Como musa de los clásicos independientes de Hal Hartley y como escritora y directora de la aclamada Waitress, Adrienne Shelly fue una estrella brillante en el firmamento del cine independien... Leer todoComo musa de los clásicos independientes de Hal Hartley y como escritora y directora de la aclamada Waitress, Adrienne Shelly fue una estrella brillante en el firmamento del cine independiente.Como musa de los clásicos independientes de Hal Hartley y como escritora y directora de la aclamada Waitress, Adrienne Shelly fue una estrella brillante en el firmamento del cine independiente.
- Premios
- 1 nominación en total
Fotos
Andy Griffith
- Old Joe
- (material de archivo)
Adrienne Shelly
- Self
- (material de archivo)
Opiniones destacadas
While I thought Adrienne was fairly well done, it also felt self-indulgent.
What happened to her was, of course, tragic. But, how many people experience the same or worse (e.g., genocide of an entire family... loss of a child to drive-by shooting, etc.) that never get to celebrate their loss via a film, much less, feel justice was served--closure, that Andy has. Not only was the perpetrator caught, and immediately, and is set to spend 25 years in prison, even then, Andy feels it's not enough.
It is the lack of gratefulness, all things considered, that is irritating. He doesn't have to endure years of sleepless nights wondering how his loved one met their fate. He doesn't have to feel angst over the lack of justice. And, he doesn't have to walk through life on his own, as someone who lost their entire family does. He has many reasons to feel gratitude and to move from victim to forgiveness. And yet, he practices and models non-forgiveness to their daughter, and stays in a victim role--15 years later.
Even those whose entire families were brutally slaughtered in African nations, find a way to forgive those who senselessly took everything they held dear. Even those wrongly imprisoned for decades, find a way to move past victim/bitterness. And others, whose refusal to let their losses define them, go beyond forgiveness to show compassion. They are the ones who are free. Andy is imprisoned.
Lastly, I felt it irresponsible that Andy essentially imposed the gravity of his sense of losing a mother, for a daughter, onto their daughter. Sophie 'would have' felt her own loss, had she been allowed to find it on her own.
What happened to her was, of course, tragic. But, how many people experience the same or worse (e.g., genocide of an entire family... loss of a child to drive-by shooting, etc.) that never get to celebrate their loss via a film, much less, feel justice was served--closure, that Andy has. Not only was the perpetrator caught, and immediately, and is set to spend 25 years in prison, even then, Andy feels it's not enough.
It is the lack of gratefulness, all things considered, that is irritating. He doesn't have to endure years of sleepless nights wondering how his loved one met their fate. He doesn't have to feel angst over the lack of justice. And, he doesn't have to walk through life on his own, as someone who lost their entire family does. He has many reasons to feel gratitude and to move from victim to forgiveness. And yet, he practices and models non-forgiveness to their daughter, and stays in a victim role--15 years later.
Even those whose entire families were brutally slaughtered in African nations, find a way to forgive those who senselessly took everything they held dear. Even those wrongly imprisoned for decades, find a way to move past victim/bitterness. And others, whose refusal to let their losses define them, go beyond forgiveness to show compassion. They are the ones who are free. Andy is imprisoned.
Lastly, I felt it irresponsible that Andy essentially imposed the gravity of his sense of losing a mother, for a daughter, onto their daughter. Sophie 'would have' felt her own loss, had she been allowed to find it on her own.
This love-letter by Adrienne Shelly's widower is heartfelt and well-constructed. It got some poor reviews by people who are focused on their own tragedies. I lost someone very close to me only six months ago, but I assure you I'm able to judge this film on its own merits.
The film is a bit self-indulgent in terms of (uneven) pacing and run-time. While I'm sure Mr. Ostroy had good reasons for including all the historical footage that he did (and I'm just some random jerk), I believe that slightly more aggressive editing would have helped.
There is a spooky moment about 40 minutes in; it caught my attention. There is also a moment near the end, in an interview with the (very strong) daughter, that for me was so sad and genuine, it was like a dagger to the heart.
I rate this thoughtful and evocative film at eight (8) stars. RIP Adrienne; you are missed.
The film is a bit self-indulgent in terms of (uneven) pacing and run-time. While I'm sure Mr. Ostroy had good reasons for including all the historical footage that he did (and I'm just some random jerk), I believe that slightly more aggressive editing would have helped.
There is a spooky moment about 40 minutes in; it caught my attention. There is also a moment near the end, in an interview with the (very strong) daughter, that for me was so sad and genuine, it was like a dagger to the heart.
I rate this thoughtful and evocative film at eight (8) stars. RIP Adrienne; you are missed.
As "Adrienne" (2021 release; 98 min.) opens, we see home video footage of a Halloween party in 2006, featuring actress-director Adrienne Shelly and her 2 yr old daughter Sophie. The voice over informs us that shockingly Adrienne would be found dead the very next day, November 1, 2006. We then go to "New York City, May, 2019", where the musical "Waitress", adapted from Adrienne Shelly's last movie released just months after her death, is doing great business on Broadway. At this point we are 10 min into the film.
Couple of comments: this documentary is directed by Andy Ostroy, husband of Adrienne Shelly. The movie is two things into one: first and foremost, Ostroy wants to pay tribute to Adrienne and at the same time preserve Adrienne's legacy and memory for Sophie (now 17 years old), as a mother, a wife, an actress, a director. Second, Ostroy wants to fully understand what exactly happened that fateful November 1, 2006. I must admit I vaguely recall this happening, but I didn't know much of Adrienne Shelly's body of work. What I wasn't prepared for is the emotional toll of watching this, considering the senseless death of Adrienne. Bottom line: this movie is clearly a labor of love from Ostroy.
"Adrienne" premiered recently on HBO and is now available on HBO On Demand and HBO Max, where I caught it the other day. Whether you are a fan who is familiar with Adrienne Shelly or you know know next to nothing about her, as was the case for me, I'd readily suggest you check this out, and draw your own conclusion.
Couple of comments: this documentary is directed by Andy Ostroy, husband of Adrienne Shelly. The movie is two things into one: first and foremost, Ostroy wants to pay tribute to Adrienne and at the same time preserve Adrienne's legacy and memory for Sophie (now 17 years old), as a mother, a wife, an actress, a director. Second, Ostroy wants to fully understand what exactly happened that fateful November 1, 2006. I must admit I vaguely recall this happening, but I didn't know much of Adrienne Shelly's body of work. What I wasn't prepared for is the emotional toll of watching this, considering the senseless death of Adrienne. Bottom line: this movie is clearly a labor of love from Ostroy.
"Adrienne" premiered recently on HBO and is now available on HBO On Demand and HBO Max, where I caught it the other day. Whether you are a fan who is familiar with Adrienne Shelly or you know know next to nothing about her, as was the case for me, I'd readily suggest you check this out, and draw your own conclusion.
This film is a beautiful tribute to a thoughtful creative artist, mom, wife, daughter, sister, and friend. An exploration of life, death, mourning, legacy, and the human spirit. I remember when the news of her death broke in NYC. I remember all the inaccurate conclusions about her death being reported and then the truth seemingly coming out. This film finally put my curiosity and questions about what happened to rest and gave me closure. I loved "Waitress" when I first saw it and introduced it to everyone. Same with the musical. I saw it twice on Broadway and cried both times. Go see it! And watch this. This film celebrates her, while not shying away from the darkness and evil that intruded upon her and ended her life. She created a very touching lasting work about the human condition and that can never be taken away. Rest in Peace sweet soul and God bless her family for facing this head on and sharing their story with the world. Thank you.
She will always be the "100% Indie actress" <3, along with fdirector Hal Hartley, it was for me, the Indie cinema era at their prime, before it became more comercial.
¿Sabías que…?
- TriviaThe Adrienne Shelly Foundation, which is briefly mentioned in this documentary, was founded in 2007 by Shelly's widower, Andy Ostroy. A memorial to her work, it is a nonprofit organization that awards grants to female actors, writers and/or directors of short films, feature films and documentaries. Among the films supported by a Shelly Foundation grant are the features Rapera a los 40 (2020), Night Comes On (2018) and Pariah (2011), and the documentaries Roll Red Roll (2018), Bombshell: The Hedy Lamarr Story (2017), Wolfpack: lobos de Manhattan (2015) and Freeheld (2007), which won an Academy Award for Best Documentary, Short Subject. The foundation also gave an early short film grant to Chloé Zhao, who under a decade later became the second woman in history to win the Academy Award for Best Director.
- Bandas sonorasMany the Miles
Written and Performed by Sara Bareilles
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- How long is Adrienne?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 38min(98 min)
- Color
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