Sometimes I Think About Dying

The actress delivered an exceptionally perfect performance in this challenging role. Although many films have previously explored this type of character, her portrayal was unique and distinct, imbued with a personal touch that only she could bring. I genuinely believe that no other actress in the world could embody this character with such a level of distinction. My praise is not an exaggeration.

The film does not feature extensive dialogue or a lot of spoken words. Instead, the main character's facial expressions and simple actions were profoundly expressive, and the actress managed to convey her emotions largely without speaking. The film generally has a sad tone and a grim atmosphere, yet the director succeeded in making it engaging despite these elements. It was a film in which I fully immersed myself, connected with on a deep level, and it left a lasting impression on me.

First of all, ignore all these moronic reviews that say "it's boring" or "it has no plot so it sucks". These people don't get it. They need constant action, plot points and shiny objects. If that's you, simply DO NOT WATCH movies like this!

This film only has a few settings, it focuses on negative space and silence, which oddly enough is how depression works. It also has a lot to do with suicidal ideation (that's the title so clearly).

The movie focuses on Daisy Ridley. She's quiet, awkward and might be depressed. These type of acting roles for an already established high-level actor can be challenging. She really knocks it out of the park. Her acting is very subtle and meta, and that's basically the film.

I truly enjoyed the film annd all the characters add so much value to it. Totally enjoyable if you like quiet, thinking films. 7.3/10.

First thing, is that this is a very depressing movie to relate to. Especially the character. The movie itself is pretty uneventful, it's purposely not trying to do anything conventionally interesting. I enjoyed it though just because of how deliberate that was.

You can feel how socially awkward Fran is. This felt like it was made by an introvert, the type that isn't an introvert of their own volition. I love how introversion is depicted as something we don't have a choice in. I think the movie does a good job at conveying her emotions in the moment. Daisy Ridley was fantastic. There probably are movies out there that depict social awkwardness pretty well, but this is the one that I feel did it best. Probably because there were so many awkward interactions in this where I thought "oh that happens to me a lot" Or "oh I those thoughts too."So it felt personal to me.

I also loved how the movie is narrated from Fran's perspective. It feels like we're in her head, and for the most part we don't get to see if other characters are judging her introversion for the most part. So we just get to see her inaudibly, through her mannerisms, ask herself oh is this weird? Was that a weird thing to say? This is weird, right? I think it's the perfect depiction of social anxiety, awkwardness and loneliness.

The only thing I didn't like was the argument in the car. It made sense but it felt unnatural in the moment, sudden and random. Otherwise the movie is perfect to me. Every now and then I wondered when this movie is set; sometimes I think it's the 90's because I haven't seen anyone play CDs in a while, but then the computers in the office are new.

A guy fell asleep and was snoring. Didn't seem like a movie that should be playing in theater. I think it's a movie most people wouldn't like or maybe even relate to, but I loved it.

Fran (Daisy Ridley) is a quiet loner who often thinks about suicide. She is alone even in a crowd at her work. Co-worker Robert gets past her barriers and they start dating.

Initially, I'm interested for about ten minutes and then I'm wondering if anything is going to happen. Something happens and I'm interested for another ten minutes before wondering if anything else is going to happen. That's how it goes. I alternate between mildly interested and waiting for the next thing. For the second half, I am interested in one thing. I'm waiting for the ending. I'm just not sure if it's going full dark or going for something more hopeful. This is not for everyone and not all of this is for me.

"Fran" (Daisy Ridley) likes to keep herself to herself. She's very much on the periphery of things at work and goes home to her favourite cottage cheese and bed by 10.15 most evenings. The arrival of "Robert" (Dave Merheje) shakes things up a little when his request for some office provisions leads to a trip to the cinema to see "Departure" (2015). Though it could never be described as racy, what now ensues watches the two get a little close and a better acquainted. She reveals to him that as she looks from her cubicle window at the huge cranes loading and unloading the ships, she imagines herself swinging from one of them - and not in the way a child might! A chance meeting with the recently retired "Carol" (Marcia DeBonis) in a diner might help "Fran" recalibrate her priorities though! This is a far cry from anything Ridley has done thus far, and shows her as an actor of considerable versatility. The writing works quite well here, too. Sparingly used between the main characters but more plentifully used to illustrate the banal nature of her life at work - especially with boss "Isobel" (Megan Stalter) who has verbal diarrhoea in just about every way you can imagine. The story takes quite an interesting look at those (slightly) later in life who are in a rut and content to remain so but I'm afraid this whole scenario doesn't really make for gripping cinema. Indeed, at times the director seems content to leave us with only the superficial glimpse of the characters and together with the bleak and dull nature of the lighting, creates an ennui all of it's own. It's not so much that nothing really happens, it's that I wasn't really bothered either way if it did or didn't. The whole thing is all just a bit too lacklustre. It's fine, this film, but not much more.