All I See Is You

Here goes , this episode rocked , I will watch it again .

Kill them all , John says . Every militia involved with the attack on The Dutton's were executed in this episode , yippy , amen , we move on .

Beth is bored since her building was removed with a bomb , being an guardian of a homeless teenager , not gonna work , he is pure trouble , but hey give him a few more episodes and will become Rip Jr.

Kaycee , wow he cleans up everything , and makes his son understand , he is a hero , Monica just needs to understand her place is to be a mother , a wife , and just move on , and realize her son saved her life, be proud of her two men in her life, and relax.

Jimmy , he been around since the beginning and will be back , currently will be working for the creator, producer , director , writer , wrangler , horse specialist Travis / Taylor. He will become a cowboy and mature and be will be back and if not he will end up in another state , bud good luck Jimmy.

First episode. Jamie Dutton was not in , wow but will return next week.

Last scene very bad man who gave up information on who gave the direct hit , was removed by John , and went bye bye down the hill .

"All I See Is You," the third episode of Yellowstone's fourth season, directed by Guy Ferland, unfolds as a pivotal narrative that deftly balances intense emotional revelations with mounting threats and strategic power plays. The episode serves as both a necessary breather and an integral chapter that deepens character development and propels the overarching conflicts closer to breaking points. The show's neo-Western tapestry continues to explore themes of violence, loyalty, identity, and legacy, while layering in moments of tenderness and personal reckoning that enrich its complex characters.

The episode opens in harrowing fashion with the Dutton family and associated law enforcement launching coordinated raids against the remnants of the white supremacist militia responsible for the season's earlier attacks. The brutal and chaotic confrontations, underscored by realistic violence and heightened stakes, graphically underscore the relentless dangers facing the ranch and the limits of the law in frontier justice. The scene's visceral energy contrasts with quieter, more introspective moments that follow, creating a rhythm that sustains viewer engagement.

John Dutton's increasing involvement in the investigation into the orchestrated attempts on his life reveals his relentless drive to protect his family. His collaboration with Chief Rainwater and Mo adds layers of political complexity and tentative alliances, while the mysterious figure "Riggins," poised to be a significant antagonist, looms as an ominous threat. Kevin Costner's portrayal resounds with hardened resolve and frail vulnerability, capturing a man simultaneously grappling with age, pain, and unyielding determination.

Beth's interactions with Carter, the newly introduced foster son, illuminate a softer, more grounding side to her otherwise fierce and sometimes ruthless nature. The dynamic between Beth, Carter, and Rip encapsulates the struggles of parenting, guidance, and forging new familial bonds amidst trauma and mistrust. Kelly Reilly brings a textured performance that conveys Beth's oscillation between warmth and guarded toughness, making these scenes standout moments of the episode.

Kayce's decision to confront the Peterson Ranch over trespassing and his subsequent aggressive tactics reveal a willingness to wield power decisively, even as he wrestles with his own moral compass and familial responsibilities. His confrontation with Monica, punctuated by raw emotions and clashing worldviews, underscores the episode's exploration of divided loyalties and the personal costs of the Yellowstone legacy.

Jimmy's departure for Texas marks a bittersweet turning point. His strained farewell, watched tearfully by Maya, symbolizes a move away from the central ranch drama to a new chapter in his life. This moment underscores themes of growth, change, and the sacrifices inherent in pursuing one's path away from family legacies.

Stephen Kay's direction melds vast Montana panoramas with gritty, intimate moments that juxtapose the wildness of the land with human vulnerability and conflict. The cinematography captures sweeping vistas and evocative lighting, contributing to the episode's tone of both beauty and foreboding. The editing balances action-driven sequences and quieter emotional beats, maintaining narrative momentum without sacrificing depth.

Throughout, the performances deliver compelling portrayals of complex characters caught in webs of duty, ambition, and survival. Costner anchors the episode with calming authority, Reilly gives emotional gravity to Beth's maternal and strategic roles, Grimes and Asbille bring authenticity to Kayce and Monica's fraught relationship, and Jefferson White imbues Jimmy's arc with earnestness and relatability.

Thematically, "All I See Is You" interrogates the fractures within family and community, the consequences of past violence, and the fragile nature of alliances. The episode's title hints at the characters' struggles to perceive and reconcile their intertwined pasts and futures amid relentless challenges.

Culturally and politically, the episode remains attentive to Indigenous perspectives and the socio-political realities of rural America, threading these concerns seamlessly into the personal dramas and power struggles depicted.

While the episode's pacing and multiple subplots may leave some viewers seeking more cohesive narrative focus or immediate payoff, the layered storytelling and rich character exploration provide valuable foundation for the season's escalating conflicts.

"All I See Is You" is a nuanced and engaging chapter in Yellowstone's fourth season that combines raw action with emotional depth and political intrigue. Director Guy Ferland's skilled craftsmanship, coupled with strong ensemble performances and thoughtful writing, crafts an episode that both honors and expands the series' neo-Western legacy. It challenges viewers to reflect on family, loyalty, and the enduring quest for justice and belonging in a fractured and contested landscape.

Greetings from Lithuania.

What i liked the most about "All I See Is You", a 3 rd episode of season 4 was its ending. Great stuff. And overall this episode was good. Not great, but good. After the explosive first episode things have settled down more or less into a drama. I liked it and will definitely going to finish the season.

Yellowstone is the best show on TV and it's not even close. It's hilarious that the snowflakes rate it low. That's to be expected. They'll hate on anything that's not woke related. Just like the snowflake who said it's turning into a "hallmark show". That made me laugh out loud.

I hardly ever rate a show 10/10. Sons of anarchy was the last one I rated that high. Yellowstone is 10/10.

Beth made a big deal about not being able to have children

Then they get a chance to raise a child and they make him sleep in a barn???

Rip gave him a bucket for a toilet at one point

Wtf these two are animals.