fi.
65/100
My expectations for the film were completely off. The trailer made me think that the film was going to be one way, but turned out it was the opposite.
While it wasn't as I expected it was still a decent film. It was artistic, dark, twisted, and intriguing. The story had an interesting concept. "Surgery is the new sex". With that in my mind now it really opens a new visual to the film.
The performance was very well done. It's been awhile since I've seen Viggo Mortensen in a film. He was excellent and I enjoyed his performance. Having only seen Léa Seydoux in "James Bond" previously, I thought she did an excellent job as well opposite Viggo. Continuing with the acting performances, this is perhaps the first film that I enjoyed Kristen Stewart's performance. Just her shyness and dark persona made her likeable.
The film does lose a lot interest because it becomes too slow at times and drags on more than it needs to a certain moments. While a slower pace is key to the film it's just too slow.
Overall, there is some good intriguing moments to the film that I struggle to convey into words. A twisted art story involving slicing and dicing the body. Honestly, it was worth seeing in theatres, but I would've preferred to see it on a cheap night.
Thank you for reading my review. I hope it helps you a little in making a decision. Until next time.... Enjoy the show!
My expectations for the film were completely off. The trailer made me think that the film was going to be one way, but turned out it was the opposite.
While it wasn't as I expected it was still a decent film. It was artistic, dark, twisted, and intriguing. The story had an interesting concept. "Surgery is the new sex". With that in my mind now it really opens a new visual to the film.
The performance was very well done. It's been awhile since I've seen Viggo Mortensen in a film. He was excellent and I enjoyed his performance. Having only seen Léa Seydoux in "James Bond" previously, I thought she did an excellent job as well opposite Viggo. Continuing with the acting performances, this is perhaps the first film that I enjoyed Kristen Stewart's performance. Just her shyness and dark persona made her likeable.
The film does lose a lot interest because it becomes too slow at times and drags on more than it needs to a certain moments. While a slower pace is key to the film it's just too slow.
Overall, there is some good intriguing moments to the film that I struggle to convey into words. A twisted art story involving slicing and dicing the body. Honestly, it was worth seeing in theatres, but I would've preferred to see it on a cheap night.
Thank you for reading my review. I hope it helps you a little in making a decision. Until next time.... Enjoy the show!
"crimes of the future" is an efficient film, it does a lot with little, without big sets and gigantic practical effects, everything is very simple but very convincing, the scenery compositions are dirty with a dark photograph, always looking for an intrinsic degradation, the effects practical are good, the few CGI are weak, but the sound editing is magnificent, always looking for sounds that seek the viewer's discomfort, another positive point is the performances, the duo Vigo mortise and Léa Seydoux are very good, Viggo manages to show all the pain and anguish of her character with her body and vocal posture, Kristen is another highlight, making an anxious and paranoid character the actress delivers a very good performance, despite her little screen time, but the best point here, I bring the classic and brilliant Canadian director, david cronenberg, is his script, which, despite being a little confusing, has as its main premise the limit of art, its contradictions and subversive appreciations, its criminal lity, and with that it makes a self-reflection of its own filmography, the film is also a critique of state bureaucracy and government intervention in art, all on a derogatory dystopian futuristic science fiction plan. The feature has some problems, the biggest one is perhaps the subtexts that are open and not always completed. We don't have the best version of Cronenberg here, but his style remains authorial and inviting. Grade 7/10.
As mankind develops more and more technology, there will likely be more and more of an interest in the quest for immortality. And that brings various ramifications, some not so positive perhaps. It might be better to just accept the natural cycles, accept natural death rather than trying to fight against it so much with these man-made, unnatural processes. This seems to be the overarching statement of the movie. It is an important topic that deserves exploration and discussion, certainly.
But getting to this statement is certainly a bit of a slog. The mechanical dialogue and characters' robotic mannerisms become tiresome. The whole thing feels cold, detached and hard to connect to. Sure, this is a cold and detached dystopic world, but there isn't a counterbalancing element which is needed to build empathy in such a world.
I get why Mortensen would make the actorly "choice" to be almost constantly throat clearing. The character has internal organ issues, I get that. But that doesn't make the choice any less annoying. It just becomes excessive and annoying.
As usual, Seydoux is sexy and talented and probably the best thing about the movie.
But getting to this statement is certainly a bit of a slog. The mechanical dialogue and characters' robotic mannerisms become tiresome. The whole thing feels cold, detached and hard to connect to. Sure, this is a cold and detached dystopic world, but there isn't a counterbalancing element which is needed to build empathy in such a world.
I get why Mortensen would make the actorly "choice" to be almost constantly throat clearing. The character has internal organ issues, I get that. But that doesn't make the choice any less annoying. It just becomes excessive and annoying.
As usual, Seydoux is sexy and talented and probably the best thing about the movie.
Not sure I liked it, not sure I disliked it, but boy oh boy was it a Cronenberg movie, and if you like his style, check it out. My two biggest gripes are that I felt as though it ended too abruptly, and that honestly, I wish it was grosser. Is that weird? Most of the "shocking bits", besides one scene, were in the trailer, which was a bit disappointing. Really not much more that I can say. Great performances!
¿Sabías que…?
- TriviaDavid Cronenberg's first film in thirty-five years not to have his sister Denise Cronenberg serve as costume design. Denise passed away in summer 2020.
- ErroresAround the 44th minute, when Caprice and Saul use the bed for their own play, the cuts on her chest differ between the scene when she was alone and after he joined her on the bed.
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- How long is Crimes of the Future?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Crímenes del futuro
- Locaciones de filmación
- Piraeus, Grecia(hotel Sparti exteriors: Kapodistriou 18)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,452,882
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,117,962
- 5 jun 2022
- Total a nivel mundial
- USD 4,551,565
- Tiempo de ejecución1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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