La conductora

Once again, Samara Weaving absolutely shines in a middling film that struggles to find its true footing amid abrupt genre shifts. For the most part, the film feels like a silly action comedy with shades of Bonnie and Clyde, but there are scenes in between which indicate that it's also a relationship drama and a heist thriller. Whenever there are veterans like Steve Zahn or Andy Garcia involved, the film puts on a rather serious face. And where I'm most conflicted about Eenie Meanie is in its conclusion -- it does make sense from the perspective and character arc of Edith (Weaving), but it's also likely to leave viewers on a bittersweet note. Weaving looks hot, performs well, and gets full marks here. That's most certainly the oomph factor in a not-bad, but soon-to-be forgotten flick.

As the title suggests, this movie felt like one of those typical "Netflix movies" - only this time it's a Hulu original. By "Netflix movie", I mean something that's good enough to keep you watching until the end, but lacking in soul.

The story was interesting enough to hold my attention, but ultimately forgettable and nothing new. I didn't care about the characters enough to root for them or feel with them, though the strong cast kept me engaged. Scene after scene, I could sense exactly what the movie wanted me to feel, but I never actually felt it.

In short: if your watchlist is empty and you've got the time, go ahead and give it a try. Otherwise, you might walk away disappointed.

This movie hits home in so many ways. Samara did a great job as a person that struggles to have control of her life, but can't break free, because loyalty can be a curse.

The car chase scenes were used to not as a main point, but to give a break from some heavy drama, which I appreciated.

Kudos to Marshawn, his acting is improving, keep up the good work, there's lots of room for improvement.

I would have given the movie a 7, but it's pace was good enough that I didn't check my phone/tablet the entire movie, which is very rare for me. So the extra star was for Shawn Simmons' directing and Chris Patterson's editing.

Eenie Meanie is a Hulu heist comedy-thriller that aims high but lands somewhere in the middle of the road.

Directed and written by Shawn Simmons, it stars Samara Weaving as Edie, a former teenage getaway driver forced back into crime to rescue her deadbeat ex-boyfriend John (Karl Glusman) from a dangerous predicament.

The plot kicks off with promise - sharp car chases, F-bomb-laden banter, and a talented ensemble including Andy Garcia, Steve Zahn, and Randall Park - but it quickly devolves into a convoluted mess of genre shifts from silly action to forced relationship drama.

Weaving shines as always, injecting grit and charisma into her role, making Edie the film's saving grace. The supporting cast delivers solid laughs in spots, but the script feels derivative, borrowing heavily from films like Baby Driver without the style or soul.

Pacing drags in the middle, with unnatural dialogue and unlikable side characters undermining the thrills. It's packed with violence that sometimes mistakes brutality for humor, and the ending, while twisty, feels underwhelming.

Overall, at 5.5/10, it's a decent 2 screen watch - perfect for half-attentive viewing while multitasking. Not a must-see, but harmless background fodder for a lazy evening.

I just finished "Eenie Meanie" and I'm left wondering what the point was. The film's script is so incredibly weak that it makes the entire experience feel ponderous and slow. The dialogue is unnatural and tries way too hard to be witty, which just comes off as forced and cringeworthy. I was really looking forward to this, especially after seeing Samara Weaving in the trailer, who is usually amazing. But even she can't save the central relationship between the main character, Edie, and her ex-boyfriend. He's so utterly unlikable and a walking liability that it's impossible to believe why she would go to such lengths for him. It's frustrating to watch and completely undermines her strength.

Is it worth watching? Not really. It's a classic case of a film that has a decent cast and a tired premise, but gets held back by its flimsy plot and sluggish pace.