Los descendientes del Clotilda

This is truly, deeply, sincerely an important piece of US History and an amazing story. The Clotilda and Africatown are remarkable and should be revered. The Clotilda is an extremely rare find that should be a National Monument. But of course - this represents a lot more than just the story of a ship!

I live in Mobile. I know these places! There have been a couple of documentaries now, about the Clotilda - and I have been excited to see them both; however, unfortunately - I don't think anyone has quite hit the mark yet when it comes to telling and presenting this story with the impact it deserves, but this wasn't bad - I enjoyed it - the story and the people are incredible - but I'm still waiting for a Clotilda show that tells it all with the passion and excitement to do this justice.

Contrary to widely held belief, just because the US slave trade was outlawed in 1808, that didn't end attempts to continue to import African slaves thereafter. It wasn't until 1860, when the last slave ship, the Clotilde, entered American waters with a hold full of slaves that the practice finally came to an end. And, to conceal this crime, which was punishable by death, the perpetrators scuttled the ship by burning it upon arrival. The location of the wreckage long remained a mystery until a diving team found it in shallow water just north of Mobile, AL in 2018-19. But the discovery was more than just an archaeological curiosity; it was also significant to the descendants of the Clotilde slaves, many of whom settled in a nearby community called Africatown when they achieved freedom after the Civil War in 1865. Those living today now have actual proof of their African lineage, as well as evidence of the crime that was committed against their ancestors. Director Margaret Brown's fourth feature outing explores this story from multiple angles in terms of its historic and personal importance, as well as from all of the fallout that stemmed from their ancestors' experience that has carried through to this day. Given the myriad threads presented in this documentary, the focus admittedly could have been a little tighter in spots, particularly in terms of how the narrative's many dots connect. But, that aside, the film effectively chronicles a little-known story that represents a significant benchmark in African-American history and a potential turning point in terms of how the American public at large views the question of this appalling institution and its after-effects, some of which have lingered but have gone virtually unaddressed and, arguably, even unrecognized all these years. This is a fine film that should be part of every grade school history class and a welcome addition to African-American History Month viewing.

This documentary is top notch. As anyone who has ever looked into their family history can tell you, the single most important resource genealogists have available to them is descendants. Many of us remember family stories passed to us from our parents & grandparents and many of those stories were passed to them by their parents & grandparents. In many cases the only historical records available are those stories passed generation to generation. The Christian Bible is a prime example of the importance of those stores passed thru the generations. The first Bible began taking shape about 600 years after the death of Christ so one can reasonably assess that the entire Christian Bible is based on stories passed down from generation to generation to generation. Is it possible that one, or more, of those story tellers might have exaggerated a bit? Probably - Just as the story of Lincoln scribbling the Gettysburg Address on the back of envelope isn't true. It is even possible the person documenting the story exaggerated for some reason - maybe even to make their story more appealing or even to satisfy a financial sponsor as with Washington's cherry tree story. In any case, the slaves brought over on the Clotilda deserve to be remembered and as with the Bible, each of us is free to determine what we believe.

I've never heard of this - I've got no real expectations, but it doesn't exactly sound like a giggle.

It tells the story of the Clotilda/Clotilde (the spelling seems uncertain), a slave ship organised for a bet by a white landowner after slavery had been abolished. This brought 110 Africans to Alabama - and was then burned and sunk leaving no evidence it ever existed, except for a load of people who'd been threatened with lynching if they ever spoke about it. But they told their children, and their children's children, and - well, you get the idea! And now their 6x great-grandchildren are telling us their stories.

Unfortunately, because the ship was burned and sank, there's absolutely no physical evidence that any of this happened - so part of the film focusses on efforts to find the wreck, but when you look at a map of the Mobile river you can't help but feel their chances are somewhat limited (no spoilers as to whether they found it though!). And they also interview quite a few people that have no interest in finding it - as one lady puts it "how do I put this? I just don't care". But might she change her mind?

The film also considers other elements of the history of the community - it makes an interesting point that a lot of the surrounding land is used for heavy industry which has resulted in various health issues - and the land is owned by the descendants of the landowner that originally brought the slaves over, so history (once again) shows its nasty habit of repeating itself. And then talk turns to reparations...

What are reparations supposed to provide? Justice? Punishment? Closure? Whilst crimes can't be inherited by descendant, assets and hardship certainly can, so what value should be placed on them? If reparations are made, who do they go to? And given that the landowner's descendants have absolutely no interest in engaging in any dialogue, how could they even be possible?

The film certainly poses some interesting questions although it probably won't surprise you hear that it doesn't answer them - that's probably asking a bit too much from a 109 minute Netflix documentary. The film does manage to end on a positive note though - various people have hope for the future, whatever it might hold.

However, I also have to report that the interesting questions don't fill up a huge amount of those 109 minutes either - it's all very worthy, but unfortunately it's not exactly thrilling. It's most a lot of people just talking about stuff that means something to them but not a lot to anyone else or reading from a book. There's also a lot of repeated use of the same historical footage - it feels unfortunately like filler.

I feel a bit mean being nasty about what it obviously an important film for a lot of people - I know it never hurts for me to be educated in this stuff, but I'm afraid that just didn't really do it for me. It's diverting in places with some nice countryside (balanced by some very ugly urban scenes), but it's no more than that, I'm afraid. If, after that glowing recommendation, you still fancy watching it then it's on Netflix but there's much more interesting stuff on there.

Hollywood fan of history and true events movies. This is for you dear. It elaborates the most tragic event in the history of United States of America, despite of being war with the Latin Americans (Red Indians) there is also a painful history of black Africans who were brought from Africa forcefully into the strange lands of America and become the slaves of white people. Most of them were also killed and separated from their families and even the children of africans faced these traumatic events at that time. After that a long struggle was started which gives them a little bit freedom but there are still lives who are waiting for justice.