The Viewing
- El episodio se transmitió el 28 oct 2022
- TV-MA
- 56min
CALIFICACIÓN DE IMDb
6.2/10
11 k
TU CALIFICACIÓN
Un acaudalado recluso acoge en su elegante mansión a cuatro invitados consumados para vivir una experiencia única en la vida, pero su intriga pronto se convierte en terror.Un acaudalado recluso acoge en su elegante mansión a cuatro invitados consumados para vivir una experiencia única en la vida, pero su intriga pronto se convierte en terror.Un acaudalado recluso acoge en su elegante mansión a cuatro invitados consumados para vivir una experiencia única en la vida, pero su intriga pronto se convierte en terror.
- Dirección
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- Elenco
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
First of all, dig the late 70's, early 80's vibe, exaggerated as it may be. You can definitely tell the director is the same one who directed Mandy. Its mind-altering, colorful, visual schemes, with vibrant fun sets, and with odd audio tracks to give it a real psychedelic ambience.
But the main reason I was drawn to this episode, and why I chose to view it as the second in order of episodes in season 1, was from all the negative reviews complaining about how the episode was dull and its twist was too abrupt and unsettling. Personally, I found it enthralling. It's filmed almost as if the audience is a 5th unmentioned guest.
Really cool to see Peter Weller in this episode, he does a great job. And it has some rather titillating dialogue, some of which was rather deep, and some of which flew over my head, but still kept me interested. Until it reached a point where it seemed like it was trying too hard to be esoteric to "wow" the audience into thinking "whoa, that's some heavy s@#$ right there!" as if to only impress stoners and believers in outer astrology.
Also, just wanted to say, Eric Andre usually bugs the crap out of me. Most things I've seen him in, from comedic performances to guest appearances, makes me want to quit watching tv. But he did a pretty good job here, and wasn't his usual obnoxious self. And the other actors did alright too.
There were even some funny moments. It's weird, sure. And CGI use may be too heavy. Oh wait, then it doesn't seem to rely on it too much, and the "creature" ends up being rather horrifying and freaking awesome. It's rather refreshing, and different. I thoroughly enjoyed it.
Unfortunate many do not feel the same, but if you love weird, and if you loved the director's other works like "Mandy" or other crazy stuff like "Color out of Space" with Nicholas Cage, "The Void," "Glorious," or "Annihilation," then this is something you gotta see.
But the main reason I was drawn to this episode, and why I chose to view it as the second in order of episodes in season 1, was from all the negative reviews complaining about how the episode was dull and its twist was too abrupt and unsettling. Personally, I found it enthralling. It's filmed almost as if the audience is a 5th unmentioned guest.
Really cool to see Peter Weller in this episode, he does a great job. And it has some rather titillating dialogue, some of which was rather deep, and some of which flew over my head, but still kept me interested. Until it reached a point where it seemed like it was trying too hard to be esoteric to "wow" the audience into thinking "whoa, that's some heavy s@#$ right there!" as if to only impress stoners and believers in outer astrology.
Also, just wanted to say, Eric Andre usually bugs the crap out of me. Most things I've seen him in, from comedic performances to guest appearances, makes me want to quit watching tv. But he did a pretty good job here, and wasn't his usual obnoxious self. And the other actors did alright too.
There were even some funny moments. It's weird, sure. And CGI use may be too heavy. Oh wait, then it doesn't seem to rely on it too much, and the "creature" ends up being rather horrifying and freaking awesome. It's rather refreshing, and different. I thoroughly enjoyed it.
Unfortunate many do not feel the same, but if you love weird, and if you loved the director's other works like "Mandy" or other crazy stuff like "Color out of Space" with Nicholas Cage, "The Void," "Glorious," or "Annihilation," then this is something you gotta see.
Lionel Lassiter, a mysterious über-rich recluse (Peter Weller) invites a group of over-achievers to his other-worldly mansion to expand their minds before viewing an inexplicable object. The idea of inviting a disparate group of experts from the arts, para-normality, or theoretical physics to examine an object that is completely beyond the ability of the physical sciences to explain is interesting but this showy yet tedious story doesn't do much with the concept; instead we spend a lot of time watching disagreeable people getting stoned before the story toggles over to a derivative horror climax coupled with an pointlessly lengthy car ride. Set design and cinematography are imaginative and well-executed but largely wasted on an undeveloped story that seems to rely on mood and pretentious dialogue to fill three-quarters of the running time.
Guys, I rarely review anything in IMDB, this was good enough for me to do that.
We all agree The Autopsy is the best, yeah okay, but this was 2nd for me. I was all in for the 70s vibes, the lo-fi synthwave soundtrack, the golden everything, so much so that I forgot it was a horror show (in the best way of sucking you in with so much mysterious intrigue), then I was reminded it was in a very satisfying way, as I am a huge fan of horror that depicts the punishment that human curiosity and adoration can bring.
I don't know, I was just on the hook from the beginning. Just try to have fun guys, alright?
We all agree The Autopsy is the best, yeah okay, but this was 2nd for me. I was all in for the 70s vibes, the lo-fi synthwave soundtrack, the golden everything, so much so that I forgot it was a horror show (in the best way of sucking you in with so much mysterious intrigue), then I was reminded it was in a very satisfying way, as I am a huge fan of horror that depicts the punishment that human curiosity and adoration can bring.
I don't know, I was just on the hook from the beginning. Just try to have fun guys, alright?
A quirky installation in this series but I've not seen anyone mention that it's basically a love letter to early David Cronenberg. From the settings / sets, to heavy science jargon, to the deliberate pacing and build up its Cronenberg through and through. Explicit references to Scanners & Videodrome as well as the overall aesthetic. Really enjoyed.
Yes, it takes a while to get going. Yes some of the exposition is heavy handed. But the pay off and soundtrack more than make up for that. The composer scored Uncut Gems and is a master of the creepy, dirty synth sound. The DP went lens flare crazy. But as a total package it's there.
Yes, it takes a while to get going. Yes some of the exposition is heavy handed. But the pay off and soundtrack more than make up for that. The composer scored Uncut Gems and is a master of the creepy, dirty synth sound. The DP went lens flare crazy. But as a total package it's there.
This episode had me excited the way "The Autopsy" did (that's the absolute BEST one, by the way). "The Viewing" gave me such hardcore Kubrickian vibes that I truly thought I was in for a real treat. And for the most part, I was-until the very end of the episode. Like every other episode in this freaking series, the ending was SO WEAK. It didn't add anything of value to the buildup the episode created. Even when you think upon things such as: "why did some turn out like this and others like that?" You do not come to any logical conclusion. Granted, I know it doesn't always have to make sense, but from the story and buildup, I expected SO much more. Even an ending that left me in total discomfort would've been better than the way this ended. The way I feel after just watching it is sadly disappointed. It had SO much potential and once again, it just failed in the last 5 minutes like all the rest (except "The Autopsy"). However, since I enjoyed 95% of the episode with all its nostalgic glory, I am giving this a 6/10.
¿Sabías que…?
- TriviaThe glasses in which the Japanese whiskey is served are of the same model as Rick Deckard's whiskey glass in Blade Runner.
- ErroresThe Ferrari in the courtyard of the mansion is a 288 GTO which was not released until 1984, five years after the story is set.
- Citas
Lionel Lassiter: There's an old Zen koan. It goes like this, "Everyone has two lives, the second life begins the moment you realize, that all along, you only had one."
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Detalles
- Tiempo de ejecución
- 56min
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1 / (high definition)
- 2.00 : 1
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