Keep the Wolves Close

First of all let me start by saying "Please, please, please" get rid of the girls in the bunkhouse especially the blond. They are so annoying and its ridiculous to have them in the show.

As for Beth, I was starting to like her in season 3, and the first part of season 4, but now her personally is now becoming "over the top crazy and mean. The writers need to tone her down.

Anyway, Yellowstone is still (so far) one of my favorite series, however I hope the writers find a way of bringing back the magic they had in season 3.

"Keep the Wolves Close," the seventh episode of Yellowstone's fourth season, directed by Taylor Sheridan, infuses the series with a potent blend of emotional reckoning, strategic maneuvering, and visceral conflict. This episode not only advances key plotlines but also enriches character dynamics, highlighting themes of loyalty, control, and survival against a backdrop of mounting external and internal pressures. Sheridan's direction brings a sharp focus on the rawness and complexity that have become Yellowstone's signature, making this episode a compelling midpoint in the season's arc.

The episode opens with the aftermath of the violent barn fight between Walker and Lloyd, and its reverberations continue to ripple through the bunkhouse. Rip's reluctant but inevitable decision to allow Teeter back after she passionately defends her loyalty and hard work is a moving moment, showcasing both the harsh discipline and the unexpected humanity interwoven in ranch life. The reparative hug between Rip and Teeter provides a rare moment of tenderness amid ongoing brutality, highlighting the fragile bonds that sustain the community.

Beth's first day as President of Market Equities' Montana Division dramatically escalates the personal and political stakes. In a high-tension boardroom scene, Beth confronts the chilling reality of Market Equities' plans to develop an airport and ski resort on land that includes Yellowstone and territories sacred to Indigenous peoples. Kelly Reilly masterfully portrays Beth's internal struggle as she balances her corporate role with her fierce defense of family legacy, marking a critical turning point in her complex character arc.

Jimmy continues his journey toward becoming a real cowboy on the 6666 Ranch, depicted with warmth and humor. His interactions, from trading his prized buckle to winning over his fellow ranch hands with a new guitar for Walker, add moments of levity and optimism that contrast with the season's darker undercurrents. Jefferson White's portrayal adds authenticity to Jimmy's evolving identity and provides an emotional touchstone within the sprawling narrative.

John Dutton grapples with loneliness and legacy in quieter, introspective scenes. His heartfelt confession to Beth about his desire for familial closeness sets up significant developments and deepens his portrayal as a man weighed down by responsibility and longing. The idea of John inviting Rip and Beth to move back into the lodge hints at shifting family dynamics and responses to the season's mounting crises.

Meanwhile, the episode subtly weaves political and cultural tensions into the fabric of the story. The portrayal of the Indigenous community, the ongoing land disputes, and the political pressures John faces underscore Yellowstone's engagement with contemporary socio-political issues, grounding the narrative's epic struggles in real-world relevance.

Stephen Sheridan's direction captures Montana's stunning landscapes alongside intimate, emotionally charged scenes, providing a visual and tonal contrast that amplifies the episode's themes. The cinematography and editing balance dramatic tension with moments of reflection, maintaining narrative momentum without overwhelming emotional resonance.

Performances across the board are strong and nuanced. Kevin Costner's John oscillates between stoic resilience and vulnerable longing; Kelly Reilly's Beth is fierce yet layered with poignant complexity; Luke Grimes and Jefferson White offer grounded portrayals of Kayce and Jimmy's contrasting but intertwined paths; and the supporting cast enriches the episode's textured dynamics.

Thematically, "Keep the Wolves Close" wrestles with the precariousness of trust, the price of power, and the complexities of family loyalty. The episode's title evokes the tension around proximity and vigilance-how keeping enemies or potential threats "close" may be a necessary but dangerous strategy in the world the Duttons inhabit.

While some may critique moments of narrative padding or predictability, the episode's emotional core and thematic richness deliver a satisfying and thought-provoking installment. The complex interplay of personal and political stakes sustains interest and prepares audiences for the escalating conflicts to come.

"Keep the Wolves Close" stands as a pivotal and compelling episode of Yellowstone's fourth season. Taylor Sheridan's direction, combined with stellar performances and layered writing, crafts a narrative that is as emotionally resonant as it is narratively intricate. It invites audiences to reflect on loyalty, power, and survival within a fiercely contested landscape that remains central to the series' enduring appeal.

Season 4 has zero quality storylines - like a lot of others have said, it is all over the place! A season like this could ruin this show! I hope the Duttons loose the farm just to see Beth get what is coming to her! Beth has zero redeemable qualities, and someone please explain why on earth the kid had to apologise to her - Beth is just a psychotic selfish b***ch! As for the 'arse cancer' line, the writers should be sacked & the actress should be gone for showing zero integrity agreeing to say it! It's clear the writers have no idea how to write for a strong woman! Enough with people treating Jimmy like crap, and give Jamie some frikken back bone against his family without being manipulated by his murderous father! Let's move on with the same story line - someone wants to take their land!

Too much Jimmy in this one just slowed down. A lull in an otherwise good season. End does get better. Scenery is fantastic acting excellent. This has been such a great series can't wait for season 5.

I absolutely love this programme.. But I've got 3 words.. I LOVE TEETER!.. All the main characters are fantastic..but when Teeter is on..she's just beyond fantastic.. !! She brings a comedic and also a sensitive side to her character. Yes, this episode touched my heart like a big softy, but it also showed a side to Rip Wheeler, we very rarely see. Chole Houser plays the role with passion and authenticity. I have to admit, I was reluctant to watch this programme, but, after seeing some clips I thought I'd give it a go..and OMG! I'm glad I did. I've been absolutely hooked on it since to the point that I can't stop..! Well Done Taylor Sheridan.. exceptional work. 👏🏻👏🏻