Biosphere

A curious little indie that is delivered through key support from Mark and Jay Duplass, with Mark taking on co-leading man duties with the game Sterling K. Brown, debut feature film director Mel Eslyn's single location dramedy Biosphere is unlike anything you've likely seen before in ways both good and bad, with this high-concept genre bending offering one that provides a varying experience that ranges from engaging to irksome, often within the space of mere minutes between each up and down.

Set entirely in a small custom designed dome that survives off regular air supply and a dwindling supply of fish in a world where the last two humans alive are Duplass's Billy and Brown's Ray, long term friends and avid Super Mario players that found their successful careers in politics cut short by a catastrophic world event that has seemingly doomed mankind's future to an inevitable conclusion.

Saying too much more about how the slowly unravelling plot unfolds in Eslyn's film would be a disservice to viewers who are in for a wild and surprising ride, with an on face value buddy dramedy film far away from the product we actually get as we start to delve into evolutionary angles and life-changing scenarios that are wild, wacky and even at times tinged with a decent emotional heft, making Biosphere an experience that will enrapture others but alienate others, pending entirely on their tolerance and acceptance of where Billy and Ray's arcs begin to head.

In a day and age where originality can often be the subject of outcries in an industry many accuse of being too cookie cutter or people pleasing, it's always refreshing to see something like Biosphere come along and attempt to shake up expectations and go where no film has yet gone and while there are elements in Eslyn's film that feel familiar, for the most part the film does a solid job of carving out it's own pathway with the commitment of Duplass and Brown undeniable as the two talented leads chew on ample dialogue and play off one another in a series of situations that could've completely derailed the film at any moment.

For a film with such a limited scope in a setting sense no one could deny that Biosphere tries to tackle a series of big issues and high reaching concepts, some of which pay off and others that don't but for anyone that wants to watch something a little outside of the normal or too be expected, Biosphere may just be their new favourite with potential cult fandom soon to come its way.

Final Say -

A film that is best left to be discovered rather than explained prior to a viewing, Biosphere doesn't stick all of its landings but there's enough going on here including two notable lead turns to suggest Biosphere is worth visiting for open-minded viewers.

2 1/2 foot massages out of 5

Jordan and Eddie (The Movie Guys)

Biosphere combines romcom and message movie elements with a science fiction plot, with the latter pulling those elements from the genre which serve to support the message by putting characters in a particular situation, as distinguished from scifi that's more rooted in the popular entertainment aspects of the genre. This kind of science fiction drama will appeal to a certain audience if it's well-written from beginning to end. It's relatively uncommon for me to find something that I think is wildly overrated on Letterboxd. Biosphere is an audacious but ultimately unsuccessful film.

The movie is funny in parts, and the acting is very good. It falls short for me in a couple of key areas. First, it's too long for what it's trying to achieve. If it'd been condensed to an hour, it could have been more impactfull. Instead, it delivers exposition too slowly via scenes that are too similar to be anything but repetitive; lingering shots that are supposed to have emotional resonance, but somehow don't; and other scenes that are just longer than necessary.

I also found the score annoying, distracting, and too cute by half, though I'm sure some people will find it quaint or amusing. This shortcoming extends to the film's conclusion, which is like the lame punchline to a joke that took too long to tell.

At the end of the world, former President of the United States Billy (Mark Duplass) and his science advisor and best friend Ray (Sterling K. Brown) live out their existence in a self-sufficient shelter made by Ray. When the last female fish in their eco system dies, the two become consigned to the fact their days are now number with the artificial ecosystem no longer self-sufficient. However, destruction is averted when one of the remaining male fish begins to undergo sequential hermaphroditism, the process of which allows it to change from male to female and procreate. With the appearance of a mysterious greenlight in the sky, a similar process soon begins to happen to Billy.

Biosphere comes to us from the Duplass Brothers production company and is written and directed by Mel Eslyn along with Mark Duplass who also stars in the movie based on an outline the two developed at a writers retreat in 2018. As one can note from the Duplass films of the past, the brothers have a filmmaking style that often mixes quirky indie tropes around uncomfortable or charged topics. Biosphere is no different here as it takes a very loaded approach and while it has charm and some unique ideas, it also feels like a movie that's maybe a little too stretched.

To start off on a positive note, Sterling K. Brown and Mark Duplass have fantastic chemistry together and with the movie being a chamber piece it definitely needed that authentic buddy dynamic in order to sell this premise with the two being something of an "odd couple" with Ray the more optimistic and knowledgeable one while Billy is the slightly dumber pessimist. The movie itself is rather odd and the best way I can describe it is if we followed Dr. Strangelove past its ending and mixed it with the movie Nothing with a seasoning of Junior (the Schwarzenegger film from 1994). The directions the movie takes are so unexpected (especially going in blind) that I was legitimately engaged in spite of the rather rambling nature of the film. The movie clocks in at about 107 minutes, and it definitely feels like it could've benefitted from being trimmed to a leaner 85 to 90 at most. A big reason is the primary plot doesn't really shift into gear until about a half hour in and that first half hour offers a lot of points that feel repeated throughout the later bit of the film. I certainly enjoyed the shifting character dynamics and relationships in the film, even if the film itself sometimes proved a challenge to get through. Biosphere certainly isn't the first film to go into this kind of territory as it was flirted with in the 1985 science fiction film Enemy Mine and we even saw it explored to a degree in the "Brinky" episode of Pinky and the Brain, and while I definitely prefer those over this given the choice, Biosphere isn't without it's own insights into the premise.

Biosphere won't be for everyone and for people who already like the Duplass brothers or premise you'll need to give the film a lot of patience in order to get to the best parts of the film. For those willing to give it a chance you'll find a flawed movie, but one with some interesting ideas.

Ray (Sterling K. Brown) and Billy (Mark Duplass) are best friends and last people on Earth. They survive under a dome built by Ray. They rely on fish farming for food, but the last female fish just died. Eventually, their fishes will run out and so will they. Somehow, life finds a way.

This is an indie from Mel Eslyn and Mark Duplass. It's a two person play and a high concept sci-fi post-apocalyptic flick. It starts with some mildly humorous best friends banter. It turns into an one-joke concept. I would like the premise to have a more specific scientific explanation. I doubt that the film cares that much about that. They are playing this for the comedy. It's awkward. It's uncomfortable. It's cringe comedy and only slightly funny to me.

Former US President Billy and his scientific advisor Ray are the last two humans alive, living in a custom made done, surviving on a custom built eco system, but when their last female fish dies, they are forced to re-evaluate their situation.

Mark Duplass writes and stars, and he's rather good I thought, Sterling K. Brown was excellent, the chemistry between the pair was excellent, and one of the film's strongest points.

First off, I can totally get why some people have slated it, this is a movie that is genuinely not for everyone, arguably not for most, but I do like the odd movie now and then, and this remarkably odd movie was just so different.

The story is over the top and outlandish, it definitely had a strong relevance for this day and age, lots of talk about gender, sex and masculinity, but it does not preach.

An odd mix of drama, sci fi, fantasy and comedy, there were quite a few occasions that I burst out laughing, not sure if it was the gags, or the sheer bonkers story.

It's a crazy film, but I enjoyed it.

7/10.