Jagged

It started off so well then the #metoo movement high jacked it (which Alanis didn't sign up for) and it turned quickly into a how bad men are in the industry. Myself as a male in the nineties absolutely loved the album and still listen to it a lot to this day! She paved the way for women (and men) to make these kind of songs. She is, and always will be a trailblazer and unbelievably great addition to the music industry. She was exactly what was needed after the Nirvana grunge era and Taylor Hawkins going to the Foo Fighters just proves it. She's the type of person that you would love to have a drink & a discussion about music with.

I really enjoyed this documentary- even though there were some things about its narrative that irked me- like the way it presents Alanis like some anomaly who was ahead of her time in the mid-1990s, when this was the time of Grunge and bands like Hole and people like PJ Harvey- and among them, she fit right in, except to anyone who wants to split hairs about it. So, that point the doc kept trying to make felt completely disingenuous, as did the point it tried to make about how no major or minor record label wanted her- all rejecting Jagged Little Pill originally. The first thing I thought when hearing that was here we go again- this is a repeat of what Joan Jett said happened with her- only, in that case, it feels more true.

I kinda didn't buy what they were selling here. First off, to call "Jagged" the best selling debut album by a female artist sounds good to say, BUT it wasn't really her debut, since she had made a few albums before that in her native Canada. So again, the point felt disingenuous. And another thing- there is no way Jagged Little Pill was a hard sale in the era of Grunge and Riot Grrrl. No way! Yeah, I'm sure she got rejected BEFORE people actually heard the music- but that is often true for anyone trying to make a hit- people can be reluctant to try anything new- including new music. But after hearing the music, they liked it, and that's what counts. After all, she did end up on Madonna's boutique label, so it was a little irksome that they kept painting her as a truly struggling artist in those years- because she wasn't- it's just the nature of the business.

There was nothing really unusual about Alanis, except for the fact that her level of fame eclipsed all the others due to how catchy her songs were and songwriting was. That said, she was and is a true talent who I am glad to learn more about. This documentary is well-made and kept me entertained and invested, even if I didn't quite agree with a lot of the points made in it.

Great doco, and nothing salacious about it. Could have gone much deeper but still worth a watch. No doubt there will be loads of blokes saying it's boring because it wasn't salacious enough - so watch it for feminism's sake ;-)

Fascinating look at her origins, the issues she dealt with as a female artist in a male dominated commercial industry and her thoughts regarding it. Her music still stands up and I can't wait for her to get her due properly.

For all the controversy about Alanis being unhappy with the film and finding it "salacious," it's actually pretty dull. After the Woodstock '99 documentary, which was informative, entertaining, and did a great job contextualizing the events depicted, I had much higher hopes for this. Unfortunately, it's less of a documentary and more of a retrospective without a whole lot to say. The music is still great, though.