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IMDbPro

The End

  • 2024
  • R
  • 2h 28min
CALIFICACIÓN DE IMDb
5.5/10
2.5 k
TU CALIFICACIÓN
POPULARIDAD
3,762
260
Bronagh Gallagher, Lennie James, Tim McInnerny, Michael Shannon, Tilda Swinton, George MacKay, and Moses Ingram in The End (2024)
A Golden Age-style musical about the last human family.
Reproducir trailer2:25
2 videos
19 fotos
Ciencia FicciónCiencia ficción distópicaDramaFantasíaMusical

Un musical al estilo de la Edad de Oro sobre la última familia humana.Un musical al estilo de la Edad de Oro sobre la última familia humana.Un musical al estilo de la Edad de Oro sobre la última familia humana.

  • Dirección
    • Joshua Oppenheimer
  • Guionistas
    • Rasmus Heisterberg
    • Joshua Oppenheimer
    • Shusaku Harada
  • Elenco
    • Tilda Swinton
    • George MacKay
    • Moses Ingram
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.5/10
    2.5 k
    TU CALIFICACIÓN
    POPULARIDAD
    3,762
    260
    • Dirección
      • Joshua Oppenheimer
    • Guionistas
      • Rasmus Heisterberg
      • Joshua Oppenheimer
      • Shusaku Harada
    • Elenco
      • Tilda Swinton
      • George MacKay
      • Moses Ingram
    • 34Opiniones de los usuarios
    • 79Opiniones de los críticos
    • 65Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Videos2

    Official Trailer
    Trailer 2:25
    Official Trailer
    The End
    Trailer 2:25
    The End
    The End
    Trailer 2:25
    The End

    Fotos18

    Ver el cartel
    Ver el cartel
    Ver el cartel
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    + 14
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    Elenco principal9

    Editar
    Tilda Swinton
    Tilda Swinton
    • Mother
    George MacKay
    George MacKay
    • Son
    Moses Ingram
    Moses Ingram
    • Girl
    Michael Shannon
    Michael Shannon
    • Father
    Bronagh Gallagher
    Bronagh Gallagher
    • Friend
    Tim McInnerny
    Tim McInnerny
    • Butler
    Lennie James
    Lennie James
    • Doctor
    Danielle Ryan
    Danielle Ryan
    • Mary
    Naomi O'Garro
    • Toddler
    • Dirección
      • Joshua Oppenheimer
    • Guionistas
      • Rasmus Heisterberg
      • Joshua Oppenheimer
      • Shusaku Harada
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios34

    5.52.4K
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    Opiniones destacadas

    6kosmasp

    Far away

    No pun intended - a great cast! No doubt about that - and they can act and play ... I really like them. You can have different opinions about their singing ability I reckon - we do have one (female) main character who seems to be above everyone else ... the others seem to be content with their voice ... not too bad, but I don't think one would tell them they can have a second career (or third? Or fourth and so forth ... again no pun intended).

    I had no idea the movie would be a musical - not the biggest fan of the genre - still (and hopefully you are or were aware of this) the main story had quite the weight with it. Also the movie is way too long for its own good ... yes criticism, yes society and humanity ... but there is a point where you may just feel numb.

    Which may very well be the point - so I reckon a bigger/higher score would be more apt ... still the movie is more likely to annoy you at times ... maybe even multiple times ... and I don't think you'll be sitting there thinking: very clever ... even though it has more than the fair share of moments where you could attest it to be clever ... it evens itself out with other moments ... and the length ... have I mentioned it is too long? All that said, it is in the eye of the beholder and I always love watching Michael Shannon doing his thing! One of the greatest to grace our screens (whichever size ... length that may be in the end) ...
    6Wernight

    Superficial fan fiction that never ends

    Satire in a bunker and Singing musical? Okay I'm puzzled but intrigued. Nice environmental background (scenery).

    At least one or two good actors (especially Tilda Swindon) however they all impersonate caricatures of snobs, helpers, working class...

    It's not a sci fi. There is no back story, no depth, no reasoning and for some reason one didn't seem to even miss a meal after barely surviving something outside even if she sings well.

    Without spoiling anything, in 3 hours you can expect something like theater with singing and discovering back stories that you probably could have written yourself for someone you hated (especially if you think the global warming should be purely blamed on a few rich people).

    The end is maybe the best part of this movie.
    8TaunoP

    Art

    I only knew the premise of this film going in and felt perplexed as I exited the cinema. It took me a while to start processing what kind of story I have just been told. You can take many things from this. I will spare you any analysis but this film oddly lulled me into this hidden world with grey blue tones, anxious people, sumptuous decor and numerous paintings to, well, frame the story.

    This was my second musical I have ever seen in the cinema and the first being Dancer In The Dark I think I have found pieces that accompany each other pretty well. I want to see this film again sometime and maybe do some rabbit hole research first so that I can spot the things I definitely missed first time.

    Enjoy. It's a lovely film.
    7akoaytao1234

    Good Story with A Bad Musical

    A family lives under a salt-mine from what seems to be the apocalypse. When a mysterious lady falls into their lair, her new perspective slowly changes the mood in their own lonely bunker.

    The good, the story.

    I love the backbone of this film. It reminds me of Blast from the Past, a somewhat similar bunker film starring Brendan Fraser. It actually nice to see Oppenheimer really understanding the ridiculous about this film and defiantly pushes the absurd comedy hidden within.

    Love Mackay, who naturally looks like the guy from Garfield AND really plays up the innocence of his character. He is the hart of the film that really sticks everything together (even with my mis-givings).

    I knew Oppenheimer of his masterful documentary way back in 2010s. It is by far one of the most memorable documentaries of all time AND that also has an ridiculous scenes that strays away from the dark absurdity of the film.

    The bad, the music. On the very least, Oppenheimer knows the movie he is making and it really help take the bitter pill that is the musical. It literally was the musical tiktok. It is was not well written AND it is often times starts in the weirdest moments.

    This would have been much better had it just be a straight forward end-of-the-world drama.

    Soft recommendation.
    5ejonconrad

    Interesting concept that doesn't work at all

    Post apocalyptic movies are probably my favorite genre, and I love Michael Shannon and Tilda Swinton, so I was really looking forward to this movie. I also like musicals, but I did have my doubts about whether the two genres could mix.

    Maybe they can, but not this time, because as a musical, it's *absolutely terrible*. The songs are so generic and bland that you forget them the minute they end. Seriously, I watched this last night and can't remember a single song. Michael Shannon does have a surprisingly good singing voice, but Tilda Swinton sounds pretty much exactly like you would expect Tilda Swinton to sound, and that's not good.

    Setting the music aside, it's a pretty mediocre story. It's about a family and a few others living an "idyllic" life underground after some sort of never specified apocalypse. Things get shaken up when a newcomer arrives, and then.... well, not much happens. Certainly not enough to fill two and a half hours.

    I'm glad I watched it on Hulu rather than wasting money at the theater.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Joshua Oppenheimer described the film as an exploration of whether we as human beings can come to a place where our guilt is too much to recover from our pasts.
    • Conexiones
      Referenced in Film Junk Podcast: Episode 973: Carry-On (2024)
    • Bandas sonoras
      Overture
      Written by Josh Schmidt and Marius De Vries

      Performed by Josh Schmidt

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    Preguntas Frecuentes

    • How long is The End?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de febrero de 2025 (Dinamarca)
    • Países de origen
      • Dinamarca
      • Alemania
      • Irlanda
      • Italia
      • Reino Unido
      • Suecia
      • Estados Unidos
    • Idiomas
      • Inglés
      • Francés
    • También se conoce como
      • Son
    • Locaciones de filmación
      • Italia
    • Productoras
      • Final Cut for Real
      • The Match Factory
      • Wild Atlantic Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 141,660
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 24,972
      • 8 dic 2024
    • Total a nivel mundial
      • USD 269,609
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 28 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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