The After Hours
- El episodio se transmitió el 14 mar 2025
- TV-MA
- 44min
CALIFICACIÓN DE IMDb
8.1/10
11 k
TU CALIFICACIÓN
Reproducir clip3:36
Ver How Adam Scott Makes the "Severance" Elevator Switch Believable
Mark y Devon forman equipo con un aliado. Helly investiga más a fondo.Mark y Devon forman equipo con un aliado. Helly investiga más a fondo.Mark y Devon forman equipo con un aliado. Helly investiga más a fondo.
Michael Chernus
- Ricken Hale
- (solo créditos)
Ólafur Darri Ólafsson
- Mr. Drummond
- (as Darri Ólafsson)
Jeanine Flynn
- Gate Guard
- (as Jeanine Marie Flynn)
Marc Geller
- Kier Eagan
- (solo créditos)
Opiniones destacadas
My God, I feel like everybody who is a part of this community is terrified that this is going to be a new Game of Thrones type ending fumble. I think we're just in disbelief of how good the show really is lol.
This episode was great, even though there were no major reveals. All of the plot lines had such momentum and were absolutely captivating. The cinematography continues to bedazzle. The cinematography team makes it look like every frame should be hung in a museum.
I will say, though, waiting week after week for the definitive answer of what the heck is Cold Harbor. Is getting. On. My. Nerves. They better reveal everything next episode!!!
This episode was great, even though there were no major reveals. All of the plot lines had such momentum and were absolutely captivating. The cinematography continues to bedazzle. The cinematography team makes it look like every frame should be hung in a museum.
I will say, though, waiting week after week for the definitive answer of what the heck is Cold Harbor. Is getting. On. My. Nerves. They better reveal everything next episode!!!
If the penultimate episode of the season had this much tension I fear how intense the finale is going to be.
This episode did a great job at both paying things off and setting things up for the big finale similarly to S1's second to last episode.
Lot's of emotions this episode and I have to admit I almost teared up a few times; the way it tackles these themes of innocence and the continual ones of individuality are especially potent this episode.
Some brilliant performances this episode, this show better sweep the Emmys because it deserves to!
Overall fantastic episode, one of the best of the season, hoping next week reaches the heights of the first season's finale.
This episode did a great job at both paying things off and setting things up for the big finale similarly to S1's second to last episode.
Lot's of emotions this episode and I have to admit I almost teared up a few times; the way it tackles these themes of innocence and the continual ones of individuality are especially potent this episode.
Some brilliant performances this episode, this show better sweep the Emmys because it deserves to!
Overall fantastic episode, one of the best of the season, hoping next week reaches the heights of the first season's finale.
One of the great things about this show is its deliberate pacing and visual storytelling, similar to shows like Better Call Saul or Breaking Bad.
While not everyone likes that, it's a shame that some reviewers fail to see that their own desire for instant gratification doesn't devalue the show's quality.
The loud minority of negative reviews, many of which focus on pacing and, therefore, personal preference, also contain obvious shortcomings in understanding that aren't the show's fault.
Severance doesn't hold the viewer's hand; there's a lot of subtext, and a basic understanding of visual storytelling helps make sense of the complex character dynamics and themes.
Instead of accusing other reviewers of being bots, it might make sense to watch some analyses (e.g., Banshee Breakdowns, JBuck Studios, Think Story) for a deeper understanding of why, in fact, everything actually makes sense.
In regards to a previous review mentioning a few characters and their choices, it's apparent that there's a fundamental lack of understanding provoking these opinions.
It's pretty frustrating to read these self-defeating comments. For example, Devon obviously knows about the cabin because it has been a major plot point in season one.
We might not have all the answers yet, but many questions, in fact, become clearer as the seasons progress. If Severance were available to binge all at once, the majority of the negative reviews wouldn't exist. It's a shame that the show's rating is negatively affected by the impatience of some viewers.
The creators specifically stated that they will address the mysteries they introduce. This obviously won't happen in just one season, but since they have already written the ending and just need to figure out how to get there, maybe it's time to enjoy the journey instead of obsessing over a lack of answers in the meantime.
After all, Severance is a show about identity, love, grief, autonomy, and alienation in a cruel world, and not just about what exactly it is that Lumon is doing.
While not everyone likes that, it's a shame that some reviewers fail to see that their own desire for instant gratification doesn't devalue the show's quality.
The loud minority of negative reviews, many of which focus on pacing and, therefore, personal preference, also contain obvious shortcomings in understanding that aren't the show's fault.
Severance doesn't hold the viewer's hand; there's a lot of subtext, and a basic understanding of visual storytelling helps make sense of the complex character dynamics and themes.
Instead of accusing other reviewers of being bots, it might make sense to watch some analyses (e.g., Banshee Breakdowns, JBuck Studios, Think Story) for a deeper understanding of why, in fact, everything actually makes sense.
In regards to a previous review mentioning a few characters and their choices, it's apparent that there's a fundamental lack of understanding provoking these opinions.
It's pretty frustrating to read these self-defeating comments. For example, Devon obviously knows about the cabin because it has been a major plot point in season one.
We might not have all the answers yet, but many questions, in fact, become clearer as the seasons progress. If Severance were available to binge all at once, the majority of the negative reviews wouldn't exist. It's a shame that the show's rating is negatively affected by the impatience of some viewers.
The creators specifically stated that they will address the mysteries they introduce. This obviously won't happen in just one season, but since they have already written the ending and just need to figure out how to get there, maybe it's time to enjoy the journey instead of obsessing over a lack of answers in the meantime.
After all, Severance is a show about identity, love, grief, autonomy, and alienation in a cruel world, and not just about what exactly it is that Lumon is doing.
10solojere
Can we be Innocent Again? I think that is the question asked in The After Hours. And honestly, I don't know the answer. What an Amazing and emotional Episode. After all these characters have been through, this was a particularly low blow. After the last 2 weeks, it was nice to have the main cast back. But things aren't as life and Lumon are dragging our characters down. I won't spoil anything, but this was some amazing TV with some great performances. Honestly, it was like watching a movie between the amazing visuals and the amazing character development. Zach Cherry kills it as Dylan G. His performance was so good. Also, Tramell Tillman Needs all the awards for Mr. Milchick. It was also interesting to see Miss Huang get some character development. Adam Scott's sarcasm kills me. John Turturro and Christopher Walken are a match made in heaven, and the tension between them is so good. Brit Lower is so good as Helly R and Helena! I feel so bad for Helly and can't wait to see what happens next. I can't believe there is only one episode left this season. This entire season has been perfect, and I can't wait until next week. If only I could be severed to speed up the time. ;)
This episode was a good setup for the season finale. I wish it had been a little more revealing in some parts, but I feel like it showed us enough to build hype for the season finale. However, despite saving the excitement for the end, it still left us with a high level of anticipation and curiosity for next week.
Some people may have been frustrated by the lack of answers to some questions, but all nine episodes have been a build-up to the finale, which I honestly have high expectations for, because I trust Ben Stiller and we'll have 76 extremely revealing minutes ahead of us. I give the episode a score of 8 because on the "Severance" scale of scores, 8 would be the usual high quality that the episodes present, which for me is already excellent, 9 would be only for "Woe's Hollow" and "Chikhai Bardo", two episodes completely out of the curve in this series, which were impactful from beginning to end, and 10 so far only for "The We We Are", which was the best episode of the series so far, perhaps not for a long time.
Some people may have been frustrated by the lack of answers to some questions, but all nine episodes have been a build-up to the finale, which I honestly have high expectations for, because I trust Ben Stiller and we'll have 76 extremely revealing minutes ahead of us. I give the episode a score of 8 because on the "Severance" scale of scores, 8 would be the usual high quality that the episodes present, which for me is already excellent, 9 would be only for "Woe's Hollow" and "Chikhai Bardo", two episodes completely out of the curve in this series, which were impactful from beginning to end, and 10 so far only for "The We We Are", which was the best episode of the series so far, perhaps not for a long time.
¿Sabías que…?
- TriviaThe title of this episode "The After Hours" was originally the title of a Twilight Zone episode #34 from season 1, 1960, written by Rod Serling. The episode, starring Anne Francis, revolves around a department store where the mannequins come to life one at a time and are allowed to go out into the real world for one month. This same episode of Twilight Zone is referenced in the scene where Ms. Cobel speaks to the security guard at the birthing retreat--their dialogue about a "Miss Marsha White looking for a gold thimble on the 9th floor, specialties department" mirrors Rod Serling's opening narration from "The After Hours."
- ConexionesFeatured in The 77th Primetime Emmy Awards (2025)
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Detalles
- Tiempo de ejecución
- 44min
- Color
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