Una chica de 17 años llamada Suzume ayuda a un misterioso joven a cerrar las puertas del exterior que están provocando desastres por todo Japón.Una chica de 17 años llamada Suzume ayuda a un misterioso joven a cerrar las puertas del exterior que están provocando desastres por todo Japón.Una chica de 17 años llamada Suzume ayuda a un misterioso joven a cerrar las puertas del exterior que están provocando desastres por todo Japón.
- Premios
- 4 premios ganados y 29 nominaciones en total
Ann Yamane
- Daijin
- (voz)
Nichole Sakura
- Suzume Iwato
- (English version)
- (voz)
Josh Keaton
- Sota Munakata
- (English version)
- (voz)
Jennifer Sun Bell
- Tamaki Iwato
- (English version)
- (voz)
Cam Clarke
- Hitsujiro Munakata
- (English version)
- (voz)
Roger Craig Smith
- Minoru Okabe
- (English version)
- (voz)
Bennett Abara
- Rumi Ninomiya
- (English version)
- (voz)
- (as Amanda Céline Miller)
Rosalie Chiang
- Chika Amabe
- (English version)
- (voz)
Allegra Clark
- Tsubame Iwato
- (English version)
- (voz)
Opiniones destacadas
Beautiful animation, brilliant even, with a lot of attention to details. It captures perfectly the nature with the shimmering of roads and the sparkling of the sea.
The story is interesting even if in some places it could have been better. The feeling of old places with memories from the past struck a cord.
Regarding the love story, I'm not sure how the infatuation "that guy looks beautiful" transformed into deep love to say "I am more afraid of a world without him".
The idea of what generates earthquakes is interesting.
As usual for japanese anime, the final "lessons" can easily bring you to tears but you are better if you remember that lesson because it's about life.
The story is interesting even if in some places it could have been better. The feeling of old places with memories from the past struck a cord.
Regarding the love story, I'm not sure how the infatuation "that guy looks beautiful" transformed into deep love to say "I am more afraid of a world without him".
The idea of what generates earthquakes is interesting.
As usual for japanese anime, the final "lessons" can easily bring you to tears but you are better if you remember that lesson because it's about life.
A love at first sight, seeking past, fifty thousand people used to live here now it's a ghost town, unlikely villain, phenomenon driven mystery, parkour, a race against time and chance, past meet future, today's sacrifice tomorrow's keep, great humor timing, strong voice acting, magical, captivating visual art animation & a music to fall in love, with nostalgia sure to hit a Makoto Shinkai's masterpiece ! When I left the theater I feel like wanting more I regretted for not having watch Kimi no Nawa and Weathering with you on cinema but not this time and I am so glad I captured this one. Ittekimasu Itterasshai.
"Suzume," directed by Makoto Shinkai, is an enchanting animated film that masterfully blends elements of fantasy, adventure, and deeper emotional themes. Renowned for his previous works like "Your Name" and "Weathering with You," Shinkai continues to showcase his signature style in this beautifully crafted story.
The film follows the journey of a young girl named Suzume, who stumbles upon a mysterious door in the mountains of Kyushu. This door leads to other worlds and opens up an array of adventures, but it also unleashes chaos that she must confront. Accompanied by a young man named Souta, her quest transforms into a race against time as they seek to close the doors to prevent disasters from affecting their reality.
As expected from a Shinkai film, the animation in "Suzume" is nothing short of breathtaking. The vibrant landscapes of Japan, combined with meticulously detailed backgrounds, create an immersive world that draws the viewer in. The motion and fluidity of animated sequences are coupled with stunning visual effects that highlight the film's fantastical elements, making every frame a work of art.
Suzume is a relatable protagonist whose emotional depth resonates throughout the film. Her character evolves dramatically as she grapples with her past, the losses she faces, and the responsibility that comes with her journey. Souta's character complements Suzume beautifully, bringing in a dynamic that balances humor and seriousness. The supporting characters, including Suzume's friends and family, add richness to her story, offering insights into her motivations and struggles.
At its core, "Suzume" explores themes of grief, connection, and the importance of confronting one's emotions. The door symbolizes both opportunity and the consequences of one's choices, serving as a metaphor for how we deal with the past and the steps we take to move forward. The film touches on the impact of natural disasters, intergenerational trauma, and personal growth, providing not just entertainment but also deep reflections that linger after the credits roll.
The musical score, crafted by the renowned musician Radwimps, enhances the emotional impact of the film. The soundtrack expertly blends with the visuals, guiding viewers through the highs and lows of Suzume's journey, adding layers of emotional depth. The songs are memorable and beautifully complement the narrative, further immersing the audience in her world.
"Suzume" is a poignant and visually stunning film that appeals to both animation lovers and general audiences. It captures the essence of human emotions through the lens of fantasy and adventure, leaving viewers with a lasting impression. Makoto Shinkai proves once again that he is a master storyteller, and "Suzume" stands out as a testament to his genius. Whether you're a fan of his previous works or new to his films, "Suzume" is a cinematic experience that should not be missed.
The film follows the journey of a young girl named Suzume, who stumbles upon a mysterious door in the mountains of Kyushu. This door leads to other worlds and opens up an array of adventures, but it also unleashes chaos that she must confront. Accompanied by a young man named Souta, her quest transforms into a race against time as they seek to close the doors to prevent disasters from affecting their reality.
As expected from a Shinkai film, the animation in "Suzume" is nothing short of breathtaking. The vibrant landscapes of Japan, combined with meticulously detailed backgrounds, create an immersive world that draws the viewer in. The motion and fluidity of animated sequences are coupled with stunning visual effects that highlight the film's fantastical elements, making every frame a work of art.
Suzume is a relatable protagonist whose emotional depth resonates throughout the film. Her character evolves dramatically as she grapples with her past, the losses she faces, and the responsibility that comes with her journey. Souta's character complements Suzume beautifully, bringing in a dynamic that balances humor and seriousness. The supporting characters, including Suzume's friends and family, add richness to her story, offering insights into her motivations and struggles.
At its core, "Suzume" explores themes of grief, connection, and the importance of confronting one's emotions. The door symbolizes both opportunity and the consequences of one's choices, serving as a metaphor for how we deal with the past and the steps we take to move forward. The film touches on the impact of natural disasters, intergenerational trauma, and personal growth, providing not just entertainment but also deep reflections that linger after the credits roll.
The musical score, crafted by the renowned musician Radwimps, enhances the emotional impact of the film. The soundtrack expertly blends with the visuals, guiding viewers through the highs and lows of Suzume's journey, adding layers of emotional depth. The songs are memorable and beautifully complement the narrative, further immersing the audience in her world.
"Suzume" is a poignant and visually stunning film that appeals to both animation lovers and general audiences. It captures the essence of human emotions through the lens of fantasy and adventure, leaving viewers with a lasting impression. Makoto Shinkai proves once again that he is a master storyteller, and "Suzume" stands out as a testament to his genius. Whether you're a fan of his previous works or new to his films, "Suzume" is a cinematic experience that should not be missed.
1 Comparison with past works
Suzume is completely different from Your name and Weathering with you.
This film does not have plot twists that Your name has.
Additionally, this film may not contain the willpower portrayed in Weathering with you.
However, this film may contain something necessary to live in this world.
2 Contents
This film evokes memories of a serious incident in Japan for the present generation, and also allows future generations to inherit those memories.
This film may teach us something necessary to overcome that incident.
In my opinion, this film may be comparable to Your name.
Suzume is completely different from Your name and Weathering with you.
This film does not have plot twists that Your name has.
Additionally, this film may not contain the willpower portrayed in Weathering with you.
However, this film may contain something necessary to live in this world.
2 Contents
This film evokes memories of a serious incident in Japan for the present generation, and also allows future generations to inherit those memories.
This film may teach us something necessary to overcome that incident.
In my opinion, this film may be comparable to Your name.
I always wait patiently for the next Makoto Shinkai movie. He always delivers on beautiful animation and an interesting fantasy story and Suzume delvers on that. There are a few things I didn't like, some things I loved but overall I felt this to be a bit on the bland side. This story felt already told by Shinkai and while I always want to watch what he dose next, I always hope he´ll push himself just a little bit more to do something different. He still delivers a charming and moving movie here, but the impact wasn't really there this time for me.
After following a young man to the ruins near her town, Suzume accidently awakens a demon thar protected the world from an evil that creates earthquakes. Suzume most now help Souta who has been hexed into a chair save Japan.
I really love the characters in this movie. They all feel alive and independent. The movie has this road trip vibe where Suzume meets more people and see more of Japan, and every person feels like their own, even if they barely impact the story. Suzume is a character that needed more time to really shine and shown the way she feels and why she acts the way she dose but to me the creative and weird decision of turning Souta into a chair that can walk and talk is a stroke of genius. It makes the story more memorable and really shows the magical capabilities of this world. And the chair is cute no doubt.
What Shinkai often do best is the mix of serious and real with magic and fantasy. This movie can be seen as a fun fantasy road trip, or a look at the abandon culture of Japan as well as the horror of earthquakes. The movie is kids fun, while talking about orphans and even mentioning the 3/11 earthquake and tsunami, showing it in a moving and gut wrenching way. This is where Shinkai shines, and this movie moved me to tears at the end. It has this very impactful scene with a kid calling for her mom and it really is devastating. The very end is kind of just there and while interesting doesn't really impact the story too much. In general it feels like the movie was written by multiple people with multiple visions and too much they wanted to say, but there is only 1 writing credit, Skinkai himself. I think he wanted to do too many things this time around and the middle of the movie really slows down to me and some plot points only shine in one scene and is then abandoned. The story also felt like something I had seen before and the hopeless romanticism of Shinkai feels done to death now. It had Weathering with you (2019) vibes, another Shinkai movie, and the plot points were a bit too similar to me. It´s still a good story, but I would love to see Shinkai move out of his comfort zone.
The animation is as always absolutely glorious and incredible. Shinkai has this eye for the small and mundane which he always but energy into as the side of an eraser that is highly detailed with logos and text. Not only the but there are these just picturesque frames that are so beautiful and detailed. Shinkai has been experimenting more and more with the crossing of 2D and 3D animation and now I feel like he is leaning more into 3D. This is for better and worse as the 3D looks incredible and some frames are still absolutely stunning, but I miss his 2D charm. It´s still here, but a bit more in the background comparably.
The score and music is pretty good and cute, not as memorable as it used to be but it works for this movie.
The voice acting is pretty good too and especially love Suzume´s voice actress Hanoka Hara. She brings so much natural voice work to her role and her acting is effortless. While I am not criticizing Souta´s voice work, I noticed his voice sounded recorded. You could really hear it was recorded sound and it created this cheap and unnatural sound to the character.
Suzume is a good movie and I can´t wait to watch it again, but it will take a bit longer for me to return to this compared to Shinkais other works. This movie just lagged a little bit everywhere and while still being enjoyable it just isn't as perfect as I´m used to from this director.
After following a young man to the ruins near her town, Suzume accidently awakens a demon thar protected the world from an evil that creates earthquakes. Suzume most now help Souta who has been hexed into a chair save Japan.
I really love the characters in this movie. They all feel alive and independent. The movie has this road trip vibe where Suzume meets more people and see more of Japan, and every person feels like their own, even if they barely impact the story. Suzume is a character that needed more time to really shine and shown the way she feels and why she acts the way she dose but to me the creative and weird decision of turning Souta into a chair that can walk and talk is a stroke of genius. It makes the story more memorable and really shows the magical capabilities of this world. And the chair is cute no doubt.
What Shinkai often do best is the mix of serious and real with magic and fantasy. This movie can be seen as a fun fantasy road trip, or a look at the abandon culture of Japan as well as the horror of earthquakes. The movie is kids fun, while talking about orphans and even mentioning the 3/11 earthquake and tsunami, showing it in a moving and gut wrenching way. This is where Shinkai shines, and this movie moved me to tears at the end. It has this very impactful scene with a kid calling for her mom and it really is devastating. The very end is kind of just there and while interesting doesn't really impact the story too much. In general it feels like the movie was written by multiple people with multiple visions and too much they wanted to say, but there is only 1 writing credit, Skinkai himself. I think he wanted to do too many things this time around and the middle of the movie really slows down to me and some plot points only shine in one scene and is then abandoned. The story also felt like something I had seen before and the hopeless romanticism of Shinkai feels done to death now. It had Weathering with you (2019) vibes, another Shinkai movie, and the plot points were a bit too similar to me. It´s still a good story, but I would love to see Shinkai move out of his comfort zone.
The animation is as always absolutely glorious and incredible. Shinkai has this eye for the small and mundane which he always but energy into as the side of an eraser that is highly detailed with logos and text. Not only the but there are these just picturesque frames that are so beautiful and detailed. Shinkai has been experimenting more and more with the crossing of 2D and 3D animation and now I feel like he is leaning more into 3D. This is for better and worse as the 3D looks incredible and some frames are still absolutely stunning, but I miss his 2D charm. It´s still here, but a bit more in the background comparably.
The score and music is pretty good and cute, not as memorable as it used to be but it works for this movie.
The voice acting is pretty good too and especially love Suzume´s voice actress Hanoka Hara. She brings so much natural voice work to her role and her acting is effortless. While I am not criticizing Souta´s voice work, I noticed his voice sounded recorded. You could really hear it was recorded sound and it created this cheap and unnatural sound to the character.
Suzume is a good movie and I can´t wait to watch it again, but it will take a bit longer for me to return to this compared to Shinkais other works. This movie just lagged a little bit everywhere and while still being enjoyable it just isn't as perfect as I´m used to from this director.
¿Sabías que…?
- TriviaWhether going to the countryside to see his parents or traveling the country to present his movies, Makoto Shinkai was seeing more and more deserted places and deserted buildings in Japan, due to the country's aging demographics. He wondered why Japanese people have prayers for groundbreaking ceremonies, but not when the buildings are abandoned, unlike what happens for people. That's why he made the movie about mourning for places.
- ErroresThe epicenter of the 2011 Touhoku earthquake was undersea, 45 miles off the East coast of Japan, so the worm couldn't possibly be responsible for it.
- Citas
Singer: How much meaning must we overcome before we reach our destination?
- Créditos curiososThe title doesn't appear until around the 13-minute mark.
- ConexionesFeatured in MsMojo: Top 10 Best Animated Movies of 2023 (2023)
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- How long is Suzume?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 10,932,037
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,001,705
- 16 abr 2023
- Total a nivel mundial
- USD 221,179,778
- Tiempo de ejecución
- 2h 2min(122 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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