Agrega una trama en tu idiomaDespite being one of Stanley Kubrick's greatest's films and therefore a cinema masterpiece, 'A Clockwork Orange' was banned by Spain's Franco government, a fascist dictatorship that had rule... Leer todoDespite being one of Stanley Kubrick's greatest's films and therefore a cinema masterpiece, 'A Clockwork Orange' was banned by Spain's Franco government, a fascist dictatorship that had ruled the country for over 35 years after a cruel civil war. The film's visuals clashed head-o... Leer todoDespite being one of Stanley Kubrick's greatest's films and therefore a cinema masterpiece, 'A Clockwork Orange' was banned by Spain's Franco government, a fascist dictatorship that had ruled the country for over 35 years after a cruel civil war. The film's visuals clashed head-on with the regime's strict moral codes and censors who wished to clamp down on any subvers... Leer todo
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A film festival based in a Spanish university town wanted to screen A Clockwork Orange a few years after its release in the US. The film was generally banned from exhibition in Franco's Spain, but because of a push towards reducing censorship, the authorities allowed it. Festival-goers were very excited and stood in line to buy tickets for hours and hours. After seeing the movie, they reported that they liked it and were glad they'd had a chance to see it. That's it.
Surely a few people died in the rioting that followed the screening of such an incendiary film? Surely the Spanish government changed its mind and sent in tanks to prevent the exhibition? Surely the film festival's coordinators were jailed, their careers ruined, and their legs crippled by repeated beatings? No, no, and no.
A Clockwork Orange created a seismic cultural wave around the globe. There's a fascinating documentary to be made about its impact, but this damp and largely pointless tale isn't the one.
It was NOT the general nihilism or a political impetration of that which cased the bans, it was a) the celebratory graphic rape of the Dutch girl while the rapists sung "Singing in the Rain" and b) several direct copycat crimes copying the "ultra violence" down the actual assult in the film and the costumes.
This is a time when LIBERAL societies as well as conservatives blamed, rightly or wrongly, severe increasing graphic violence in film, TV and other entertainment for violence in the real world. In the US, DEMOCRAT Al Gore and his wife made "offensive" and "violent" lyrics in songs, especially African American Rap songs their target, calling for bans.
This documentary is laughably in a bubble, making this about Franco and the church of Spain when it was a worldwide phenomena.
Burgress (the author of the novel "clockwork) and Kubrick (the film adaptor) delayed or reduced release in the UK itself due to some sensational copycat crimes.
An agreeable documentary concerning the tumultuous times in the Seventies when in a little city about 200.000 people was premiered the film most prohibited in the history , adding the country was submitted to the Francoist dictatorship and a strict censorship that usually cut images of polemic movies . This splendid documentary shows professionality and experience in its realization , in fact it was made by expert Pedro González Bermúdez , he's a good Spanish writer and director, and his work has been mainly devoted to documentary filmmaking. Here he deals with the Seventies , there was an age of convulsion , worker strikes , student protests , and manifestations . That's why , authorities orderered to close Valladolid University , subsequently took place more strikes , student assemblies , protests and various students were judged by Tribunal Orden Publico : T. O. P. , or Public Order Trial . The documentary also depicts other films that convulsed at the time as ¨Last Tango in Paris¨ with Marlon Brando and Maria Schneider , ¨Emmanuelle¨ with Silvia Kristel , and other erotic pictures , the reason for thousands of Spanish people travelled to Perpignan and Paris . Furthermore , another Spanish movie ¨Eloy De La Iglesia's Una Gota de Sangre para Morir Amando¨ in USA titled ¨Clockwork Terror¨ , in Spain nicknamed ¨La Mandarina Mecanica¨, and made in similar style , was relesased with not cuts , it was a rip-off that even starred Sue Lyon , the famous starring in ¨Lolita¨. However , the polemic ¨Jesus Christ Superstar¨ by Norman Jewison was freely exhibited , as it was released not without problems because there were some protests and demonstrations of ultra-religious groups .
The Clockwork Orange's visuals clashed head-on with the regime's rigid moral and resulting in the submitting of these thorny films on the religious principles . That's why censors wished to clamp down on any kind of erotic images , extreme violence , nudism or subversive ideas in the Francoist Spain . Surprisingly, however, ¨Clockwork Orange¨ premiered uncensored at a long-runningering Catholic film festival, the Seminci in Valladolid, located in one of Spain's most conservative cities . Along with Malcolm McDowall here collaborates the prestigious writer Vicent Molina Foix telling his experience as the Spanish translator and its complex difficulty and his interview to his loved Stanley Kubrick . The film was well directed by expert documentalist Pedro González Bermúdez . He has received a whole host of awards and prizes throughout his career, such as the Goya award for best short documentary film for Return to Viridiana in 2014; he won 5 Gold Medals in the New York Film Festivals for Nostromo: David Lean's impossible dream in 2017; he was nominated for the Goya for best documentary and won 2 Gold Medals in the New York Film Festivals for When Better Davis bid farewell in 2015 and he has won various Promax and BDA awards. He has made a number of television programs for TCM Spain, TNT Spain and CNN and many more documentaries such as The Producer (2006), Sacristán: In the front row of the Gods (2014), Half-cocked: Remembering Iván Zulueta (2010), Rawan (2009), The Magnificent 10 (2008) and Cruz Delgado, a Quijote of Spanish animation (2008).
Oddly, many of the young people were not only disturbed by it, but didn't think it could be made today.
But one older man said, "Wrongness isn't erased by removing the reflection of something that is wrong." It was a film of its time about a time by a man of its time.
I, too, lived in and through that time. I doubt that many of those who criticise, either the film or this documentary, did. Chaplin's The Great Dictator would resonate MUCH more strongly with those who lived during WWII than those millennials who probably don't even know the century in which it was fought. Today is not THEN. Stop judging THEN by the standards of TODAY. Perfect knowledge and perfect perspective do not exist.
Many of the themes in the film foreshadowed the racial violence that happened in the 1990s and later, perhaps even the rise of violence and neo-fascism in the Republican Party.
The film has as a theme the unchecked prevalence of violence in society by self-satisfied mobs of those who feel that the violence they inflict is justified.
The film does not glorify violence. It is a reflection of the people and the society of the time, particularly in England. Except for some subversive political parties, we have, for the most part, moved forward. Not completely, not perfectly. But we humans, are, for the most part, a work in progress.
Don't shoot the mirror; don't shoot the messenger.
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- ConexionesFeatures Naranja mecánica (1971)
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- How long is A Forbidden Orange?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 18 minutos
- Color
- Relación de aspecto
- 2.39:1