CALIFICACIÓN DE IMDb
5.2/10
4.7 k
TU CALIFICACIÓN
Tras el presunto suicidio de su hermano sacerdote, Grace viaja al remoto convento escocés donde cayó muerto. Desconfiando de la versión de la Iglesia, descubre un asesinato, un sacrilegio y ... Leer todoTras el presunto suicidio de su hermano sacerdote, Grace viaja al remoto convento escocés donde cayó muerto. Desconfiando de la versión de la Iglesia, descubre un asesinato, un sacrilegio y una inquietante verdad sobre sí misma.Tras el presunto suicidio de su hermano sacerdote, Grace viaja al remoto convento escocés donde cayó muerto. Desconfiando de la versión de la Iglesia, descubre un asesinato, un sacrilegio y una inquietante verdad sobre sí misma.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Valerie Sarruf
- Female Patient
- (as Valerie Saruf)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is marketed as a horror movie, but I think it's more of a
lean, tightly written mystery with horrific elements. The clues are so densely packed I couldn't leave to get a soda refill, for fear of missing some key point in the story.
Jena Malone is great as always, though her accent is a bit shaky in places. Janet Suzman is a standout as Mother Superior, as is Ian Pirie, who is genuinely frightening as Jena's dad.
Scenes jump back and forth in time and from dreams to reality in a disorienting fashion, but the final resolution ties up all...and I do mean ALL the loose ends in a way I found very satisfying.
Other reviews have commented that too much of the mystery is given away early. I disagree. I could see the general direction it was going but was still surprised at the reveal.
Smarter than the typical jump-scare movie that gets released every week, it will keep your interest and make you think. Just don't expect it to make you jump out of your seat.
Recommended.
Jena Malone is great as always, though her accent is a bit shaky in places. Janet Suzman is a standout as Mother Superior, as is Ian Pirie, who is genuinely frightening as Jena's dad.
Scenes jump back and forth in time and from dreams to reality in a disorienting fashion, but the final resolution ties up all...and I do mean ALL the loose ends in a way I found very satisfying.
Other reviews have commented that too much of the mystery is given away early. I disagree. I could see the general direction it was going but was still surprised at the reveal.
Smarter than the typical jump-scare movie that gets released every week, it will keep your interest and make you think. Just don't expect it to make you jump out of your seat.
Recommended.
I'm always attracted to these Christian horror movies and I love the feeling they gave me. This film was one of the decent ones in that category. Eerie, atmospheric locations, cool concept, impressive direction, dialogues and a stellar cast with stellar performance. But the ending was confusing, rushed and had no satisfying conclusion.
I'm always attracted to these Christian horror movies and I love the feeling they gave me. This film was one of the decent ones in that category. Eerie, atmospheric locations, cool concept, impressive direction, dialogues and a stellar cast with stellar performance. But the ending was confusing, rushed and had no satisfying conclusion.
I'm always attracted to these Christian horror movies and I love the feeling they gave me. This film was one of the decent ones in that category. Eerie, atmospheric locations, cool concept, impressive direction, dialogues and a stellar cast with stellar performance. But the ending was confusing, rushed and had no satisfying conclusion.
Its a bit difficult for me to rate this because of the Christian elements which I clearly don't get, as a non-Christian and not knowing the history of European christianity.
The movie is a bit slow, the lead character Grace is just wandering the abbey for 50 mins of the movie. She has come here after she is informed about her brother's suicide.
We get to know of her traumatic childhood of a half-crazed father abusing her and rest of the family, in the end stabbing her mother.
Then we have these shots of medieval age where some knights are the visiting this abbey.
The last 30 mins ,where some action happens, left with me lot of questions. Maybe someone who knows Christian theology may have understood what the hell is happening.
The odd part is that the movie doesn't take a stand on who is the bad person here, the church or Grace which makes me give them some points.
The movie is a bit slow, the lead character Grace is just wandering the abbey for 50 mins of the movie. She has come here after she is informed about her brother's suicide.
We get to know of her traumatic childhood of a half-crazed father abusing her and rest of the family, in the end stabbing her mother.
Then we have these shots of medieval age where some knights are the visiting this abbey.
The last 30 mins ,where some action happens, left with me lot of questions. Maybe someone who knows Christian theology may have understood what the hell is happening.
The odd part is that the movie doesn't take a stand on who is the bad person here, the church or Grace which makes me give them some points.
Consecration was a very pleasant surprise: a fine production and cast, on top some story in the line of movies a la The Exorcist or The Medusa Touch (Richard Burton, 1978) and the like. Mostly I watched this one because of Jena Malone and I was not disappointed - her fine performance gives Grace, our by mysteries and death surrounded hero, gestalt, depth. Consecration is for sure no movie for the pure gorehound or for those who want the simple pleasures of a slasher movie served, but rather for those who can enjoy a slowly unfolding plot sugared by some dark atmosphere and fine settings. No doubt, this one is no masterpiece but an entertaining snack for the connoisseurs of previously mentioned movies.
The movie has been terribly misrepresented and misquoted as a horror while, in reality, it tends to lean more towards the genre of murder/mystery thrillers rather than a gloomy, atmospheric fear flick, contrary to what the trailers may have earlier suggested.
The creators should have been more sincere in their promotional strategies because if you are not honest about your work, the audience has a harder time deciding what to expect and what not to and that could backfire and In this case, I believe it is about to turn sour as well.
The film itself isn't half bad, and neither are the concepts it attempts to explore, but I'm worried that subverting viewers' expectations won't go down well with most of them, it didn't with me that's for certain.
The creators should have been more sincere in their promotional strategies because if you are not honest about your work, the audience has a harder time deciding what to expect and what not to and that could backfire and In this case, I believe it is about to turn sour as well.
The film itself isn't half bad, and neither are the concepts it attempts to explore, but I'm worried that subverting viewers' expectations won't go down well with most of them, it didn't with me that's for certain.
¿Sabías que…?
- TriviaNear the beginning of the movie and in a clear nod to the Movie Contact (1997) where Jena Malone starred as Young Ellie, her character Grace walks into her apartment only to reveal that the camera followed her reflection on a mirror, recreating the famous 'mirror effect' of the Robert Zemeckis' film.
- Bandas sonorasGloria in Excelsis Deo
(uncredited)
2nd - 3rd century plainsong melody
Latin lyrics attributed to Hilary of Poitiers (310 - 367 A.D.)
Performed by Eilidh Fisher
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 538,551
- Fin de semana de estreno en EE. UU. y Canadá
- USD 329,951
- 12 feb 2023
- Total a nivel mundial
- USD 2,409,963
- Tiempo de ejecución1 hora 31 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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What was the official certification given to La Consagración (2023) in Canada?
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