Mr Loverman

Lennie James is a much underrated actor who has taken on some gritty roles in his career. Was far more impressed with his performance in another BBC miniseries _The State Within, back in 2006.

However, no matter how you dress this up with rationalised pseudo reasoning, it comes down to portraying someone who never had the guts to live as themselves, but chose to destroy another person's life and happiness along with their family. So much for marriage vows to his wife..!

All rather strange, when you consider how long SSM was fought for, and yet here, a nearly lifelong marriage is discarded as almost a complete irrelevance to the story!

The first episode has a tagline.. "Is Barry brave enough to leave his wife?" Why is the final act of being unfaithful to your wife for decades described as being .."brave" ?

This isn't an uncommon theme, the question is...why are dramas like this attempting to make a virtue out of the appalling philandering behaviour of a husband..is it just because he's gay? ..talk about double standards!

Mr. Loverman is a heartfelt, character-driven drama that masterfully explores love, identity, and the deep regrets of living a life in secrecy. Lennie James delivers a standout performance as Barry Walker, a 74-year-old gay Black man torn between his long-time marriage and his true love, Morris, played by Ariyon Bakare. Sharon D. Clarke shines as Barry's wife, Carmel, bringing depth to a woman who has silently endured years of betrayal. The series is a rare portrayal of elderly Black gay love, delving into the emotional and societal costs of inauthenticity.

Set against the vibrant backdrop of Hackney, London, the show immerses us in the complexity of Barry's life, touching on themes of homophobia, misogyny, and intergenerational conflict. The flashbacks, showing Barry's and Morris's painful past in both Antigua and the UK, underscore the heavy trauma they carry. While updated to reflect modern-day issues like gentrification and same-sex marriage, the series stays true to its roots in examining the difficulties of coming out, especially within the Black community.

Despite some clunky dialogue and underdeveloped supporting characters, Mr. Loverman excels in capturing the emotional tension between Barry, Morris, and Carmel. The chemistry between James and Bakare is palpable, making their hidden relationship all the more poignant. Meanwhile, the strained dynamic between Barry and Carmel is both heartbreaking and raw, showcasing the bitter toll of deception.

The show bravely addresses the struggles of being an old, gay Black man, particularly through scenes where Barry grapples with violent memories and societal rejection. It highlights not only the personal cost of living inauthentically but also the enduring resilience of love.

Series is a necessary, timely exploration of Black queer love, and its sincere, thought-provoking approach will resonate with viewers seeking a more nuanced story of love, self-acceptance, and the courage to live truthfully.

Wow. Just wow. I accidentally stumbled upon this magnificent gem and how delighted I am. Beautifully shot with excellent performances by all, I was truly surprised how much story was tightly packed into each 30 minute episodes (I didn't score a 10 simply because of my selfish desire to see these characters for 60 minutes).

The story authentically captures the essence of West Indian life (the music, the accent and nuances of speech, slang words, the cultural sensitivities, food, and the deep influence of religion) as well as the immigrant experience (prohibition on speaking patois by youngsters, youngsters struggling to straddle both worlds - that of their family and that of their adopted home). The emotions are raw and runs deep.

When people are prohibited from living as their true authentic selves due to fear of ostracism or death, they are more inclined to enter into relationships for cover which creates more hurt and deceit. This series is a gift of remembrance to the many unknown men and women who suffered in silence and forced to live inauthentic lives.

The storyline is good. Interesting. But the colouring and the style of the show makes it look like eastenders. Its poor and cheap. It has great potential for moving drama but it doesnt fly. The voiceover ia also not great. Overall it feels like mrs.marple from 1996 and not a show shoot in 2024. Wasted resources as you can see the show has not generated a lot of interest and imdb has only 200+ reviews. Which is a fail. I would say hire better young, creative directors BBC and just because dude who directed this has whole library of gay doesnt mean he has any talent. Whoever did the research failed to notice all his moves are with score of 5 LOL.

This is a riveting drama and superb acting from all the cast, extremely well written with characters you really get to know and appreciate for who they are or pretend to be. It does not shy away from controversy either and handles the prejudices of the characters with both touching realism tinged with humour and sadness. Lennie James simply surpasses himself in his portrayal of a closeted gay man who is caught between his family and secret lover and understandable split loyalties. Set in the London Borough of Hackney and on the Island of Antigua, I cannot recommend this drama highly enough. Enjoy!