El monje y el rifle

Democracy is usually fought for. But for the Bhutanese, like shown in the movie, democracy came as a gift from it's King to his people. The movie gives us a glimpse of how the Bhutanese got democracy without any violence.

The ending of the film echoes the Bhutanese stubbornness in staying rooted, and their refusal to let the outsiders dictate how to feel about the changing times. Pawo made an excellent portrayal of the threat of western influence that comes with Democracy, with the character of Lopen Ron, however, he is left baffled and defeated by the country's eccentricities. The Bhutanese, very humbly and poetically expresses it's confidence in it's uniqueness.

Ron getting handed a Bhutanese symbol of strength and power in stead of the typical weaponry he is a fan of, is the best! This scene reiterates how the Bhutanese will continue to change with the changing times, yet still remain quaintly Bhutanese. Loved it!!!!!

From the director of Lunana, The Monk & the Gun is gentle in its approach, skilful in its execution and sharp in its political satire. An arresting & amusing comedy-drama that attempts to capture the upheaval in the unassuming ways of Bhutanese life as the nation prepared to transition from monarchy to democracy, the film creates scenes of confusion & hilarity without much effort, and offers an interesting outsider perspective to the country's culture & way of life. Simple, sincere & splendidly photographed, Pawo Choyning Dorji's sophomore feature exhibits more confidence in his direction and beautifully underlines the fragility of democracy through its earnest storytelling.

The King abdicates his throne, and the election officials usher the clueless community members of the village of Ura into the age of democracy with a mock election. The story unravels with a family caught up in the new shift, a monk in search of a gun for his Master before the full moon, and an American antique gun collector with his young guide.

The movie features a wide array of Bhutanese artists, talents, and creative individuals on various levels and capacities along with the finest production a Bhutanese movie has ever seen. The cast includes seasoned Bhutanese actors, new faces, and local individuals who are either playing the characters they are or have transformed into a completely different characters. With Bhutanese music in the background, the beautiful valley of Ura, a number of cameos from unexpected stars, and centered around Bhutan's innocent ignorance of the past, we learn so much about Bhutan.

This lovely film depicts Bhutans transition to democracy through portrayals of villagers living peacefully in the remote hills within a humorous story of a visiting American trying to do a business deal with people for whom money is all but meaningless. Gorgeous scenery and terrific performances from a mainly unprofessional cast of locals.the director captures his love of his native country, the only one with a Gross Happiness Index. He greatly respects the simplicity of the villagers life while showing that democracy isn't a given, it must be taught and given meaning to a country whose life under a revered King has been at peace and harmony for centuries.

A beautiful, feel good movie from the director of Lunana: A Yak in the Classroom. The film captures a moment in time when Bhutan is transitioning to democracy (told through the parallel journeys of an American tourist and young Bhutanese monk). It also showcases Bhutanese culture, people and society. The film is fun, funny, irreverant, smart and full of phalluses! There are layers of meaning around democracy, buddhism and the influence of western values on this himalayan kingdom. The script is superb, the cinematography is beautiful, and I love the casting of one of Bhutan's biggest music stars as the main character (the monk). Love this!