Las gotas de Dios

In an ocean of overdone cartoons, vacuous gore, CGI, true stories and star wars-type productions, here we have a unique fictional story with an original plot, spanning across geographical boundaries and time periods, deeply human, with whatever darkness or light that carries along, beautiful photography, attention to detail in the production and complex characters who slowly unfold through an intricately unpredictable and quite addictive narrative full of twists about a side of the wine industry few are familiar with. Contemporary, smart, entertaining and just beautiful to watch...A true breath of fresh air.

Since the beginning it stars with good momentum that it builds up to the final episodes it's just a really good series , one of the few were it isn't eccentric, one that allows you to enjoy each episode and at the same time leaves you wanting more of it.

The performance of the actors and actresses are really good as well as the production of the series you can also learn some aspects related to wine industry as well as some cultural differences between cultures such as Europeans (Especially French) and Japan.

In terms of the ending of the series I'll believe it's will retain its good value if they don't make a second season of it .

The show has intriguing characters, smart dialogue, excellent visuals, and a very interesting context or subject matter.

It's culturally interesting-and I feel it's also culturally honest.

It is so lovely to see a show that you can enjoy without being distracted by poor choices; it is consistently pleasing to watch and listen to.

The process of getting to know the characters through the stories being told is what makes it worth my time. It's also nice that I feel I learn a little while being entertained.

I highly recommend this show. It's as good and riveting as Black Bird. I look forward to watching the last two episodes.

It's a little ironic in a way that a subject so steeped in taste and smell gets represented in a medium that can deliver neither of these - the fact that this isn't really a problem is a tribute to the brilliance and craft of those responsible for making this show.

For the most part Drops of God has a carefully sculpted aesthetic.

It's a multi-level approach - location plays a key role, but sound, lighting, and cinematography are elevated to convey the additional information - combined with a motif element to account for the filing of information on smell and taste.

Some great acting, and a great story - with a script that is a little clunky at times but mostly works well.

Considering that three languages are managed quite seamlessly and transparently, and that the end result is very satisfying, it's clear that this is a work of high accomplishment.

One episode to go and I'm hanging out to see which way the chips will fall.

I wasn't impressed with the trailer but started watching out of curiosity. What a surprise! It's hard to describe, it isn't like anything else.

I've read comments about it being pretentious but i really don't feel that way. Maybe the fact that it's mainly in French and about wine makes some people feel a certain type of way?

The casting is excellent, apart maybe from Camille's mother that feels a bit less credible to me. Fleur Geffrier is wonderful in her part and I'm curious to see how Tomohisa Yamashita's character will develop.

The show also looks really beautiful. Like really beautifully shot and directed. The music score has some very mesmerizing moments too (in episode 2 especially).

So far one of my favorite show this year!