The After Hours
- El episodio se transmitió el 14 mar 2025
- TV-MA
- 44min
CALIFICACIÓN DE IMDb
8.1/10
11 k
TU CALIFICACIÓN
Reproducir clip3:36
Ver How Adam Scott Makes the "Severance" Elevator Switch Believable
Mark y Devon forman equipo con un aliado. Helly investiga más a fondo.Mark y Devon forman equipo con un aliado. Helly investiga más a fondo.Mark y Devon forman equipo con un aliado. Helly investiga más a fondo.
Michael Chernus
- Ricken Hale
- (solo créditos)
Ólafur Darri Ólafsson
- Mr. Drummond
- (as Darri Ólafsson)
Jeanine Flynn
- Gate Guard
- (as Jeanine Marie Flynn)
Marc Geller
- Kier Eagan
- (solo créditos)
Opiniones destacadas
If the penultimate episode of the season had this much tension I fear how intense the finale is going to be.
This episode did a great job at both paying things off and setting things up for the big finale similarly to S1's second to last episode.
Lot's of emotions this episode and I have to admit I almost teared up a few times; the way it tackles these themes of innocence and the continual ones of individuality are especially potent this episode.
Some brilliant performances this episode, this show better sweep the Emmys because it deserves to!
Overall fantastic episode, one of the best of the season, hoping next week reaches the heights of the first season's finale.
This episode did a great job at both paying things off and setting things up for the big finale similarly to S1's second to last episode.
Lot's of emotions this episode and I have to admit I almost teared up a few times; the way it tackles these themes of innocence and the continual ones of individuality are especially potent this episode.
Some brilliant performances this episode, this show better sweep the Emmys because it deserves to!
Overall fantastic episode, one of the best of the season, hoping next week reaches the heights of the first season's finale.
One of the great things about this show is its deliberate pacing and visual storytelling, similar to shows like Better Call Saul or Breaking Bad.
While not everyone likes that, it's a shame that some reviewers fail to see that their own desire for instant gratification doesn't devalue the show's quality.
The loud minority of negative reviews, many of which focus on pacing and, therefore, personal preference, also contain obvious shortcomings in understanding that aren't the show's fault.
Severance doesn't hold the viewer's hand; there's a lot of subtext, and a basic understanding of visual storytelling helps make sense of the complex character dynamics and themes.
Instead of accusing other reviewers of being bots, it might make sense to watch some analyses (e.g., Banshee Breakdowns, JBuck Studios, Think Story) for a deeper understanding of why, in fact, everything actually makes sense.
In regards to a previous review mentioning a few characters and their choices, it's apparent that there's a fundamental lack of understanding provoking these opinions.
It's pretty frustrating to read these self-defeating comments. For example, Devon obviously knows about the cabin because it has been a major plot point in season one.
We might not have all the answers yet, but many questions, in fact, become clearer as the seasons progress. If Severance were available to binge all at once, the majority of the negative reviews wouldn't exist. It's a shame that the show's rating is negatively affected by the impatience of some viewers.
The creators specifically stated that they will address the mysteries they introduce. This obviously won't happen in just one season, but since they have already written the ending and just need to figure out how to get there, maybe it's time to enjoy the journey instead of obsessing over a lack of answers in the meantime.
After all, Severance is a show about identity, love, grief, autonomy, and alienation in a cruel world, and not just about what exactly it is that Lumon is doing.
While not everyone likes that, it's a shame that some reviewers fail to see that their own desire for instant gratification doesn't devalue the show's quality.
The loud minority of negative reviews, many of which focus on pacing and, therefore, personal preference, also contain obvious shortcomings in understanding that aren't the show's fault.
Severance doesn't hold the viewer's hand; there's a lot of subtext, and a basic understanding of visual storytelling helps make sense of the complex character dynamics and themes.
Instead of accusing other reviewers of being bots, it might make sense to watch some analyses (e.g., Banshee Breakdowns, JBuck Studios, Think Story) for a deeper understanding of why, in fact, everything actually makes sense.
In regards to a previous review mentioning a few characters and their choices, it's apparent that there's a fundamental lack of understanding provoking these opinions.
It's pretty frustrating to read these self-defeating comments. For example, Devon obviously knows about the cabin because it has been a major plot point in season one.
We might not have all the answers yet, but many questions, in fact, become clearer as the seasons progress. If Severance were available to binge all at once, the majority of the negative reviews wouldn't exist. It's a shame that the show's rating is negatively affected by the impatience of some viewers.
The creators specifically stated that they will address the mysteries they introduce. This obviously won't happen in just one season, but since they have already written the ending and just need to figure out how to get there, maybe it's time to enjoy the journey instead of obsessing over a lack of answers in the meantime.
After all, Severance is a show about identity, love, grief, autonomy, and alienation in a cruel world, and not just about what exactly it is that Lumon is doing.
Of course, a great episode of setup is only as good as the following payoff. But this episode is superb, managing to set up a huge season finale while also progressing the plot and giving us exciting new plot points to push us forward.
The penultimate episode of season 1 had this uneasy and tense feeling, and that is dialed up to 11 here, especially with a consistently stressful score.
Milkshake finally seems to snap (Tramell Tillman is incredible), Adam Scott also gets a lot to chew on, and i think every characters plotpoint went in an extremely interesting direction. Cobel gets, ironically, more interesting things to do in this than in her own episode last week. Helly and Dylan have huge cliffhangers that i also can't wait to see resolved.
So ready for the season 2 finale. Not ready for the wait for season 3.
The penultimate episode of season 1 had this uneasy and tense feeling, and that is dialed up to 11 here, especially with a consistently stressful score.
Milkshake finally seems to snap (Tramell Tillman is incredible), Adam Scott also gets a lot to chew on, and i think every characters plotpoint went in an extremely interesting direction. Cobel gets, ironically, more interesting things to do in this than in her own episode last week. Helly and Dylan have huge cliffhangers that i also can't wait to see resolved.
So ready for the season 2 finale. Not ready for the wait for season 3.
Season 1 was by far much better. I was hoping this episode was going to be amazing given the last 2 slow ones but its just another slow paced episode with a bunch of filler.
We get good information but once again the story only really starts to progress in the last few minutes to lead up to the season finale. Starting to feel like the walking dead where nothing happens until the episodes cliffhanger. I still do enjoy the show but as time goes on it's leaving more and more to be desired.
No wonder the finale is going to be 70+ minutes long, it needs to be in order for us to get 15 minutes worth of actual story.
I welcome your thumbs down.
We get good information but once again the story only really starts to progress in the last few minutes to lead up to the season finale. Starting to feel like the walking dead where nothing happens until the episodes cliffhanger. I still do enjoy the show but as time goes on it's leaving more and more to be desired.
No wonder the finale is going to be 70+ minutes long, it needs to be in order for us to get 15 minutes worth of actual story.
I welcome your thumbs down.
My God, I feel like everybody who is a part of this community is terrified that this is going to be a new Game of Thrones type ending fumble. I think we're just in disbelief of how good the show really is lol.
This episode was great, even though there were no major reveals. All of the plot lines had such momentum and were absolutely captivating. The cinematography continues to bedazzle. The cinematography team makes it look like every frame should be hung in a museum.
I will say, though, waiting week after week for the definitive answer of what the heck is Cold Harbor. Is getting. On. My. Nerves. They better reveal everything next episode!!!
This episode was great, even though there were no major reveals. All of the plot lines had such momentum and were absolutely captivating. The cinematography continues to bedazzle. The cinematography team makes it look like every frame should be hung in a museum.
I will say, though, waiting week after week for the definitive answer of what the heck is Cold Harbor. Is getting. On. My. Nerves. They better reveal everything next episode!!!
¿Sabías que…?
- TriviaThe title of this episode "The After Hours" was originally the title of a Twilight Zone episode #34 from season 1, 1960, written by Rod Serling. The episode, starring Anne Francis, revolves around a department store where the mannequins come to life one at a time and are allowed to go out into the real world for one month. This same episode of Twilight Zone is referenced in the scene where Ms. Cobel speaks to the security guard at the birthing retreat--their dialogue about a "Miss Marsha White looking for a gold thimble on the 9th floor, specialties department" mirrors Rod Serling's opening narration from "The After Hours."
- ConexionesFeatured in The 77th Primetime Emmy Awards (2025)
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Detalles
- Tiempo de ejecución
- 44min
- Color
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