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"The Holdovers" is a captivating blend of comedy and drama that beautifully explores the complexities of human relationships.

Story is about a grumpy instructor (Paul Giamatti) at a New England prep school who forms an unexpected bond with a troubled student during the Christmas break. Because it is set in the 1970s, the film in a way is a nostalgic journey back in time, but with a narrative that is both engaging and thought-provoking.

The performances are exceptional, with Giamatti delivering a compelling portrayal of a man grappling with his own loneliness and the challenges of mentorship. The film's narrative is richly layered, exploring themes of loneliness, friendship, and personal growth. It's a story that resonates, offering a poignant reflection on the human condition. The film's setting in the 1970s adds a layer of nostalgia, further enhancing the emotional depth of the narrative. Despite its lengthy runtime, "The Holdovers" mostly maintains a steady pace, balancing its dramatic elements with moments of humor and warmth. The main plus of the movie is its dialogue-driven approach that adds to its charm, creating a sense of authenticity and depth in its character interactions.

Overall, this is a film that leaves a lasting impression, offering a thoughtful exploration of human relationships set against the backdrop of a bygone era. With its exceptional performances and engaging narrative, I'm giving it an 8 out of 10 rating. It's a must-watch for those seeking a film that combines drama, comedy, and a touch of nostalgia.

Let's just get this out of the way now - when it comes to writing this review, I'm probably a little bit biased (and a little bit drunk, currently, but that's besides the point). You see, I have an affinity for indie coming of age movies, and "The Holdovers" is basically an indie coming of age film, so it may - or may not - come as a surprise to you that I absolutely adored this picture. So, with that little preface out of the way, it's time for me to gush over this movie.

Starring none other than Paul Giamatti as Paul Hunham, Giamatti plays a professor at an all boys boarding school where, over Christmas break, he has the misfortune of looking over a group of boys, one of whom is named Angus, played by Dominic Sessa. After a rocky start, where Paul clearly doesn't get along with any of the boys, making his disdain clear and evident, he eventually finds himself alone with Angus - as well as with the school's cook, Mary Lamb, played by Da'Vine Joy Randolph - in an unexpected chain of events. What occurs after is a slice-of-life style piece of cinema that allows broken people to find comfort in each other's company.

"The Holdovers" is, without a doubt, one of my favorite movies of 2023, as well as probably one of the best movies of the year, as well. This Christmas-themed gem doesn't hold back on the drama, delivering a thoughtful blend of comedy, coming-of-age storytelling, and a touch of romance - all wrapped around a very raw, human plot-line that virtually everyone can relate to. I'm no spring chicken myself, but I found myself deeply connected to both main characters - one who is older and basically dejected with life as he knows it, and one who is younger but who feels lost, aimless, and disconnected from both family and friends. And admittedly, not everyone will have a direct parallel to these experiences, but even if you don't, you're in for a story that's bound to tug at your heartstrings... and make you laugh out loud in the process.

This is a high-quality movie - from the impeccable acting to the beautiful on-location cinematography to the relatable, thought-provoking plot, every element is executed with pinpoint precision and finesse; it's a testament to the art of storytelling on the silver screen. Director Alexander Payne knows how to create an artful film, and "The Holdovers" is no exception. It's at once indie and art-house while simultaneously being mainstream and easily accessible; in short, it's a film for everyone that actually feels like a genuine crowdpleaser instead of a pandering mess.

I'm having a difficult time describing what I liked about this movie, and the reason is because I liked almost everything about this movie. So why the 9 out of 10 rating instead of the perfect 10? Literally the only thing that's holding me back is because I would've liked a touch more romance; yes, there was romance here, but a bit more would've pushed me over the edge into 10 out of 10 territory. Besides that, this is basically a perfect film, one that I loved, and one that has become one of my favorite movies of the year, if not of all time. I am genuinely looking forward to rewatching this, and I can't wait until it becomes closer to Christmas so I can view this on my own TV, cuddled under blankets, with a glass of whiskey, and bask in the absolute heartwarming experience that is "The Holdovers." My recommendation: Do yourself a favor and watch this as soon as you can - you won't regret it.

Finally......a GOOD movie. The story/script, although not a breakthrough idea, was heartfelt,full and real.

The settings were also real and gorgeous (not really a cgi fan) Camera, cinematography, lighting,sound,score....every level made my eyes and ears satisfyingly full.

Acting was oscarworthy across the board.

Directing was brilliant.

Only negative I can come up with is that the pace was a bit slow, but so much of the movie is so focused and so superbly and beautifully made I just sat back and enjoyed it.

A very thoughtful substantial and beautiful movie. A rare gem in today's superficial gimmicky movie making world.

It's a comedy-drama set from December 16, 1970, to the first week of January 1971 in an exclusive boy's boarding school in New England and Boston, Massachusetts. It follows the experiences of the "holdovers," that is, the students who cannot go home over the Christmas holidays and the two Barton staff left to supervise them during the holidays.

There are five holdovers: Teddy Kountze (Brady Hepner), Jason Smith (Michael Provost), and Angus Tully (Dominic Sessa) are upper-class wealthy WASP students. Alex Ollerman (Ian Dolley) is a younger Mormon student whose parents are on a mission in South America. Ye-Joon Park (Jim Kaplan) is from South Korea.

Left to supervise is Paul Hunham (Paul Giamatti), an unmarried ancient history teacher who was once a student at Barton and has taught there all his career. He's a demanding curmudgeon who almost everyone dislikes. African American Mary Lamb (Da'Vine Joy Randolph), the head cook, is also present; her son, a Barton grad, has just been killed in Vietnam.

The film follows the shared experiences of the holdovers, though four students leave after a week when a wealthy father takes them for a ski holiday. Paul cannot contact Angus's parents, so he must stay with Paul and Mary at Barton. We also meet the school's headmaster, Hardy Woodrup (Andrew Garman), his administrative assistant, Lydia Crane (Carrie Preston), and janitor Danny (Naheem Garcia).

"The Holdovers" is a delightful comedy leavened with wisdom as we learn the dark secrets that have shaped Paul Hunham and Angus Tully. Giamatti, Sessa, and Randolph are all excellent. The script unfolds the twists and turns superbly. "The Holdovers" is a great Christmas movie.

Very enjoyable film with outstanding performances and a wonderful warm vibe accompanied by the Christmas season. It's funny at times, sad at times, and feel-good. It's a story that almost all can relate to and will really touch your heart. It deals with so many themes, but mainly grief, the past, family, and what makes a person who they are. It's also very original and has a great script, cinematography, and soundtrack. I would highly advise to see it in the theaters as well as you really get the 70's vibe and deep moment on the big screen. There aren't many negatives to this film and I would recommend it to most people.