Diario de un Gigoló

This story of a sexy Gigolo quickly turned into a murder mystery story. The best thing about this series is the lead Jesús Castro's blue eyes and his 1989 BMW 325i convertible (LOL). Really there was nothing to get me addicted to watching it - as a matter of fact I kept switching to other series' and then coming back to it. I kept watching since I always finish everything I start and the Gigolo winds up in the center of the murder mystery. Winded together in this mystery is the Gigolo, his faux mother (a madam that rescued him from escaping from an orphanage and a crime and turned him into the Gigolo), her daughter with whom he was having an affair, his clients, his main client Ana, Ana's daughter who he fell in love with, Ana's father - all have reasons to kill the the one who got murdered (don't want to give it away). So in the end, I was surprised to see a shocking twist that was worth watching to the end (real killer was divulged).

Bad to be considered a miniseries, mediocre as a soap opera.

Limited performances, flat script, stereotypical characters. The best thing about the series is photography, but at times it leaves a lot to be desired.

The plot has several sharp and predictable twists.

The most uncomfortable thing about the series is the protagonist's accent, which is inconsistent and forced.

All this encouraged with explicit sex scenes that do not add anything to the plot beyond the second episode with the sole purpose of showing the bodies of the actors.

A rather forgettable product in the line of the latest Netflix productions.

This series kept me engaged throughout every episode. They do a really good job of character build up, and the chemistry between Emmanuel and Julia was obvious throughout. All of the episodes move at a really good pace, nothing drags out too much and questions are answered in a timely fashion unlike other series, where it takes forever to get to answers and by the time you get there, you just don't even care about everything in the middle. This was not like that at all!

I love the fact that Victoria White's character had a natural beauty to her, she wasn't some eye candy like you see in female leads in many Latin American and Spanish productions. I'm an American, who watches a lot of Latin American in Spanish series and movies, mainly because American filmmakers and production companies just aren't putting out high quality content lately. This series was very very good IMO!

It's official they have canceled the series so we won't see a season two but they did for the most part wrap at the end so you might be left with 1 question - What is the outcome of the main characters following the last scene? BUT, it absolutely does not end in a cliffhanger.

A bit over dramatic in parts, but I found the one shocking thing after another happenings believable and fitting and Drama 101. The woman who played Mitou also played the maid in Babel. She really unabashedly gives her characters her all. I'll watch for more of her work. Lots of pretty men, no complaints there and always visually pleasurable. Ana, too, was a bold portrayal. I didn't think the woman who played Julia was the right fit chemistry-wise for the Emanuel character, but this wasn't an award winning series, rather just a kinda pay attention, somewhat entertaining one. Once was enough. An ok, "Who done it."

I gave it 5 stars to practice my Spanish (!), but where it was set is anyone's guess, there was no alluding to any city, so could have been Mexico, Argentina - certainly not Spain as you'll see when the story unfolds.

Once again, Netflix seem to love these novellas where the set design comprises a lot of concrete. The interrogation room was devoid of anything bar a table and concrete ! Modern directors also seem to loathe lighting for reasons peculiar to themselves. So the audience has to play a guessing game of what is actually happening. The same when anyone enters their own home - WHY isn't the first thing they do is switch on a light ???? No they all stumble around in the dark instead. We need realism in our movies not the fantasy of the director.

The storyline itself was good, but it was the depiction of the production team that ruined it. I didn't mind seeing unknown actors playing the characters, but being English there are few well known Spanish actors to me anyway.

I won't spoil the ending, but its not something I want to sit through again, and it will be interesting to see if there will be a Diary of a Gigolo Pt 2.