Éxodo: Dioses y Reyes

Exodus is a truly beautiful visual and audio masterpiece. The effects, the cinematography is as good as you will see and the audio is bombastic and stirring.

Unfortunately the story doesn't offer much more. The are no Lawrence of Arabia 'no prisoners' moments, nothing to prick the hairs on your neck. And for the non religious the story is daft.

What it does do is make God, via The Voice of God, look like a bit of a vengeful tosser. He/she doesn't really look good in this film. God is asked the question by Moses, why did you let them suffer for 400 years and The VOG basically says 'well what have you done'. Then God goes on a killing spree murdering innocent children. Awesome go God go.

Another negative aspect is the casting, especially the casting of Ewen Bremner (a great actor) but not many Egyptians have a Scottish accent!!!

Religious nuttery aside, the movie is entertaining and although longish will amuse most :)

It has become somewhat fashionable to dismiss Cecil B. DeMille's The Ten Commandments because of the arcane Victorian era dialog. But I have to say that Ridley Scott's version of Exodus while technically proficient will never become the Passover viewing treat that DeMille's film has become.

Cousins Moses and Ramses are friends and rivals for the affections of the Pharoah who is Ramses dad. But when it is discovered that Moses is actually the son of Hebrew slaves that his mother Pharoah's sister drew him out of the Nile the succession of the Pharoah's line is secure.

What's not so secure is the kingdom itself as the Hebrews who came over as a family of 13 kids several centuries earlier now are in the thousands and are slaves and they ain't happy about it. In the funny way things work out in life, the adopted Egyptian prince is in fact the promised leader who is going to lead them back from whence they came which is Canaan.

In DeMille's version the dialog may be arcane, but it is also uplifting and inspiring and delivered by the ultimate DeMille leading man Charlton Heston. Yul Brynner as Ramses in that version was the arrogant Pharoah enjoying all his princely prerogatives. They made an evenly matched pair of foes and with them scrapping over Anne Baxter the conflict got personal as well as religious.

Christian Bale as Moses and Joel Edgerton as Ramses just don't give you people you can identify with.

DeMille was always good with crowds. Note how uplifting the liberation of the Hebrews is in his film. Also the small little vignettes of the various people in the crowd. They are a family/nation in his version. All they are is in Scott's version lumpen proletariat.

Whose idea was it to have the voice of God be that of a petulant child? Instead of the pyrotechnical wizardry of DeMille the Ten Commandments are given almost matter of factly by a kid to Christian Bale.

We've gone beyond Cecil B. DeMille in the art of film making. But there a things in his craft that he was the top, far and above anyone else. Not even a Ridley Scott should try.

A movie need not be a mirror that you gaze into to somehow discover your own soul, the human condition or much of anything at all. It is quite alright to watch a movie for a little harmless entertainment. Ah, but there are those of our species that wish each event could be crafted to teach a lesson, or right a wrong or bend the mind of the uneducated to a certain point of view. They are happiest when they exert a little control over you, citizen! Those people just bore me to tears.

I found this to be an enjoyable 'Biblical Epic' type of film with above average acting, cinematography and direction. I believe that if a person has two hours to spend and wants a little diversion this will do. It is a work that represents the 'spectacular' genre these days and is well worth the time and rental fee.

On the other hand, if a person wants historical accuracy they should probable seek out a documentary and cross their fingers – the era handled by Scott isn't all that well known and there is much disagreement about the Jewish migration out of Egypt. At the time, nobody was taking pictures or tweeting about the experience. As a result, almost all we know about that time is either speculation or mythology or both. (Those that argue about the 'accuracy of this movie really tickle me.) Of course, this movie deals with religious topics. You already knew that I bet. If you are going to watch Exodus for religious reasons look out! If you are really devout, you will find it weak. If you are without religion, you will find it too strong. If you practice the faith of Rameses you will no doubt be offended. Happy entrails to you.

Ff you like to get your religion from someplace other than from a Ridley Scott movie you will be OK on the faith issue. I was neither converted nor offended.

And, if you are looking for cinema that will either reaffirm your political beliefs or teach you something really, really deep then bypass this. It is a movie, not some sort of brain add-on that will make you a better person or symbolically pat you on the back for being so accurate, either left or right, in your politics.

Chris Bale is good as Moses. I know, easy for me to say (I never met Moses) but I think he is good. Bale's character develops and grows as the story goes on and though he's a little young I can buy him as the patriarch. Joel Edgerton is a good Rameses. No, he isn't Egyptian by birth. But, he is all the Rameses I looked forward to and he's appropriately cruddy when the need arises. Pharaohs are a spoiled bunch and Joel conveys that quality well. Maria Valverde is effective in her role as Mrs. Moses. She is a model, by the way, and a woman that is skilled at appearing glamorous. Ben Kingsley gets to play the Ben Kingsley part. I really have no problems with his casting and he does his version of Ben Kingsley quite well.

Several of the named talents have very small, insignificant roles. That is too bad for them, I am sure. But there screen time doesn't harm the movie.

The more spectacular elements of the story are done well. Plagues, parting waters, theological discussions with you-know-who, all pulled off skillfully. Sex is quite muted (less than pre-Hayes stuff)and the gore isn't all that gory (for the most part) so I think it is OK for the kiddies. This isn't history a la Pasolini.

Way back then things were probably quite rotten for many of the residents. This movie shows the conditions without bleeding all over the screen. I think that is a plus. But the sense of struggle for an oppressed minority is effectively conveyed.

In short a rather good movie! If you wish, you can believe those that would rather (ahem) make your thoughts their concern to the point that they direct your behavior. Or, you can trust good old me, I promise that for a modern day Old Testament epic this one is dandy.

I went into this film with an open mind. I have enjoyed Ridley Scott movies in the past, particularly Gladiator which is the same genre of film as this. Unfortunately, I was left feeling extremely disappointed. Although this is a classic, biblical story that most movie-goers are likely already familiar with, the film-makers have decided to pad this ancient tale with over-the-top action scenes, as well as one-note characters that feel more like cardboard cut-outs as opposed to actual human beings. The most shameful aspect of the film is the part that I was most looking forward to : The Actual Plague. While I was hoping to see harrowing images of Egypt being decimated in a genuinely frightening tale, we are instead bombarded with fake looking CGI that simply left me dry. The plague feels more like a computer montage than an actual scary event.Terrible script. Weak performances. An over-reliance on CGI instead of CHARACTERS and STORY! Overall, just a bad film. Didn't help that they chose big named actors instead of people that looked more like Ancient Egyptians. Pass.

This film tackles a story that had already been tackled very well in previous films. The most famous of them all is the epic "The Ten Commandments" with Charlton Heston as the definitive Moses. Other filmmakers have tried to replicate this Moses story with different actors or even in animation, but the 1956 classic remains secure in its place.

This year, yet another attempt is made by director Ridley Scott with big star Christian Bale as Moses, a combination is too promising to ignore. So despite the lukewarm to negative early reviews, I wanted to see and judge this film for myself.

We all know the story of Moses from the book of Exodus. He was a Hebrew who grew up in the Egyptian palace side by side with Pharaoh's own son Ramses. When Moses' real origin was revealed, he was exiled. There in the wilderness, he obeys God's orders by way of the burning bush to return to Egypt to ask the new Pharaoh to set the Hebrews free from slavery. Only after God sent ten dreadful plagues did Ramses relent. Moses led the Hebrews across the Red Sea and into the Promised Land of milk and honey.

This film is basically faithful with the biblical story, with the advantage of higher technology in special visual effects to create grander vistas and more realistic plagues. It tried to inject some scientific logic into the supernatural events, particularly the Red Sea crossing. However, the explanation for the turning of water into blood was quite a stretch. Moses did not have a staff that turned into a snake nor part the Red Sea. The Angel of Death scenes were presented curiously just like the way it was done on "The Ten Commandments"!

The lackluster portrayal by the actors added to the coldness of the film. I don't know if Christian Bale did not make a very good Moses. He felt like he was going through the motions here, no passion whatsoever. Joel Edgerton was totally wrong as Ramses. He looked ill at ease the whole film, and it was obvious from the posters alone! The presence of Ben Kingsley, Sigourney Weaver and Aaron Paul in cast were wasted in small unremarkable roles.

Some people may expect this to be a religious film. However, the whole film felt soul-less, and this made the long 150-minute running time seem so unbearably slow. The very way God was portrayed did not sit very well with me. God in this film was personified as an imperious young boy who was projected to be mercilessly violent and vindictive. There was no hint of compassion nor magnanimity here. Moses was even arguing against God. The film felt like it had an anti-God undertone, even atheistic, which was uncomfortable for me. This is yet another disappointing Biblical film debacle this year, though I would not consider as bad as the total disaster that was "Noah". 4/10.