Goodbye, Mrs. Selvig
- El episodio se transmitió el 24 ene 2025
- TV-MA
- 46min
CALIFICACIÓN DE IMDb
8.3/10
12 k
TU CALIFICACIÓN
Reproducir clip3:36
Ver How Adam Scott Makes the "Severance" Elevator Switch Believable
Outie Mark contempla el significado de un mensaje. Lumon lidia con las consecuencias de la contingencia de horas extras.Outie Mark contempla el significado de un mensaje. Lumon lidia con las consecuencias de la contingencia de horas extras.Outie Mark contempla el significado de un mensaje. Lumon lidia con las consecuencias de la contingencia de horas extras.
- Dirección
- Guionistas
- Elenco
Dichen Lachman
- Ms. Casey
- (solo créditos)
Sarah Bock
- Miss Huang
- (solo créditos)
Ólafur Darri Ólafsson
- Mr. Drummond
- (as Darri Ólafsson)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I feel like the series is delving into the gnostical existential journeys of its characters. The stunning visual presentation of Mr. Milchick's motorcycle scenes doesn't need further praise - I believe his character is on the path to gaining more depth as the story progresses.
While I loved the visuals in the first episode of Season 2, I found S2E1 slightly below my expectations. However, it now seems clear that it was all about laying the groundwork for the episodes to come. Following the setup in S2E1, this episode is a true masterpiece. This is the episode that has taken a wild momentum for the new season.
While I loved the visuals in the first episode of Season 2, I found S2E1 slightly below my expectations. However, it now seems clear that it was all about laying the groundwork for the episodes to come. Following the setup in S2E1, this episode is a true masterpiece. This is the episode that has taken a wild momentum for the new season.
Many people complained that the first episode only showed the inside of Lumon, and we didn't see anything about the outside. They gave it a low rating because of that. I was sure that the second one would show the other side, and that that would be a wise decision, since the most important things would surely be there, and it would have been a bad decision to show them in reverse order. Seeing only the inside first (even though that wasn't extremely exciting) increased the doubts and expectations of what would happen outside, and it was the best narrative decision (instead of seeing them interspersed part by part) since that is how the characters experienced the situation. Applause for both episodes.
Honestly really enjoyed it. Im still yet to see an episode worth $20M, however thats not necessarily a bad thing. This episode is more of a different perspective on the information we were given in the prior episode. Which leads to the one critique i have for this... why wouldnt they release those 2 at the same time, then let us wait a week and come back with the new story as it unfolds. It kind of feels like a write off so they can extend people's attention and using that as kind of a way of abusing the power they have over us. Thats definitely not something i think is the shows fault my any means, more of a flaw on the side of Apple. However, the episode is still great. Its still what we do want to see, i would have just liked these first 2 to be released in tandem with one another... then give us the rollout for the next week with the new story. Nonetheless, love this show.
10e3sila
The shots taken this episode is just mindblowing. Gave me some better call saul vibes. The story, where do I begin. It's simply extraordinary. I'm just here to give the cinematography of this episode a 1000/10 because wow, it's literally a Monalisa for TV shows. The way the shots taken, the angles, the face reactions, Mr Milchick on his motorcycle, his helmet, oh my god his helmet is a piece of art ( I'm not even a motorcycle dude but hey ). This show is a brilliant TV art that shows you don't need to rush every year for a season. Take your time with it and deliver for your viewers. Ben Stiller KUDOS.
The second season and episode of severance both respectively share an increase in pace, yet are both dominated by stunning locations and set designs capturing the show's tactile and generic branding type of vintage futurism.
Unlike the first episode of season two, this episode highlights the revelations of the characters lives outside of their work-selves. The more the characters learn about their "innies" at LUMON the more they realize they're even more at odds with their involvement within the company they disappear off into. Even some employees at higher levels who remain lucid throughout their experiences have some reservations about their roles.
There are no wasted opportunities to capture beauty in each shot and the minimalistic nature of each shot reflects the sterility and lack of intuition by the audience and characters alike.
A perplexing emotional sophomore season and episode have me in a place between anxiety and curiosity which almost always with this show, requires some time after each episode to "detach" from, which I find a little ironic.
Great episode. 10/10.
Unlike the first episode of season two, this episode highlights the revelations of the characters lives outside of their work-selves. The more the characters learn about their "innies" at LUMON the more they realize they're even more at odds with their involvement within the company they disappear off into. Even some employees at higher levels who remain lucid throughout their experiences have some reservations about their roles.
There are no wasted opportunities to capture beauty in each shot and the minimalistic nature of each shot reflects the sterility and lack of intuition by the audience and characters alike.
A perplexing emotional sophomore season and episode have me in a place between anxiety and curiosity which almost always with this show, requires some time after each episode to "detach" from, which I find a little ironic.
Great episode. 10/10.
¿Sabías que…?
- TriviaSome of the innies' lockers are numbered after the famous Lost numbers (4, 8, 15, 16, 23, 42). Dario Rossi's locker is number 16, Dylan's locker is number 23, Irving's locker is number 4, and Helly's locker is number 16. Mark's locker is the only exception, being number 14.
- Citas
Jame Eagan: Fetid moppet!
- Bandas sonorasYoung Man Blues
Written and Performed by Mose Allison
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Detalles
- Tiempo de ejecución
- 46min
- Color
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