Good Guy with a Gun

John Mossman and his creative team have made a contemporary - destined to be a classic - film noir. The film's exploration of the darker aspects of gun violence and responsible gun ownership - within the contexts of a single parent household, coming of age lead actor, sexuality, high school buddies, peer pressure, and small town values - it serves as a poignant commentary on the complexities and contradictions of American society today. The cast is wonderful and they all have done excellent performances. The Actor Dan Waller was incredible in his role as Duke. I have to say Waller is cut from the same cloth as Christopher Walken. Enjoy!

Good Guy with a Gun courageously whacks the hornet's nest of this complicated, troubling, infuriating issue. The story is compelling, well-told, gorgeously presented, and superbly acted, with many surprises, twists and a pretty terrifying chase scene.

The film stays with you; I've thought about it many times in the year since I saw it. The vivid, naturalistic performances are unforgettable, particularly Tiffany Bedwell's fierce, quiet mama bear; David Stobbe's humanizing portrait of a character we've seen cartooned many times; and Mossman's own cameo as the chilling and terrifying three-dimensional villain.

Rarely do you comes across a film, whether an indie or something from a major studio, that achieves the lofty standards set by "Good Guy with a Gun". As an aficionado of film, it's easy to see that in today's film world, quality and originality has taken a beating. The opposite is true here, however. This film combines a magnificent script, uniformly outstanding acting from its large cast, expert direction, and stellar production values. Special shout-out to John LaFlamboy. His performance easily outshines supporting roles that have previously won Oscars. He's just terrific in his role as a detective. Furthermore, the issues addressed in this film are smart, necessary, and decidedly un-P. C., which is a welcome relief from vanilla, cookie-cutter offerings that are typical in today's movie landscape. There are messages subtle and extreme, and the actors convey the script's nuances with genuine aplomb. Bravo/brava to them all. Writer/director/producer/actor John Mossman has ascended to auteur status with this film, and if there aren't multiple "Best-of" awards in GGWAG's future, something is terribly, awfully wrong. This film is THAT good, and deserving of every syllable of praise from audiences across the world.

Writer/director John Mossman turns in a tense thriller with his latest film, Good Guy With A Gun, which explores the cultural divide between urban and small town America, particularly in regard to gun culture. A city kid visiting a small town with his mom to settle the estate of his recently deceased grandfather gets involved in the local gun culture, and trouble ensues. Visually appealing and well written with several plot twists that I did not see coming (the best kind of plot twists), Good Guy With A Gun takes you on an emotional rollercoaster as it builds to its climax. Good Guy With A Gun has done well at international film festivals, and it's easy to see why.

This film was so well done and very entertaining. I really enjoyed the storyline, the cast and the relationships that were built throughout the film. I got to see it at the GTX FILM Festival in Georgetown, TX and it blew me away. I meet the director and a few of the cast. Such a professional and respectful group. Their passion for the film and their work was so inspiring. It made me appreciate the film even more. I can easily see this film building momentum and attracting a large following. It's that good. I highly recommend everyone check this one out. It's very much worth the time and the watch!!