Agrega una trama en tu idiomaIn 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in... Leer todoIn 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powel... Leer todoIn 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger's Black Narcissus. Beyond John Huston's The African Queen and King Vidor... Leer todo
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Opiniones destacadas
Man with a movie camera.
Amiable and self effacing Cardiff himself makes for a wonderful guide mixing anecdotes and methods free of ego and judgment. This doc is a must for film historians as well as anyone that has ever been under the spell of celluloid magic.
Celebrating an 80-year career: predictably colorful, unexpectedly moving...
A master cameraman who learned his art from the masters...
I've always felt that if he had filmed no other works than BLACK NARCISSUS, THE LIFE AND DEATH OF COLONEL BLIMP or THE RED SHOES, his immortality was guaranteed.
By an interesting use of film clips, good narration, and comments from stars who worked with him on various films, this documentary is among the best I've ever seen on any celebrity whose work on film has so many highs and lows.
Modest about his fame, he mentions how he's seldom recognized by fans at premieres of epics he photographed. "Who's that?" they will say. "Oh, he's nobody."
Absolutely riveting use of clips from BLACK NARCISSUS and THE RED SHOES, in particular, show just how masterful his use of Technicolor was.
Lauren Bacall, Sophia Loren, Moira Shearer, Kathleen Byron, Charlton Heston and Kirk Douglas are among the stars who speak about the experience of working with him. Bacall tells how Bogart never cared much about his appearance in a film, only the film itself and he had complete confidence in Jack Cardiff on THE African QUEEN.
Excellent documentary, well worth any film fan's attention.
Cardiff casts a shadow
Cardiff in interviews filmed over several years comes off as modest, engaging, enthusiastic and knowledgeable.
We see the influence of paintings from the masters in his work as well as problem solving with the challenges he faced in the still early days of cinema, now it is the special effects people who take care of it all.
As well as numerous clips of films he had worked on, collaborators we have super fans such as Martin Scorsese who has previously expressed his admiration of the films of Powell & Pressburger.
It would had been nice to have heard from Francis Coppola another fan and some more British directors.
Cardiff later moved into directing and was Oscar nominated for Best Director for Sons and Lovers but when the directing work dried up he moved back into cinematography, even lighting Rambo: First Blood Part 2 a film I have in the past complained about not being able to see anything as all the action took place in the dark.
Explore Jack Cardiff's wonderful life
This documentary covers most of his working life with lots of examples from clips or stills and interviews with the great man himself as well as many of those whose lives he touched. The documentary was many years in the making and was fortunate enough to interview a lot of the people that Jack worked with who are no longer with us.
It's not often that a feature length documentary leaves you wanting more, but this one does.
When Jack discovered the world of movies as a child actor in some early silent films he decided that being a cameraman was the best job going because they got to travel to such exotic locations. He was mainly self-educated because the life of a touring theatrical didn't allow much time at any one school. But that self-education included study of the old masters in art galleries wherever he went. So when he started working as a cameraman he was able to bring his knowledge of lighting and composition.
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- Citas
[First Lines]
[Introducing Jack Cardiff prior to presenting him with his honorary Oscar in 2001]
Dustin Hoffman: For those of us who are 70 years old or younger, Jack Cardiff was shooting film before we were born.
- Créditos curiososThe first 22 names in the cast (through Michael Powell) are listed in the end credits in the order shown. The remaining credited cast members are identified by the narrator or Jack Cardiff.
- ConexionesFeatures Lo que vendrá (1936)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Cámara: La vida y obra de Jack Cardiff
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- GBP 500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 20,840
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,998
- 15 may 2011
- Total a nivel mundial
- USD 20,840
- Tiempo de ejecución
- 1h 26min(86 min)
- Relación de aspecto
- 1.78 : 1






