Una chica de 17 años llamada Suzume ayuda a un misterioso joven a cerrar las puertas del exterior que están provocando desastres por todo Japón.Una chica de 17 años llamada Suzume ayuda a un misterioso joven a cerrar las puertas del exterior que están provocando desastres por todo Japón.Una chica de 17 años llamada Suzume ayuda a un misterioso joven a cerrar las puertas del exterior que están provocando desastres por todo Japón.
- Premios
- 4 premios ganados y 29 nominaciones en total
Ann Yamane
- Daijin
- (voz)
Nichole Sakura
- Suzume Iwato
- (English version)
- (voz)
Josh Keaton
- Sota Munakata
- (English version)
- (voz)
Jennifer Sun Bell
- Tamaki Iwato
- (English version)
- (voz)
Cam Clarke
- Hitsujiro Munakata
- (English version)
- (voz)
Roger Craig Smith
- Minoru Okabe
- (English version)
- (voz)
Bennett Abara
- Rumi Ninomiya
- (English version)
- (voz)
- (as Amanda Céline Miller)
Rosalie Chiang
- Chika Amabe
- (English version)
- (voz)
Allegra Clark
- Tsubame Iwato
- (English version)
- (voz)
Opiniones destacadas
Beautiful animation, brilliant even, with a lot of attention to details. It captures perfectly the nature with the shimmering of roads and the sparkling of the sea.
The story is interesting even if in some places it could have been better. The feeling of old places with memories from the past struck a cord.
Regarding the love story, I'm not sure how the infatuation "that guy looks beautiful" transformed into deep love to say "I am more afraid of a world without him".
The idea of what generates earthquakes is interesting.
As usual for japanese anime, the final "lessons" can easily bring you to tears but you are better if you remember that lesson because it's about life.
The story is interesting even if in some places it could have been better. The feeling of old places with memories from the past struck a cord.
Regarding the love story, I'm not sure how the infatuation "that guy looks beautiful" transformed into deep love to say "I am more afraid of a world without him".
The idea of what generates earthquakes is interesting.
As usual for japanese anime, the final "lessons" can easily bring you to tears but you are better if you remember that lesson because it's about life.
Suzume is the latest Makoto Shinkai movie. This is the first one I was lucky enough to see in theaters, and it was well worth it. I consider myself a fan of Shinkai's work, even though I thought his last two entries were overrated. I do like Your Name, though I do think the film is overhyped. It's by no means a masterpiece, at least when it comes to the writing. But I thought the film was okay. I was not a fan of Weathering with You at all though. Ironically, I think some of his best works are his more obscure titles. 5 Centimeters Per Second is my all-time favorite of his. I really enjoy Children Who Chase Lost Voices and Garden of Words. I even like Voices of a Distant Star and The Place Promised in Our Early Days. So how does Suzume rank with all of those?
Well, like with all of Makoto Shinkai's films, the visuals and music are top tier. I don't think another anime director does background detail quite as good and real looking like Shinkai does. It looks even more impressive on the big screen. However, unlike the previous two films of his, I was much more into the story and characters here. I had no idea what this movie would be about going in, as the trailer kept everything vague and mysterious. But I found myself really liking the premise and the journey our main characters were on for the most part. I don't think there was any character in this I actively disliked either. With Your Name I found the lead characters great, but the writing and side characters were a mixed bag, especially in the third act. Other than looking and sounding amazing, like all Shinkai movies, I really liked nothing else about Weathering with You.
The main issue with the film is the romance, and by extension some of the padded scenes in the middle. I know supernatural romance stories are Shinkai's thing. Almost every film of his has a romance between the main leads. Sometimes the romance is done well like in Garden of Words and even Your Name. Here though it feels very rushed and forced because of just how many things are going on and just how many side characters introduced that Suzume interacts with. One of two things I feel needs to be changed here. Either cut down on all the subplots and side characters and focus more time on the two leads' relationship or just not have it be a romance. Like I said, I like all the side characters in this. But if Shinkai really wanted a romance between Suzume and the main male Souta, he really needed to focus more on developing that instead distracting from it with all these other B-plots. As it is, the two should have just been really good friends like the two leads in Children Who Chase Lost Voices were.
Overall, if you're a fan of Shinkai's work then this is a must watch. Even if you didn't care for his previous two films, you should still give this one a chance. It's not his best work in my opinion. I would still prefer Centimeters Per Second, Garden of Words, and Children Who Chase Lost Voices above this. Check those movies out too if you haven't. I'd give this one an 8 or 8.5 out of 10. That rating might go up or down depending on subsequent viewings. But right now, that's how I feel.
Well, like with all of Makoto Shinkai's films, the visuals and music are top tier. I don't think another anime director does background detail quite as good and real looking like Shinkai does. It looks even more impressive on the big screen. However, unlike the previous two films of his, I was much more into the story and characters here. I had no idea what this movie would be about going in, as the trailer kept everything vague and mysterious. But I found myself really liking the premise and the journey our main characters were on for the most part. I don't think there was any character in this I actively disliked either. With Your Name I found the lead characters great, but the writing and side characters were a mixed bag, especially in the third act. Other than looking and sounding amazing, like all Shinkai movies, I really liked nothing else about Weathering with You.
The main issue with the film is the romance, and by extension some of the padded scenes in the middle. I know supernatural romance stories are Shinkai's thing. Almost every film of his has a romance between the main leads. Sometimes the romance is done well like in Garden of Words and even Your Name. Here though it feels very rushed and forced because of just how many things are going on and just how many side characters introduced that Suzume interacts with. One of two things I feel needs to be changed here. Either cut down on all the subplots and side characters and focus more time on the two leads' relationship or just not have it be a romance. Like I said, I like all the side characters in this. But if Shinkai really wanted a romance between Suzume and the main male Souta, he really needed to focus more on developing that instead distracting from it with all these other B-plots. As it is, the two should have just been really good friends like the two leads in Children Who Chase Lost Voices were.
Overall, if you're a fan of Shinkai's work then this is a must watch. Even if you didn't care for his previous two films, you should still give this one a chance. It's not his best work in my opinion. I would still prefer Centimeters Per Second, Garden of Words, and Children Who Chase Lost Voices above this. Check those movies out too if you haven't. I'd give this one an 8 or 8.5 out of 10. That rating might go up or down depending on subsequent viewings. But right now, that's how I feel.
Suzume has become one of 2023's breakout hits and for good reason; though the film may have some similarities to Your Name and Weathering With You, it's got enough different material to make this film a nicely refreshing experience at the cinema.
I don't know why some critics/audience-members have complained about the supposed similarities to Makoto Shinkai's previous films; directors have styles they refine to their heart's content, so it's an odd thing to point out here. With that said, Shinkai uses his 'magic realism' approach to tell an even more fantasy-oriented story than Your Name; there are talking cats and sentient chairs in this one instead of a 'simple' body-swap.
Of course, the story's well realised but what about the animation? It's gorgeous! Of course it's gorgeous! It's so crisp and fluid that even the few imperfections here and there do not diminish the sense of seeing a fantastical take on modern Japan that's ripe for the 'real fantasy' imagery on display here. Also, the animation has a consistently cinematic (and larger than life) flare that few recent American animated offerings seem to have. The intimate and big set pieces never feel totally out of place. Everything here just... fits nicely.
Suzume is the kind of animation that cinema was made to show off, and in THE showiest fashion possible! Makoto Shinkai has a real knack for theatrical stories.
Suzume gets 4.5/5 stars. 9/10 points. This one is certainly worth getting a ticket to see!
I don't know why some critics/audience-members have complained about the supposed similarities to Makoto Shinkai's previous films; directors have styles they refine to their heart's content, so it's an odd thing to point out here. With that said, Shinkai uses his 'magic realism' approach to tell an even more fantasy-oriented story than Your Name; there are talking cats and sentient chairs in this one instead of a 'simple' body-swap.
Of course, the story's well realised but what about the animation? It's gorgeous! Of course it's gorgeous! It's so crisp and fluid that even the few imperfections here and there do not diminish the sense of seeing a fantastical take on modern Japan that's ripe for the 'real fantasy' imagery on display here. Also, the animation has a consistently cinematic (and larger than life) flare that few recent American animated offerings seem to have. The intimate and big set pieces never feel totally out of place. Everything here just... fits nicely.
Suzume is the kind of animation that cinema was made to show off, and in THE showiest fashion possible! Makoto Shinkai has a real knack for theatrical stories.
Suzume gets 4.5/5 stars. 9/10 points. This one is certainly worth getting a ticket to see!
"Suzume," directed by Makoto Shinkai, is an enchanting animated film that masterfully blends elements of fantasy, adventure, and deeper emotional themes. Renowned for his previous works like "Your Name" and "Weathering with You," Shinkai continues to showcase his signature style in this beautifully crafted story.
The film follows the journey of a young girl named Suzume, who stumbles upon a mysterious door in the mountains of Kyushu. This door leads to other worlds and opens up an array of adventures, but it also unleashes chaos that she must confront. Accompanied by a young man named Souta, her quest transforms into a race against time as they seek to close the doors to prevent disasters from affecting their reality.
As expected from a Shinkai film, the animation in "Suzume" is nothing short of breathtaking. The vibrant landscapes of Japan, combined with meticulously detailed backgrounds, create an immersive world that draws the viewer in. The motion and fluidity of animated sequences are coupled with stunning visual effects that highlight the film's fantastical elements, making every frame a work of art.
Suzume is a relatable protagonist whose emotional depth resonates throughout the film. Her character evolves dramatically as she grapples with her past, the losses she faces, and the responsibility that comes with her journey. Souta's character complements Suzume beautifully, bringing in a dynamic that balances humor and seriousness. The supporting characters, including Suzume's friends and family, add richness to her story, offering insights into her motivations and struggles.
At its core, "Suzume" explores themes of grief, connection, and the importance of confronting one's emotions. The door symbolizes both opportunity and the consequences of one's choices, serving as a metaphor for how we deal with the past and the steps we take to move forward. The film touches on the impact of natural disasters, intergenerational trauma, and personal growth, providing not just entertainment but also deep reflections that linger after the credits roll.
The musical score, crafted by the renowned musician Radwimps, enhances the emotional impact of the film. The soundtrack expertly blends with the visuals, guiding viewers through the highs and lows of Suzume's journey, adding layers of emotional depth. The songs are memorable and beautifully complement the narrative, further immersing the audience in her world.
"Suzume" is a poignant and visually stunning film that appeals to both animation lovers and general audiences. It captures the essence of human emotions through the lens of fantasy and adventure, leaving viewers with a lasting impression. Makoto Shinkai proves once again that he is a master storyteller, and "Suzume" stands out as a testament to his genius. Whether you're a fan of his previous works or new to his films, "Suzume" is a cinematic experience that should not be missed.
The film follows the journey of a young girl named Suzume, who stumbles upon a mysterious door in the mountains of Kyushu. This door leads to other worlds and opens up an array of adventures, but it also unleashes chaos that she must confront. Accompanied by a young man named Souta, her quest transforms into a race against time as they seek to close the doors to prevent disasters from affecting their reality.
As expected from a Shinkai film, the animation in "Suzume" is nothing short of breathtaking. The vibrant landscapes of Japan, combined with meticulously detailed backgrounds, create an immersive world that draws the viewer in. The motion and fluidity of animated sequences are coupled with stunning visual effects that highlight the film's fantastical elements, making every frame a work of art.
Suzume is a relatable protagonist whose emotional depth resonates throughout the film. Her character evolves dramatically as she grapples with her past, the losses she faces, and the responsibility that comes with her journey. Souta's character complements Suzume beautifully, bringing in a dynamic that balances humor and seriousness. The supporting characters, including Suzume's friends and family, add richness to her story, offering insights into her motivations and struggles.
At its core, "Suzume" explores themes of grief, connection, and the importance of confronting one's emotions. The door symbolizes both opportunity and the consequences of one's choices, serving as a metaphor for how we deal with the past and the steps we take to move forward. The film touches on the impact of natural disasters, intergenerational trauma, and personal growth, providing not just entertainment but also deep reflections that linger after the credits roll.
The musical score, crafted by the renowned musician Radwimps, enhances the emotional impact of the film. The soundtrack expertly blends with the visuals, guiding viewers through the highs and lows of Suzume's journey, adding layers of emotional depth. The songs are memorable and beautifully complement the narrative, further immersing the audience in her world.
"Suzume" is a poignant and visually stunning film that appeals to both animation lovers and general audiences. It captures the essence of human emotions through the lens of fantasy and adventure, leaving viewers with a lasting impression. Makoto Shinkai proves once again that he is a master storyteller, and "Suzume" stands out as a testament to his genius. Whether you're a fan of his previous works or new to his films, "Suzume" is a cinematic experience that should not be missed.
I didn't know it was about the earthquake and 311. I wasn't ready at all. For the people who don't know about it, it would be a great adventure anime which has a comedy aspect. But for me, it was pretty heavy.
I don't think it has a crying scene but I cried like a baby at the scene that reminded me 311 also made me think of the people who lost their loved ones on that day by the earthquake and tsunami.
About the people who didn't come home after they left their home in the morning...
I was living in Tokyo back then so I'm not in the position to talk about it much but This movie is special for us I think.
I don't know if I can watch this movie again after knowing what's this about now because it's a lot for me.
For the animation and story, I would rate it 8-9 but for the people who became stars above on that day and people who lost loved ones, I rated 10.
Oh btw my husband who is an American said it was a great movie so it's for everyone :)
To the people planning a trip to Japan, I recommend looking up about what you all should do if an earthquake happens in Japan juuuuust in case. Hope it helps you and have a wonderful time there! :))
(Sorry for my poor English and thank you for reading.)
I don't think it has a crying scene but I cried like a baby at the scene that reminded me 311 also made me think of the people who lost their loved ones on that day by the earthquake and tsunami.
About the people who didn't come home after they left their home in the morning...
I was living in Tokyo back then so I'm not in the position to talk about it much but This movie is special for us I think.
I don't know if I can watch this movie again after knowing what's this about now because it's a lot for me.
For the animation and story, I would rate it 8-9 but for the people who became stars above on that day and people who lost loved ones, I rated 10.
Oh btw my husband who is an American said it was a great movie so it's for everyone :)
To the people planning a trip to Japan, I recommend looking up about what you all should do if an earthquake happens in Japan juuuuust in case. Hope it helps you and have a wonderful time there! :))
(Sorry for my poor English and thank you for reading.)
¿Sabías que…?
- TriviaWhether going to the countryside to see his parents or traveling the country to present his movies, Makoto Shinkai was seeing more and more deserted places and deserted buildings in Japan, due to the country's aging demographics. He wondered why Japanese people have prayers for groundbreaking ceremonies, but not when the buildings are abandoned, unlike what happens for people. That's why he made the movie about mourning for places.
- ErroresThe epicenter of the 2011 Touhoku earthquake was undersea, 45 miles off the East coast of Japan, so the worm couldn't possibly be responsible for it.
- Citas
Singer: How much meaning must we overcome before we reach our destination?
- Créditos curiososThe title doesn't appear until around the 13-minute mark.
- ConexionesFeatured in MsMojo: Top 10 Best Animated Movies of 2023 (2023)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Suzume?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 10,932,037
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,001,705
- 16 abr 2023
- Total a nivel mundial
- USD 221,179,778
- Tiempo de ejecución
- 2h 2min(122 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta