Collaborator

I had the opportunity to see Collaborator at the Newport Beach International Film Festival and the New York City premiere. It's a thrilling movie that takes the viewer on a roller-coaster ride of unexpected turns. From politics, to fidelity, to war, to crime and seeing the explosive interaction between two very opposite individuals there is surely to be some portion of Collaborator which makes you laugh, become angry, and feel empathy towards the characters. A well thought out and executed film with a highly climactic ending that I enjoyed immensely. David Morse's character is executed very well and by the end of the film, I couldn't help but to feel quite sad for the life which he's led. If you have the opportunity, I'd highly recommend it.

(2012) Collaborator PSYCHOLOGICAL DRAMA/ THRILLER

Written, directed and starred by Martin Donovan centering on a situation, he plays screenplay writer Robert Longfellow, who upon coming home to visit his mother for reasons unclear. But for the first 30 or 40 minutes into the film Robert reevaluate old times, including a publicized widowed actress who he still has feelings for. And then it was during at this point, his neighbor Gus (David Morse) who lives across the street from him takes him hostage. I liked the bonding scenes when Robert converses with Gus about how to become a successful screenwriter, but the ending is a real downer which the center character leaves viewers somewhat wanting to know more.

Robert Longfellow (Martin Donovan) is a playwright who is tired of the NY scene. He's not into living in LA either even thought his family is there. He takes a break in his childhood home with his mom. Gus Williams (David Morse) is the lifelong next door neighbor. He's 57, a drunk, in and out of prison, and still lives with his mom.

Both of these actors are well seasoned. I was hoping for a lot more. However this feels like a writing exercise from writer/director Martin Donovan. This does improve when the actors are in the house together. The energy and the tension picks up a bit. I wish there was less time spent on the introduction. It's not really necessary. This movie works best as a 2-man play.

I was really taken with this film. It starts off about one theme, a professional failure, and then peels away unfolding like an emotional and psychological crap shoot. It builds in tension as it discards its facade. The dialog is on point, with the protagonist, a master of language, modifying his speech and tone to better fit those he converses with: his mother, wife, an elderly neighbor, a childhood friend. The dialog serves as its own character. I found myself stepping into the protagonist's shoes, reacting as I might to my past, taking a closer look whether I wanted to or not. Some nostalgic bells certainly rang for me, but that was the point. It is a film to watch slowly, to listen to without distraction. Perhaps it could have been tighter wound, crisper around the early edges, but then it's supposed to come at you from behind.