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IMDbPro

Crimes of the Future

  • 2022
  • C
  • 1h 47min
CALIFICACIÓN DE IMDb
5.8/10
45 k
TU CALIFICACIÓN
POPULARIDAD
4,045
801
Viggo Mortensen, Kristen Stewart, and Léa Seydoux in Crimes of the Future (2022)
Teaser 1
Reproducir trailer0:57
5 videos
99+ fotos
Ciencia FicciónCiencia ficción distópicaDramaHorror corporalTerror

La especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en perfo... Leer todoLa especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en performances de vanguardia con su compañera Caprice.La especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en performances de vanguardia con su compañera Caprice.

  • Dirección
    • David Cronenberg
  • Guionista
    • David Cronenberg
  • Elenco
    • Viggo Mortensen
    • Léa Seydoux
    • Kristen Stewart
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.8/10
    45 k
    TU CALIFICACIÓN
    POPULARIDAD
    4,045
    801
    • Dirección
      • David Cronenberg
    • Guionista
      • David Cronenberg
    • Elenco
      • Viggo Mortensen
      • Léa Seydoux
      • Kristen Stewart
    • 400Opiniones de los usuarios
    • 299Opiniones de los críticos
    • 68Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 10 premios ganados y 33 nominaciones en total

    Videos5

    Official Redband Trailer
    Trailer 1:43
    Official Redband Trailer
    Official Teaser
    Trailer 0:57
    Official Teaser
    Official Teaser
    Trailer 0:57
    Official Teaser
    Crimes of the Future
    Trailer 0:57
    Crimes of the Future
    Is Cronenberg's 'Crimes of the Future' Actually About Filmmaking?
    Clip 4:00
    Is Cronenberg's 'Crimes of the Future' Actually About Filmmaking?
    Crimes Of The Future (French Featurette Subtitled)
    Featurette 4:51
    Crimes Of The Future (French Featurette Subtitled)

    Fotos180

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    Elenco principal19

    Editar
    Viggo Mortensen
    Viggo Mortensen
    • Saul Tenser
    Léa Seydoux
    Léa Seydoux
    • Caprice
    Kristen Stewart
    Kristen Stewart
    • Timlin
    Scott Speedman
    Scott Speedman
    • Lang Dotrice
    Sotiris Siozos
    Sotiris Siozos
    • Brecken
    Lihi Kornowski
    Lihi Kornowski
    • Djuna
    Don McKellar
    Don McKellar
    • Wippet
    Nadia Litz
    Nadia Litz
    • Router
    Tanaya Beatty
    Tanaya Beatty
    • Berst
    Mihalis Valasoglou
    Mihalis Valasoglou
    • NVU Agent
    Welket Bungué
    Welket Bungué
    • Cope
    Tassos Karahalios
    Tassos Karahalios
    • Klinek
    Ephie Kantza
    Ephie Kantza
    • Adrienne Berceau
    • (as Efi Kantza)
    Yorgos Pirpassopoulos
    Yorgos Pirpassopoulos
    • Dr. Nasatir
    Jason Bitter
    • Tarr
    Denise Capezza
    Denise Capezza
    • Odile
    Penelope Tsilika
    Penelope Tsilika
    • Beauty Spa Woman
    Alexandra Anger
    • Surgeon
    • (sin créditos)
    • Dirección
      • David Cronenberg
    • Guionista
      • David Cronenberg
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios400

    5.845.2K
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    Opiniones destacadas

    5Victor_Fallon

    Nice idea barely explored.

    Some people in the future muck about with their saucy organs and that's about it. Some of the effects and prosthetics are creative, but some of them are bobbins.

    The drama is mundane. There's no suspense, tension or stakes. If all the movie had is a premise, then the body horror needed to be bonkers to give the audience a bit of fun. But it's all too serious. The philosophical aspect is brought to the fore, which is the least interesting thing about it. I like that it's trying something different, but it comes at the cost of good storytelling. A simple thriller element would have balanced the movie nicely. Unfortunately, the plot is too thin to hold any weight.

    The sets and cinematography are good. The acting is clunky and the dialogue is waffling, when it's audible. Cronenberg has fallen victim to the trend of dialogue being whispered, mumbled, fried or delivered in an accent so outrageous that it's hard to decipher what anybody's banging on about.

    A meandering, middle-of-the-road sci-fi.
    5danew13

    Hard to Watch,and You Wonder Why You Did

    This flick is off the wall even for Cronenberg. And I'm amazed that such well known actors made this dark and almost plotless film.

    It opens withan outrage and ends with a whimper. The dialogue is vague and depressing as is the premise that future art will be of pain and suffering.
    grantarp

    Ideas without connection

    As mankind develops more and more technology, there will likely be more and more of an interest in the quest for immortality. And that brings various ramifications, some not so positive perhaps. It might be better to just accept the natural cycles, accept natural death rather than trying to fight against it so much with these man-made, unnatural processes. This seems to be the overarching statement of the movie. It is an important topic that deserves exploration and discussion, certainly.

    But getting to this statement is certainly a bit of a slog. The mechanical dialogue and characters' robotic mannerisms become tiresome. The whole thing feels cold, detached and hard to connect to. Sure, this is a cold and detached dystopic world, but there isn't a counterbalancing element which is needed to build empathy in such a world.

    I get why Mortensen would make the actorly "choice" to be almost constantly throat clearing. The character has internal organ issues, I get that. But that doesn't make the choice any less annoying. It just becomes excessive and annoying.

    As usual, Seydoux is sexy and talented and probably the best thing about the movie.
    6tomghiley

    Average Cronenberg

    I was really excited to see this movie, and while I enjoyed the movie, I was ultimately left dissatisfied, because Cronenberg is capable of making better films. This movie basically explores a lot of the same themes as Crash, eXistenZ (did i spell that right?) and Dead Ringers, and sort of throws them together. I think it was miles beyond what eXistenZ was, but not as good as Dead Ringers, and nowhere near as good as Crash.

    The pros: Acting is great, Scott Speedman was surprisingly really good in his performance, concept of the film is great

    The mehs: Soundtrack, I feel like you could slap any of Howard Shore's Cronenberg soundtracks onto this one, and it wouldn't matter, it's there, it probably doesn't need to be though, for me it doesn't add anything, which makes me wonder if I would have enjoyed this move more if it didn't have a soundtrack...and I think I would. I think maybe going for something ambient over orchestral would have worked better as well, but I guess you can't teach an old dog new tricks. People have been talking about how gross some of the stuff is in the movie, but in all honesty, after watching it, I feel like Cronenberg and or the production company pays people to talk about how hard it is to watch, to build hype. Pretty tame in the gross out department if you ask me, which is fine, because I think all of the surgical stuff that's happening was delivered at a very appropriate level, not off putting to watch.

    The cons: the costume design is hokey, Viggo Mortensen's ninja poncho hoodie thing looks silly, the set design is really boring, the design of the various apparatuses that characters are connected to (the autopsy machine, the eating chair thing, the bed) all look like cheap plastic crap, and I don't think that was intentional, the way they're presented is as elaborate pieces of technology, but they look cheap and idiotic, and it really killed any engagement that I had, it kept reminding me that I was watching a movie with bad props, I'm glad he used props instead of CGI, but these just look like crap. The props and makeup in Naked Lunch worked, these look like they were props that were discarded from Naked Lunch's props department because they weren't good enough to use. Lastly the final con of the film is the script, the entire plot is fantastic, it's well thought out, but when you're dealing with complex themes and subject matter, why would you write a script that tries to explain what's going on like a 3 year old is watching the movie? The script is patronizing to the viewer, and I felt cheated when I listened to the dialogue. Characters don't need to explain to the audience what's happening when we're already watching it, most of the dialogue is a narration of the plot and the themes, and it's irritating to sit through.
    irearly

    Hermetically Sealed

    As another 21st century art object, not a "movie" which is an early 20th century concept, this delivers everything the brand name (David Cronenberg) promises. Plus it's pretty high-brow. Superior production values but I really think it'a more of a moving painting. When everyone has 4K video projection it could play silently on a wall, slowly changing from pale, wan faces to exotic biomorphics to visceral, pulsating fantasias. If you want date night (unless your date is Amy Taubin) forget it.

    I just remembered what this kinda, sorta reminded me of. Quintet, Robert Altman's arty, dystopic from 1979. That wintry society was pre-occupied with the stylized rituals of the titular board game. And everyone was cloaked and draped against the cold with hats and hoods. Similar end-of-world feel.

    Más como esto

    Cosmópolis
    5.1
    Cosmópolis
    Crash. Extraños placeres
    6.4
    Crash. Extraños placeres
    Cuerpos invadidos
    7.2
    Cuerpos invadidos
    Mapa a las estrellas
    6.2
    Mapa a las estrellas
    El almuerzo desnudo
    6.9
    El almuerzo desnudo
    eXistenZ. Mundo virtual
    6.8
    eXistenZ. Mundo virtual
    The Shrouds
    5.8
    The Shrouds
    Una vez en la vida
    7.2
    Una vez en la vida
    Telépatas, mentes destructoras
    6.7
    Telépatas, mentes destructoras
    Spider
    6.7
    Spider
    Rabia
    6.3
    Rabia
    Un método peligroso
    6.4
    Un método peligroso

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      David Cronenberg's first film in thirty-five years not to have his sister Denise Cronenberg serve as costume design. Denise passed away in summer 2020.
    • Errores
      Around the 44th minute, when Caprice and Saul use the bed for their own play, the cuts on her chest differ between the scene when she was alone and after he joined her on the bed.
    • Citas

      Timlin: Surgery is the new sex.

    • Conexiones
      Featured in Amanda the Jedi Show: CRIMES OF THE FUTURE is the Most Disgusting Movie of the Year? | Explained (2022)
    • Bandas sonoras
      Body Is Reality
      Written and produced by Howard Shore

      © 2022 South Fifth Avenue Publishing (ASCAP)

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    Preguntas Frecuentes19

    • How long is Crimes of the Future?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de julio de 2022 (México)
    • Países de origen
      • Canadá
      • Grecia
      • Reino Unido
      • Francia
    • Sitio oficial
      • Official Neon
    • Idioma
      • Inglés
    • También se conoce como
      • Crímenes del futuro
    • Locaciones de filmación
      • Piraeus, Grecia(hotel Sparti exteriors: Kapodistriou 18)
    • Productoras
      • Serendipity Point Films
      • Téléfilm Canada
      • Ingenious Media
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 35,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 2,452,882
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 1,117,962
      • 5 jun 2022
    • Total a nivel mundial
      • USD 4,551,565
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 47min(107 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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