El hombre de hielo

The Iceman was an enjoyable movie with very good acting, but ultimately quite unrealistic.

The Iceman, Richard Kuklinski, comes off as a very sympathetic character in the end, whereas in real life he truly was a cold emotionless and sociopathic killer. His family weren't so much cherished and loved as they were possessions that were his and his alone.

Much has been learned about sociopathy by interviewing Kuklinski, but unfortunately none of this was used to shape and portray his real character in the movie. Nonetheless, the movie is worth seeing, but more as entertainment than enlightenment about Kuklinski's life of crime.

I had to drive over 70miles one way to watch this movie and was it worth it? Hard to say if one watched "the iceman tapes" from HBO. To me personally it was disappointing, but I probably expected way too much. So lower your expectations and you will have a nice evening in the cinema.

Shannon is great, superb, I guess nobody could have played him better, but the editing, the storytelling is very abrupt and a bit too edgy. Its not a good fellas, its not even close to it, don't expect even a mob flick. Its an OK movie that had so much more potential. YET it is still worth watching since you don't see movies like that nowadays very often.

The potential of the story would have been an 11, this movie is a 7 with an extra point for Shannons performance. And in relevance I should mention that I would give broken city a 3.5, gangster squad a 4.5, so I guess people who watch this movie with not so high expectations will love it!

PS. No "the iceman" did NOT got his nick because he was so cold, like another reviewer wrote, but because he froze a body for two years. The officials gave him then that name. All this is well known through the "iceman tapes".

The Iceman a biopic based on New Jersey hit-man Richard Kuklinski who managed to murder at least 100 and possibly up to 250 victims in a span of almost 40 years.

Michael Shannon giving a strong performance as the hit-man with the calculating and creepy demeanor of a psychopathic killer with no conscience who can still flip the switch back to his life in the suburbs with wife and kids. Yet a shade of subtlety and pathos in his portrayal of Kuklinski that we can actually identify and take some interest in his struggles. With the exception of Winona Ryder who fits seamlessly as naive suburban housewife (and the 2 daughters) very unlikely to feel sympathy for the victims with the exception of one senseless killing. Mostly wiseguys, mostly scumbags. We're not all that mad at Kuklinski for the nasty stuff he's doing.

Ray Liotta a can't miss as a minor mob boss, all the acting first rate and the characters real. But the Iceman story is told without ice and without chasers, a gangster flick without sentiments real or phony thrown in. Viewers hoping to draw insights or conclusions from all the dead bodies might end up disappointed. The 'Iceman' moniker from his practice of freezing bodies to confuse the time of death.

My biggest question for Kuklinski would be, how do you get away with so many murders, so many different methods, places, people over a span of almost 40 years? In the true crime shows the perp makes one little slip in his only perfect crime and ends up in the slam.

The movie is what it is because I don't think there's all that much complex or new in a Kuklinski to learn. Abused growing up, turns to sociopathic super bully behavior as an adult to get what he wants and to survive. No genius but smart enough to know when to turn it down out in the suburbs. Kuklinski was an usher at mass every Sunday. They should have included that in the movie.

A life of crime. Are some people genetically predisposed to crime or is it all about choices?

In this hard hitting drama, we follow the rise and fall of Richard Kuklinski played utterly convincingly by Michael Shannon. The man who terrorised many, yet he was a faithful and devoted dad and husband where the constant struggle is shown in keeping the balance between a life of crime and family harmony.

One scene I find particularly mesmerising is when he visits his brother in prison and as he is about to leaves his brother shouts that since are both born criminals they shall both end up in jail.

Kudos to the makers for conveying tension and emotion in the correct dose. My only remark would be that it kind of lost its way between being a crime drama and autobiography, however whilst it successfully is a bit of both, I sort of craved it picked a genre and dig a little deeper.

Having read Philip Carlo's biography of Richard Kuklinski 'The Ice Man: Confessions of a Mafia Contract Killer', I can say that Ariel Vromen's big screen adaptation 'The Iceman' is a big disappointment. While the author had a habit of repeating himself and some of Richard's recollections seemed rather dubious in places, Carlo's lengthy book was an engrossing read, I enjoyed it very much.

The problem with the film is that it's awfully constructed; it's all so terribly rushed. It fails to develop both the narrative and subsequently the character of Richard Kuklinski, glossing over almost everything that made the book such an interesting read. I appreciate that cramming one's life story into a screenplay can be a difficult task, however there are major flaws in the script that could have easily been avoided - the screenplay should've been scrapped and completely rewritten.

His unspeakably awful childhood, for instance, is covered with an utterly perfunctory flashback scene that lasts for all of about 15 seconds. This is a fatal mistake, because it was his harrowing formative years that shaped Richard.

Stanley Kuklinski, his deeply cruel father, conditioned his son with the daily violence he inflicted upon his whole family. After Stanley dealt Richard's brother Florian a particularly malicious beating, he died from his injuries; the police were told that he fell down a flight of stairs. Richard's mother was also a callous, unpleasant person; despite her zealous religious values she had no qualms about battering her children with a broom handle. Even when Richard sought solitude in the placidity of his local church as an altar boy, nuns would punish him by splitting the skin on his knuckles with the edge of a metal ruler. All of the relentless anguish was compounded by his family's total destitution.

When 13-year-old Richard also became the victims of local bullies, it all became too much for him - he beat one of them to death with a pole and discarded his body with brutal efficiency. Kuklinski recalled that it was at this moment that he discovered 'it was better to give than receive'. The passages of Carlo's book that cover his youth make for appalling reading; unfortunately none of this power is to be found in Ariel Vromen's rather boring adaptation.

Lacking also are the details of Kuklinski's career. The book recalls Kuklinski's methods of murder, the way he stalked his prey and his utter indifference towards his victims' suffering. Very little of this was explored in the film, we get little more than a brief montage of random people being blown away - it's all so damn rushed and disorganised. Considering what a desperately violent individual Kuklinski was, 'The Iceman' is a rather neutered production. It has none of the visceral qualities that shock you like in 'The Godfather' and 'Goodfellas', mob films that draw you into their brutal world where death is merely 'business'.

Not only is the narrative woefully underdeveloped but it's also sheer fiction in many instances. Despite having great dramatic material to work with, Ariel Vromen and Morgan Land decided that their own version of events were better. Even the more faithful scenes have been tweaked and messed about with for no discernible reason. For example, Roy DeMeo didn't introduce Kuklinski to contract killing, he had already had a career with the DeCavalcante New Jersey crime family and had killed scores of people both professionally and privately. It also forgets to depict the savage beatings Richard used to give his wife Barbara and the pernicious effect it had on the family dynamic.

As you have probably heard, Michael Shannon is the highlight of the film. Much like the real man, he has a steely reserve and an explosive temper; he also resembles him in both appearance and speech. However, despite his best efforts, Shannon is completely let down by the script. While Shannon is indeed cold and calculated, the film fails to truly capture Kuklinski's aura of menace and particularly his notoriety in Mafiadom.

While the performances are fine, 'The Iceman' is quite frankly ruined by total underdevelopment. If I had entered the film with no knowledge of the man, I would have found it a boring, mediocre mob film. But knowing the depth and drama of this tragic figure means that 'The Iceman' is a complete misfire that deserves much more, ideally a remake. The only thing that it successfully achieved was the credibility of its period styling.