Una reformada conductora de fugas se ve arrastrada de nuevo a su desagradable pasado cuando un antiguo empleador le ofrece la oportunidad de salvar la vida de su ex novio, que no es de fiar.Una reformada conductora de fugas se ve arrastrada de nuevo a su desagradable pasado cuando un antiguo empleador le ofrece la oportunidad de salvar la vida de su ex novio, que no es de fiar.Una reformada conductora de fugas se ve arrastrada de nuevo a su desagradable pasado cuando un antiguo empleador le ofrece la oportunidad de salvar la vida de su ex novio, que no es de fiar.
- Dirección
- Guionista
- Elenco
Jon Elliott
- Stilts
- (as Jon Elliott Solomon)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Criminal at the age of 15, Edie has had a turbulent life.. but she got out. In a lapse of judgment, she visits her ex and becomes tangled into doing one more of those "do or die" kind of jobs.
Watched for Samara Weaving's charming performance (as always), but was surprised with a very competent script. It has a lot of setup, and the payoff isn't that grand.. but it is mostly about her character arc and it is satisfying to watch. It is simple and efficient.
Her "ex" character is awful, and unlikeable.. but the actor delivers exactly what is expected of him. Was also a bit surprised at Jermaine Fowler's performance.
I would recommend it every time (as a less flashy Baby Driver), but know that it probably would not work without the leading actress. She's just good.
Watched for Samara Weaving's charming performance (as always), but was surprised with a very competent script. It has a lot of setup, and the payoff isn't that grand.. but it is mostly about her character arc and it is satisfying to watch. It is simple and efficient.
Her "ex" character is awful, and unlikeable.. but the actor delivers exactly what is expected of him. Was also a bit surprised at Jermaine Fowler's performance.
I would recommend it every time (as a less flashy Baby Driver), but know that it probably would not work without the leading actress. She's just good.
This movie hits home in so many ways. Samara did a great job as a person that struggles to have control of her life, but can't break free, because loyalty can be a curse.
The car chase scenes were used to not as a main point, but to give a break from some heavy drama, which I appreciated.
Kudos to Marshawn, his acting is improving, keep up the good work, there's lots of room for improvement.
I would have given the movie a 7, but it's pace was good enough that I didn't check my phone/tablet the entire movie, which is very rare for me. So the extra star was for Shawn Simmons' directing and Chris Patterson's editing.
The car chase scenes were used to not as a main point, but to give a break from some heavy drama, which I appreciated.
Kudos to Marshawn, his acting is improving, keep up the good work, there's lots of room for improvement.
I would have given the movie a 7, but it's pace was good enough that I didn't check my phone/tablet the entire movie, which is very rare for me. So the extra star was for Shawn Simmons' directing and Chris Patterson's editing.
It's shallow, with the plot and vibe bringing little to the table, yet I enjoyed every minute of it. I wasn't preached at, signaled at what the correct world view I was supposed to have, or even tried to impress me with masterful writing or directing. If I was rating this movie in an earlier year, I would probably rate it lower. But with absolute unwatchable garage getting 7-8 ratings, this easily scores as a 7 in my book.
This is like a low-effort version of 'Crank' - less action, more 'vibe'. If you aren't in the mood for that vibe, it might rub you the wrong way. Decent enough car scenes to be entertaining, decent enough acting to sell the casual 'what did I do?' vibe, and chaotic enough to entertain.
This is like a low-effort version of 'Crank' - less action, more 'vibe'. If you aren't in the mood for that vibe, it might rub you the wrong way. Decent enough car scenes to be entertaining, decent enough acting to sell the casual 'what did I do?' vibe, and chaotic enough to entertain.
I just finished "Eenie Meanie" and I'm left wondering what the point was. The film's script is so incredibly weak that it makes the entire experience feel ponderous and slow. The dialogue is unnatural and tries way too hard to be witty, which just comes off as forced and cringeworthy. I was really looking forward to this, especially after seeing Samara Weaving in the trailer, who is usually amazing. But even she can't save the central relationship between the main character, Edie, and her ex-boyfriend. He's so utterly unlikable and a walking liability that it's impossible to believe why she would go to such lengths for him. It's frustrating to watch and completely undermines her strength.
Is it worth watching? Not really. It's a classic case of a film that has a decent cast and a tired premise, but gets held back by its flimsy plot and sluggish pace.
Is it worth watching? Not really. It's a classic case of a film that has a decent cast and a tired premise, but gets held back by its flimsy plot and sluggish pace.
Eenie Meanie is a Hulu heist comedy-thriller that aims high but lands somewhere in the middle of the road.
Directed and written by Shawn Simmons, it stars Samara Weaving as Edie, a former teenage getaway driver forced back into crime to rescue her deadbeat ex-boyfriend John (Karl Glusman) from a dangerous predicament.
The plot kicks off with promise - sharp car chases, F-bomb-laden banter, and a talented ensemble including Andy Garcia, Steve Zahn, and Randall Park - but it quickly devolves into a convoluted mess of genre shifts from silly action to forced relationship drama.
Weaving shines as always, injecting grit and charisma into her role, making Edie the film's saving grace. The supporting cast delivers solid laughs in spots, but the script feels derivative, borrowing heavily from films like Baby Driver without the style or soul.
Pacing drags in the middle, with unnatural dialogue and unlikable side characters undermining the thrills. It's packed with violence that sometimes mistakes brutality for humor, and the ending, while twisty, feels underwhelming.
Overall, at 5.5/10, it's a decent 2 screen watch - perfect for half-attentive viewing while multitasking. Not a must-see, but harmless background fodder for a lazy evening.
Directed and written by Shawn Simmons, it stars Samara Weaving as Edie, a former teenage getaway driver forced back into crime to rescue her deadbeat ex-boyfriend John (Karl Glusman) from a dangerous predicament.
The plot kicks off with promise - sharp car chases, F-bomb-laden banter, and a talented ensemble including Andy Garcia, Steve Zahn, and Randall Park - but it quickly devolves into a convoluted mess of genre shifts from silly action to forced relationship drama.
Weaving shines as always, injecting grit and charisma into her role, making Edie the film's saving grace. The supporting cast delivers solid laughs in spots, but the script feels derivative, borrowing heavily from films like Baby Driver without the style or soul.
Pacing drags in the middle, with unnatural dialogue and unlikable side characters undermining the thrills. It's packed with violence that sometimes mistakes brutality for humor, and the ending, while twisty, feels underwhelming.
Overall, at 5.5/10, it's a decent 2 screen watch - perfect for half-attentive viewing while multitasking. Not a must-see, but harmless background fodder for a lazy evening.
¿Sabías que…?
- TriviaSamara learned to drive for the role
- ErroresIn the opening scene with her parents, Edie is 14 years old. The movie flashes forward to 14 years later, making Edie 28. Later in the movie, there is a reference to when Edie was 15 and a comment that it was 15 years ago, making Edie 30. Later in the movie where she's sitting the car talking to her dad again, she says, "18 years is a long time not to go get your daughter."
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Detalles
- Tiempo de ejecución
- 1h 46min(106 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
- 2.39:1
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