La máscara del Dr. Syn

Probably not quite right for anyone over the age of 12 and under the age of 55. But it is what it is, more of a 1930s rollocking adventure production than 1960s, but with the benefit of full-colour and the many talents of Patrick McGoohan and some nice horses. The gang's masks are amazing, as it McGoohan's cackling, and the many cunning plans and escapades are just clever enough to satisfy and outwit the dreaded King's men although more analytical teenagers might be more inclined to tear them to shreds. Don't take it too seriously and you'll find that you probably quite enjoy it.

Patrick McGoohan makes the legend come alive. The acting in this Disney classic is inspired...I waited anxiously for it to appear when I was a child and sought it out as an adult. It's a must see!

Batman could learn a thing or two from Dr. Syn, alias the Scarecrow. He's a ceaselessly interesting character, an antihero who strikes fear into the hearts of the men who serve him, yet one who executes only noble acts. In his mission to save his people from the tyranny of King George III, he presents himself as a borderline villain; donning a fearsome mask, gravelly voice, and cackling laugh creates Darth Vader intimidation, as well as a perfect ruse when it's revealed that he's actually a vicar for the Dymchurch parish of Romney Village.

It's the early 1700s and Dr. Christopher Syn (Patrick McGoohan), a country priest, uses the disguise of a terrifying scarecrow mask to lead his band of rebel "gentleman" to lash out at King George's treacherous naval press gangs and his ruinous taxes. The Scarecrow menacingly insists that unjust laws can be altered. The smuggler's successes cause the frustrated ruler to dispatch the Royal Army's General Pugh (Geoffrey Keen) to clean up the village, no matter what the cost. Caught up in the mix is the lenient Sir Thomas Banks, his daughter Katharine (Jill Curzon) and her lover Lt. Brackenbury (Pugh's second-in-command), and Harry (David Buck) - a soldier recently returning from deserting service.

Originally a three-part television series chopped together into one feature-length film, the movie version doesn't lose much of the appeal of the full version, nor is it painfully obvious that scenes have been edited out. Only once is there a break that feels out of place. The story, based on the historically-set series of novels by Russell Thorndike, makes sense, is sharply paced, and is nonstop fun. With a riveting theme song and plenty of action, it's no wonder this relatively obscure production is so highly sought after on home video.

The perfectly cast McGoohan uses a blend of makeup mixed into the scarecrow mask to reveal an eerily realistic moving mouth during scenes of conversing. The vizard is a striking extension of his face, even though its nothing more than a burlap sack when removed. The design is a cleverly demonic blend of horror and awe, paired intuitively with an insane, shrill cachinnation. With an anonymous identity, an expressionless visage, and a frightening presence, the Scarecrow is one of the most gratifying cinematic crosses between protagonist and antagonist, always ready with a plan that serves as both a lesson for his men and a warning for the king. And to match such an engaging hero is the merciless Pugh, a man whose evil is bested only by his superiors, generating a pleasantly devious hierarchy of villainousness. Dramatic, exciting, suspenseful, and swashbuckling (even though only one sword is brandished), "Dr. Syn, Alias the Scarecrow" is an absorbing film whose title character takes his rightful place alongside the likes of Robin Hood, Zorro, the Scarlet Pimpernel, and every other hero who valiantly fights against injustice.

– The Massie Twins

Dr. Syn, Alias the Scarecrow is one of Disney's most unexpectedly bold productions - a historical adventure laced with moral complexity, gothic flair, and a surprisingly charismatic masked vigilante.

Set in 18th-century England, the film balances its family-friendly tone with darker undertones that feel far ahead of their time. At the center is Dr. Syn, a mild-mannered vicar by day and cunning outlaw by night - a duality that adds layers of intrigue without ever becoming too heavy. The Scarecrow persona, complete with eerie mask and secret signals, is both theatrical and memorable, leaving a lasting impression even among modern superhero fans.

Visually, the film leans into atmospheric shots of coastal marshes, lantern-lit towns, and moody skies. The pacing is deliberate, allowing the story's suspense and themes of justice and rebellion to simmer. It's a classic Disney production in the best sense: cleanly shot, narratively tight, and elevated by a strong lead performance.

While it never gained the spotlight like other Disney properties, Dr. Syn holds up as a rare gem - a swashbuckling period piece with just enough edge to feel timeless.

This film takes place in the late 19th century in England, where high taxes on certain goods have created a smuggling ring operating on the southeast coast in Kent, near the small town of Dymchurch. Because England needs the revenue to continue its wars with France and to hold down the rebellion in its American colonies, the decision is made to send a high-ranking officer by the name of "General Pugh" (Geoffrey Keen) to solve the problem using whatever means are necessary. What he doesn't realize is that the entire town has benefited from the smuggling operation in one way or another and, as a result, many of the townspeople have conflicting loyalties. Likewise, the leader of the smugglers is a costumed man known simply as the "Scarecrow" (Patrick McGoohan) who is as terrifying as he is clever. For that reason, General Pugh has to resort to even harsher methods to ascertain the scarecrow's identity in order to bring him to justice. What he doesn't know is that the Scarecrow has spies everywhere, and quite often, he is aware of General Pugh's plans before they are even passed on to his soldiers. Now, rather than reveal any more, I will just say that this film was essentially taken from a 3-part mini-series and condensed into a 98-minute movie. Fortunately, the editing was top-notch and the film itself is one that is quite enjoyable on its own accord, with Patrick McGoohan putting in an outstanding performance as both the Scarecrow and under his dual identity "Dr. Syn." That being said, this is one of those movies that can be watched by the entire family, and I recommend it to all those who are interested.