CALIFICACIÓN DE IMDb
5.5/10
16 k
TU CALIFICACIÓN
Un equipo de S.W.A.T. investiga una misteriosa cinta de VHS y descubre una siniestra secta con material pregrabado que desvela una conspiración de pesadilla.Un equipo de S.W.A.T. investiga una misteriosa cinta de VHS y descubre una siniestra secta con material pregrabado que desvela una conspiración de pesadilla.Un equipo de S.W.A.T. investiga una misteriosa cinta de VHS y descubre una siniestra secta con material pregrabado que desvela una conspiración de pesadilla.
- Premios
- 1 premio ganado y 1 nominación en total
Gina Louise Phillips
- Camille (segment "Storm Drain")
- (as Gina Phillips)
Thiago dos Santos
- Raatma (segment "Storm Drain")
- (as Thiago Dos Santos)
Sean Patrick Dolan
- Skateboarder (segment "Storm Drain")
- (as Sean Dolan)
Opiniones destacadas
Some of these shorts in this film series are suprisingly original and well executed for the budget. Every one of the V/H/S/ films has a few gems to give. If you are a fan of the anthology style horror films, then i would recommend this and the other films in this series.
Timo Tjajhanto's segment "The Subject" is the vivid standout in this messy found-footage sequel which heads back to its grainy-cassette-tape roots. After the last installment bombed, it needed franchise returnees Timo Tjajhanto and Simon Barett, plus a conceptualizer in David Bruckner to inject some interest back into this anthology series. Similar to the "Safe Haven" segment by Gareth Evans and Timo Tjajhanto in V/H/S 2, Timo pulls off yet another audio-visual showcase here that melds CGI and practical effects in an action-packed (but non-scary) thirty-minute stretch shot entirely in first-person. This segment towers over the rest in terms of its core idea, slick production design, and bucketfuls of gore. It's the only segment worth revisiting in the film altogether.
I also enjoyed Chloe Okuno's Storm Drain in bits & pieces, especially for its typical found-footage claustrophobia, wacky effects, and an unexpected tinge of dark humor. Simon Barett's "The Empty Wake" initially gets its mood and atmosphere right before squandering all of it for something unintentionally laughable. The exciting bits in Ryan Prows' "Terror" are far too less to really mean anything other than its authentic '90s touches. Jennifer Reeder's wraparound segment "Holy Hell" suffers from poor performances and frequent breaks - the tension is wholly lacking. What's uniformly remarkable all through is the film's aesthetics. The news reports actually resemble the ones from the 90s; there's also retro CGI and even a fake infomercial that looks too darn legit. Add some grunge music, CRT televisions, and shades of the early internet into the mix, and we get a pretty decent throwback of sorts.
I also enjoyed Chloe Okuno's Storm Drain in bits & pieces, especially for its typical found-footage claustrophobia, wacky effects, and an unexpected tinge of dark humor. Simon Barett's "The Empty Wake" initially gets its mood and atmosphere right before squandering all of it for something unintentionally laughable. The exciting bits in Ryan Prows' "Terror" are far too less to really mean anything other than its authentic '90s touches. Jennifer Reeder's wraparound segment "Holy Hell" suffers from poor performances and frequent breaks - the tension is wholly lacking. What's uniformly remarkable all through is the film's aesthetics. The news reports actually resemble the ones from the 90s; there's also retro CGI and even a fake infomercial that looks too darn legit. Add some grunge music, CRT televisions, and shades of the early internet into the mix, and we get a pretty decent throwback of sorts.
Yeah the third segment might be my favorite as it is nothing like the others.. but in a good way!
This movie is basicly for separate hooror shortfilms foundfootage style with their own story and premise as each segment has its own director!
In short i would say that segment one and three were my favorite as they used horror and gore in an effective way! Segment one was the scariest to me while segment three were the gorriest as it went full on sci fi bodyhorror! It was really over the top and absurdly violent!
Segment two and four were the weakest to me! Both were slow at first and the scary qnd gory stuff didn't last very long!
This movie is basicly for separate hooror shortfilms foundfootage style with their own story and premise as each segment has its own director!
In short i would say that segment one and three were my favorite as they used horror and gore in an effective way! Segment one was the scariest to me while segment three were the gorriest as it went full on sci fi bodyhorror! It was really over the top and absurdly violent!
Segment two and four were the weakest to me! Both were slow at first and the scary qnd gory stuff didn't last very long!
The shorts here are great. Tjahjanto, Prowse, and Okuno bring very unique tales that are genuinely scary. Barrett's segment is adequate and on par with segments in previous the previous films. However, the wraparound by Jennifer Reeder is awful and taints the pros of the individual segments. The last 3 minutes of the film close the wrap segment and is the worst part of the film by far. Though not as bad as the wraparound in VHS Viral, this film didn't do much better for its framing device. Overall the film sits around the quality of the first two.
6/10.
6/10.
BUT YOU CAN'T SEE ANYTHING !!!!!
Why bother creating a movie. We lived through the 'VHS' years and they were never as bad as this. Why bother filming something if you have it either, jumpy, dark or add effects to make you NOT SEE ANYTHING.
So frustrating.
Why bother creating a movie. We lived through the 'VHS' years and they were never as bad as this. Why bother filming something if you have it either, jumpy, dark or add effects to make you NOT SEE ANYTHING.
So frustrating.
¿Sabías que…?
- TriviaThe amateur sketch of "the Ratman" is a reference to the amateur sketch of a leprechaun sighting in Alabama circa March 16th 2007.
- ErroresA piece of graffiti in the tunnel clearly says "2018" in the first segment.
- Créditos curiososThe copyright notice at the end of the credits ends with "Don't make us unleash the Raatma. HAIL RAATMA." Referencing the segment "Storm Drain".
- Bandas sonorasV/H/S/94
Written by Greg Anderson
Performed by The Lord
Published by Sabbath Rehash BMI
Courtesy of Southern Lord Recordings
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is V/H/S/94?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Đoạn Băng Kinh Hoàng Năm 94
- Locaciones de filmación
- Hamilton, Ontario, Canadá(location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 43min(103 min)
- Color
- Relación de aspecto
- 1.78 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta