Death and Other Details

Today is February 6, 2024, and I just finally quit watching this series in the middle of the extremely boring 5th episode. I have to admit that I really enjoyed the series in the beginning. The first two episodes are quite exciting and stylish, but that's about it. The whole concept is stillborn, the characters are uninteresting and anonymous, the acting is unremarkable, the writing is boring for such a pre-designed genre as a huis-clos whodunit. The luxury yacht setting is embarrassingly déjà vu, and all the characters look like plastic models from a home-deco ad. There is no sense of class struggle, which ultimately seems to be the theme of the story, as everyone looks like they could be having mai-tais on Wall Street during lunch. What's interesting about shows like The White Lotus or movies like Triangle of Sadness and Saltburn is how the creators are aware that everyone looks good as a statement, and because it's either that or the highway in such deluxe hangouts. This murder mystery seems to be ambivalent about a recognizable way to present the characters and totally unaware of a better way to do it. In the end, the whole story development is substandard and very unambitious. Kudos to the lovely Violett Beane as Imogene, witty and perpetually well-coiffed.

I wanted to like this show. I love murder mysteries and I wanted something to fill the between-seasons void of Only Murders in the Building. Unfortunately, Death and Other Details is not it. For starters, the protagonist is a selfish, self-centred, privileged brat who you find yourself rooting against. It's so blatant that even the other characters call her out on it. The amateur writing is evident in the dialogue that often contradicts that of the characters. What also destroys the potential of this series is the constant repetition of scenes. Flashbacks are one thing, but they often show you large chunks of the same scene two or three times and sometimes in the same episode. At eight episodes in, I find myself hoping the villain just murders them all and calls it a day. It is clear that they tried to make this show clever, but it's poorly executed and sloppy. There are some great actors in the series (Mandy Patinkin, Rahul Kohli, Linda Emond, Karoline), it's just a shame that their talent is wasted on this sinking ship.

I must admit I am a sucker for mystery TV shows and a whodunnit gets my juices flowing but this just mystery is dragging. Like who did it already? I'm at episode 8 and I'm fatigued. That is one of my pet peeves with whodunnit mysteries. This show could have easily been 8 solid episodes.

However, one thing I did like is how they placed Imogene in Coatsworth's clothes and set as they are recollecting past events. That was pretty inventive. Other than that, it has been an ok ride. The characters are too many. I would have liked more character development for the Collier family and the Mayor. The Priest character seems just as unnecessary as the social media influencer son.

Nevertheless, I have already invested 8 weeks...what's 2 more lol. Let's hope I don't regret it.

Imogene Scott (Violett Beane) is a guest of her rich best friend Anna Collier (Lauren Patten) on an oceanliner. As a child, Imogene lost her mother in a car bombing and celebrated private investigator Rufus Cotesworth (Mandy Patinkin) failed to solve the case. She was raised by the Collier family. While on the ocean cruise, Anna is in negotiations with the Chun family for a corporate takeover. Imogene is shocked that Chuns have hired Cotesworth. She is further annoyed by Anna's loser brother Tripp's entitled investor Keith. She plays a prank on him who later turns up murdered.

This is part Agatha Christie and part White Lotus. It is nowhere near as good as the best of either. It does have some fun with the mixture. It is pretty good for most of its run until the show gets to the season's big reveal. That reveal presents me with some problems. This really should be a limited series, but it seems to have left the closing open-ended. I hope that there is no second season.

The series has an affable comedic mystery tone, interesting stock characters, decent performances and an engaging pace. Direction and dialogue are generally good.

The main detective repeatedly breaks the fourth wall to exort the audience to pay attention to details and nudges us to notice things. We're apparently meant to follow along and solve the case with (or, if we're sharp enough, ahead of) the protagonists. It's a nice concept for a mystery series but the writers don't even try to pull it off. Instead whenever they paint themselves into a corner they use a flashback to add facts, information, scenes and/or backstories that retroactively alter previous events. No matter how closely you pay attention you can't notice details that won't exist until a flashback exposition dump three episodes later. The writing turns an active concept into passive viewing.