Thorne: Sleepyhead

The cops in this British drama don't act like professional policemen but more like mentally deranged teenagers with anger management issues. The main character, DI Thorne (David Morrissey), is not in control of his emotions. His volatility and rage seem to infect the other members of the cast so that in total what we have here is a virtual feeding frenzy of scenery chewing. Cops yell at other cops and cops and medical doctors yell at each other. In one scene one character becomes enraged and punches another character repeatedly in the face for no reason that was apparent to me. DI Thorne seems to believe that he can communicate with a woman in a vegetative state by shouting at her. Other times he seems depressed and on the verge of suicide. The plot is senseless and contrived. Nobody appears to behave rationally. A woman doctor, when she finds out that her daughter has been kidnapped, just freaks out and starts screaming uncontrollably and Thorne freaks out too, running around like a chicken with its head cut off. So who's minding the store?

I don't generally like procedurals that feature serial killers, and especially serial killers with weird and perverted MOs, and especially serial killers who have an obsession with the primary investigator, sending him taunting messages. These are tired, boring clichés. That's my prejudice. But I must admit that genre could be done well in the right hands. This one is just awful. Don't waste your time.

This could have been excellent or at least better than it was in the end. Too many flashbacks, confusing characters and dialogue. And the messy conclusion did nothing to advance the cause of any sort of resolution or closure. And to begin to suggest the end result of the "victim" was ludicrous. I am not familiar with the author's work but he cannot possibly be pleased with this presentation.

DI Tom Thornes (David Morrissey) is haunted by an incident years ago. He investigates victim Alison Willetts who has been left with locked-in syndrome. She was attacked and injected in the back of the neck. She is aware but unable to communicate or move. She is being treated by Dr. Anne Coburn (Natascha McElhone). There has actually been three previous victims. Kevin Tughan (Eddie Marsan) is Thornes' disbelieving boss and pathologist Phil Hendricks (Aidan Gillen) is suspicious.

The locked-in syndrome is pretty interesting. I like Alison's interior dialog. It's more compelling than expected. David Morrissey is a great actor. The biggest problem for me is the convenient reveal and connection to Thornes' problem from years ago. It's all too connected and I don't like it. There is no real reason for the connection other than it serves the writing.

Now and then during channel surfing late at night there appears something new and unknown that results in making the viewer wish for more. Such is the case for the series THORNE. It is a high tension thriller of a series.

'Thorne' is DI Tom Thorne (David Morrissey) who in the Sleepyhead episode enters an investigation into a mysterious serial killer. His first three victims ended up dead. His fourth was not so fortunate. Alison Willetts (Sara Lloyd-Gregory ) is unlucky to be alive. She has survived a stroke, deliberately induced by manipulation of pressure points on the head and neck. She can see, hear and feel, she is aware of everything going on around her, but she is unable to move or communicate. In leaving Alison alive, the police believe the killer's made his first mistake. And it is this kind of complex story-weaving that makes this a very tense and enjoyable series. Written by Dudi Appleton and Jim Keeble and directed with panache by Benjamin Ross, the large cast includes some very fine actors - David Morrissey is at the top of the list - that includes Eddie Marsan, Sandra Oh, Lily Loveless, Neil Kelly among others. We can only hope that this 2010 series has more parts to it and that those episodes will reach our shores and TV screens. Definitely recommended for lovers of high mystery and thrillers. Grady Harp, June 21

Gritty, realistic and excellent. The plots solid and acting excellent all round.