Unspoken

Unspoken is a solid thriller that exhibits profound understanding of cinematic craftsmanship and narrative complexity.

But it transcends the boundaries of typical suspense by exploring the clash of cultures, highlighting the devastating power of stereotypes and prejudices, and offering a masterful analysis of the tensions that lie beneath the surface of intercultural relations.

The director touches upon social and cultural nuances, including those of race, ethnicity, language, gender, and age. There's even a demonstration the challenges of communication between individuals who use verbal language versus Sign Language, Collectively, all prompting us to question how we can break down communication barriers to foster greater understanding.

« Unspoken » is an emotionally intense and captivating film that offers a fresh and fascinating perspective on the thriller genre. The interactions between the characters, portrayed by exeptional actors, and the numerous plot twists allow the film to explore engaging intercultural dynamics. It highlights the challenges and opportunities of communication among individuals from different cultures and backgrounds. « Unspoken » surpasses the bounderies of a classic thriller to provide an immersive cinematic experience that prompts us to reflect on stereotypical behaviors. The music is exceptional, and the cinematographic and visual quality is simply astonishing. A film to watch and rewatch.

A passionate and heartfelt thriller about loss, guilt and determination.

The film reminds me of the well-known kidnapping and murder case of the Yingying Zhang in the US. Investigators never found her until it was too late. It's a heart-breaking reminder of the challenges all people face when living in a place far away from home.

The question must be asked... if something happened to your child, while they were abroad, what would you do to find them? What if you can't speak the language or understand the culture?

In this film Xu (Zhang) is an ex-cop who has a rocky estranged relationship with his deaf daughter. She unfortunately dies, while pursuing her studies in America. Xu becomes convinced the local authorities are mishandling the investigation and that racism is playing a prominent role in endangering the case. Xu not only wants justice. There is sincere desire for him to be redeemed. His journey is not only about catching the monsters, but also understanding his daughter... a task he wishes he could have done better, when she was alive. Braving a new world with his translator, Xu is on a quest to make things right internally and externally.

I was fortunate enough a catch a sneak peak of this film and enjoyed it deeply. I cannot recommend it enough. While some people may pick it apart due to their own biases, (we do live in highly sensitive times, where identity politics are everywhere), this film has a lot of heart and is very entertaining. The message is universal. All parents have a profound connection to their kids that is unspoken, but always felt. I honestly found myself asking, how much time is enough for us to spend with those we love? The correct answer might be... there is never enough. If something happened to someone you love, how far would you go to make things right? I found this film touching and thought provoking. I really enjoyed the acting, choreography, story and pacing. Zhang Hanyu is a top star in China and definitely proved his acting skills are top notch. Micheal Cudlitz, Vivienne Tien and Jake Abel all turn in excellent performances.

For a film with so many different elements coming together, it takes a lot of risks. However, risk taking is what film is all about. This film is a positive step in the right direction for international cinema. It is the first time that so many excellent film teams from the east and west collaborated on such an awesome project. I really do hope it does well, because I would love to see more collaborative works with international films teams.

Do yourself a favor and check this one out.

I went to a horror movie event at our local cinema, and this was the second film. And i was dissatisfied because this is not horror, its an action thriller with very muted violence and obligatory end credits explaining the aftermath.

The chinese actors were good, but the material was not great. The portrayal of the Americans is hilarious, maybe even honest, but the same portrayals are also hinder the build-up of any atmosphere. The movie tries hard, very hard, to portray the victim as this angel that died tragically, but it ends up doing too much, all in flashback mode. The only character with any personality is the father, and he acts the way you expect him too, never really surprising you. The fact that he is an experienced officer hunting drug dealers is not useful to the plot, you will forget this detail many times. I wouldn't have seen this film, if it was not in the horror event. Skip it, its a movie the bus driver might put for his passenger during a boring trip.

"Unspoken" captivated the international audience at the Brussels Fantastic Film Festival I was attending.

As a director-screenwriter myself, I loved how Daming Chen committed to an organic multicultural form of storytelling, delivering a powerful film. It seamlessly blends a true story coupled with the rise of anti-Asian sentiment in America during the pandemic - with a gripping thriller narrative. Chen fearlessly utilizes English and Chinese, reflecting the cultural nuances of how characters react in tense situations.

The film masterfully highlights the dangers of cultural misconceptions. A seemingly simple scene involving a fortune cookie exemplifies this. It exposes how ingrained biases can ultimately lead to violence.

"Unspoken" had people speak and question their belief systems, as witnessed after the film screening. Isn't that what good storytelling is all about?